ソヴァ

プロンプト

採用3カットの実行プロンプトと編集範囲 · revision 1

ソヴァ／19時版。完成尺752フレーム、30fps、854x480。初回動画0–140f + リメイク動画0–372f + 19時搭乗席0–240f。各範囲は終了フレームを含まない。参照音声は声質参照、発話はWan生成。昼の搭乗席画像はドック生成時の実入力として記録、完成搭乗席は19時版へ差替済み。

===== prompt_wan3.txt =====
Create exactly one 30-second 16:9 cinematic tokusatsu comedy video with synchronized Japanese dialogue and sound. A recognizable Evangelion first-deployment parody titled Sovangelion, but do NOT render the title. Serious giant-monster disaster and imposing underground containment dock; absurd ordinary giant Sobaya and workplace coercion. Photoreal industrial environment and live-action Yotan/Fukuchan integrated with exact reference-designed stylized Yametaro/Takosan; do not humanize those stylized characters. Full moving footage to 30.0 seconds, no fade, blackout, end card, subtitles or credits.

References (number separately by media type):
Image 1: Yametaro identity and purple shirt, round black spectacles with plain white lens areas, compact stylized body. Only one Yametaro, normal character scale beside adult humans, never giant.
Image 2: Yotan exact real-person face from right-hand portraits, blond hair, tinted glasses and black leather outfit. Front/back clothing panels are clothes references, NOT headless people. Omit guitar for this scene. He is the stern commander.
Image 3: Fukuchan exact real-person face from right-hand portraits, black hair, black jacket and white printed shirt. Clothing panels are NOT headless people. He is an adult man, warmly upbeat, never substitute a female anime character.
Image 4: Sobaya authoritative mask, short black hair, gray exposed skin, stocky muscular proportions and plain white short-sleeve T-shirt. Scale up the same ordinary character to building size. White mask with exact red markings, black round eyeholes, forehead dot and mouth slit stays correctly worn in EVERY frame. No removal, lifting, sliding, transparency or exposed human face. No robot armor, horns, pilot suit, mecha head or changed proportions.
Image 5: Takosan episode-specific red-core form. Preserve matte toy-diorama material, white face, two black circular eyes, large black hooded patterned robe, TWO humanoid arms ending in white rounded fingerless hands, SIX lower-body tentacles. Giant scale only. Exactly one glossy deep-red spherical core half embedded in chest, approximately half white face width; keep it readable. No extra armor, horns, spikes, human legs or arm-to-tentacle transformation. Reference views depict ONE character.
Image 6: Sobaya giant dock v2: closely match the attached Evangelion cage composition, centered slightly elevated camera, symmetrical narrow rectangular flooded shaft, tall close steel side walls, chunky paired gray shoulder clamps with red-black hazard stripes, a narrow horizontal bridge directly before the giant at chin/upper-chest height, strong cold cyan-white rear light. Flat amber beer pool with scattered white froth extends toward camera. One mug in a subordinate recessed side rack. No cathedral cavern, circular tank or waterfall. Environment/scale/prop reference; Image 4 overrides any face or body discrepancies. Purple and green belong to restraint machinery ONLY. Exactly one giant upright glass beer mug filled with beer on a separate rack, not in his hands. Ignore any tiny background figures; foreground cast is only the specified three people. This is not a fixed first frame.
Audio 1: Yotan voice-timbre reference only. Japanese male voice, stern restrained command; retain speaker identity.
Audio 2: Yametaro voice-timbre reference only. Relaxed Japanese male mid-low voice, soft Kansai inflection, then indignant short retort.
Audio 3: Fukuchan voice-timbre reference only. Bright energetic adult male, cheerful smiling delivery, final phrase in a bubbly TV-preview cadence.
Do not copy reference audio words or timing. Generate the exact new lines below. Never copy sheet panels, labels, studio backgrounds, multiple views, color swatches or headless clothing into the scene.

Yametaro identity lock — Image 1 is the exact design authority, not loose inspiration. Preserve its head width-to-height ratio, hair silhouette and hairline, cheek and ear placement, short neck and compact body proportions in every frame. Keep the round black spectacle frames and the sheet's simple white lens/eye areas; do not invent visible pupils, irises, realistic eyeballs, eye sockets, eyelids or eyebrows. Keep the tiny black forehead mark separate from the low, subtle skin-colored nose; no black nose dot, outlined nostrils or projecting nose. Preserve the round cheeks and flat pink blush marks, smooth skin-colored chin, ears and nape, with no black contour bands or facial creases. Do not lengthen the forehead/head, inflate the hair, enlarge ears or add realistic lips. Animate the small inset mouth using the sheet's rest and A/I/U/E/O views as articulation guidance, with visible mouth interior when speaking; do not freeze the smile, protrude the lips or stretch the mouth into a new facial design. Emotion and cinematic lighting must not redesign the face. Wardrobe follows the scene instructions independently of identity. A previous generated take is not an identity reference.

Overall continuity: Takosan appears only outdoors during 0–4 seconds. Sobaya appears only inside the same vast dock from 4 seconds onward, chest-deep in amber beer, restrained, calm as if bathing. He never pilots, speaks, reaches for anyone or lifts his mug. Human-scale Yametaro and Fukuchan share the narrow bridge directly before the giant, linked to side platforms. Yotan sits on an elevated command platform looking down toward that walkway. Keep platform geography and direction consistent. No cockpit reveal or actual boarding in this episode. Lighting stays cool industrial with red warning lamps and warm amber reflections.

Shot 1 [0.0-4.0 s] — Low street-level wide view in a modern Japanese city. One gigantic Takosan towers above buildings. A lower tentacle sweeps a building facade and kicks up dust. His face remains blank. Chest core pulses red at 0.7–1.3 s; white energy gathers immediately in front of his face at 1.3–1.9 s. Fire ONE narrow brilliant beam from the energy in front of his face, NOT from the chest. Impact at a distant city block creates a huge vertical cross-shaped column of light by 3 seconds. Keep Takosan and the cross readable, no lingering full-screen whiteout. Crumbling masonry, charging whine, beam discharge and distant explosion. No speech.

Shot 2 [4.0-8.0 s] — Hard cut to the centered, symmetrical cage composition of Image 6. Slightly elevated camera looking down over the horizontal access bridge toward Sobaya's colossal masked head and shoulders, which lean forward a little between paired shoulder restraints. Begin closer on the mask, smoothly pull back only enough to reveal the bridge, narrow steel shaft and flat amber beer pool with white foam patches. Keep the same frontal axis, no low-angle cavern shot. One tiny Yametaro stands on bridge facing the giant. Gray clamp blocks and red-black hazard stripes closely echo the classic first encounter with Unit 01. Sobaya is the ordinary white-T-shirt gray-skinned masked man, chest-deep in beer, calm and securely restrained. Mug rack remains peripheral. Deep warning alarm and gentle beer bubbling, no speech. Mask fully fixed. No armored giant robot.

Shot 3 [8.0-14.0 s] — Hard cut to Yotan chest-up seated on upper platform, slightly low camera. Stern eyes through tinted glasses, clasped hands below chin but completely CLEAR OF MOUTH. His real face matches Image 2. Speak from about 8.3 to 13.4 s, measured and cold, exactly once: 「やめ太郎、ソヴァに乗れ。でなければ帰れ」. Reading: やめたろう、ソヴァにのれ。でなければかえれ。ソヴァ is two short mora, sova, not Sovangelion. Hold through final phoneme and closed mouth.

Shot 4 [14.0-17.0 s] — Hard cut to Yametaro front three-quarter chest-up, face and mouth visible. Casually and matter-of-factly say exactly once, about 14.2–16.2 s: 「定時なんで帰ります」. Reading: ていじなんでかえります。Only AFTER finishing the line and closing mouth, turn body toward the exit. Preserve Image 1 face and white lenses, no pupils or eyelids.

Shot 5 [17.0-22.0 s] — Hard cut to Fukuchan already stepping into Yametaro's exit path, then stable chest-up on Fukuchan with his mouth clearly visible. Smile and say exactly once, about 17.3–21.5 s: 「やめちゃん！ ソバーに乗りなさい！ ギュン！」. Reading: やめちゃん！ ソバーにのりなさい！ ギュン！ The word ソバー has an intentionally lengthened final vowel, unlike Yotan's ソヴァ. For ギュン place both hands alongside cheeks without obscuring mouth. Adult male canonical voice, no other catchphrase. Hold until closed mouth.

Shot 6 [22.0-25.0 s] — Hard cut to Yametaro chest-up looking toward Fukuchan. Short indignant Kansai retort, exactly once at about 22.3–24.1 s: 「帰れ言うたやん！」. Reading: かえれいうたやん！ A small hand gesture, no exaggerated facial redesign. Make the retort forceful through voice, posture and reference-based speaking mouth; same white lenses, head proportions and hair silhouette, no bulging eyes or enlarged face. Hold through closed mouth.

Shot 7 [25.0-29.0 s] — Hard cut to smiling Fukuchan close-up. Enthusiastic TV-preview cadence, exactly once at about 25.2–28.5 s: 「残業も、サービス！ サービス！」. Reading: ざんぎょうも、サービス！ サービス！ Two distinct bright rhythmic サービス, a short beat between them. Point one index finger upward beside face, keep lips clear, adult male canonical voice. Hold through last syllable and closed mouth. This is the final spoken line, do not add ギュン here.

Shot 8 [29.0-30.0 s] — Hard cut to Yametaro silently frozen, looking toward Fukuchan, mouth closed. A portion of the restrained giant Sobaya and beer froth remains visible behind. Beer bubbles pop and warning alarm continues. Natural small breathing motion. NO fade, no black frame, no text. End while this scene is still alive at exactly 30 seconds.

Audio and lip sync: Generate all five dialogue lines exactly as written, each by its assigned speaker and only in its own time window. Animate mouth, jaw and cheeks to generated phonemes; mouth closed before/after speech and during pauses. Keep mouth visible through final phoneme. No simultaneous dialogue, no narrator, crowd voices, extra catchphrases, laughter or speech from Takosan/Sobaya. Wan generates all environmental sounds and a restrained original ominous low instrumental score; no vocals. Duck score and alarms well below dialogue. Tone is serious except Fukuchan's inappropriate cheerfulness. Last second contains only environmental sound.

Hard constraints: ONE continuous 30-second generation containing the eight shots, no splitting into separate videos. Exactly one instance of each of the five named characters, no clones from sheets; no extra foreground characters. Core is red only on Takosan; giant Sobaya is simply the ordinary masked man scaled up. Preserve mask securely throughout all visible Sobaya frames, including background. All five exact lines in order. No retirement wording. No hand picking Yametaro up, no launch or cockpit, no battle continuation, no blackout/title/subtitles/watermark/endcard. Full footage and audio through 30.0 s for subsequent Remotion editing.


===== prompt_wan3_remake_v1.txt =====
Create ONE 20-second 16:9 cinematic tokusatsu scene with synchronized Japanese dialogue. This is the newly generated portion of episode 70 Sovangelion. A previously generated city attack will be prepended in editing: START IN THE DOCK, do not regenerate an opening attack. Explicitly evoke the boarding-order scene of Neon Genesis Evangelion: Yotan in the stern commander role, Yametaro as pressured pilot, adult male Fukuchan with Misato-like urgent delivery in his OWN voice. Take the crisis seriously. The absurd payoff is that the cockpit inside giant Sobaya's torso is another mundane window-side office seat.

REFERENCE MAP — images and audio numbered separately:
Image 1: exact Yametaro identity, compact stylized 3D proportions, purple patterned shirt, black trousers, black round spectacles and plain WHITE lenses.
Image 2: exact Yotan real-person face from the portrait panels, blond hair, tinted glasses, black leather clothes. No guitar. Clothes-only views are not headless people.
Image 3: exact Fukuchan real-person face from portrait panels, black hair, slim adult man, dark jacket, white graphic T-shirt, dark trousers and white shoes. Not a female anime character; not a cartoon.
Image 4: exact Sobaya identity: fixed white mask with red markings, black eyeholes, black forehead dot, mouth slit, short black hair, neutral gray skin, stocky muscular body, ordinary white T-shirt. Giant Sova is this same person enlarged, not an armored robot. Mask stays properly worn in EVERY shot; no lifting, removal, sliding, transparency or exposed face.
Image 5: Takosan red-core form for the cockpit WINDOW ONLY. White oval face, black round eyes, large black hood and patterned robe, matte toy-diorama body, TWO humanoid arms with small white rounded fingerless hands, SIX slender lower-body tentacles, one glossy red spherical chest core. Never turn arms into tentacles. No human legs, realistic octopus anatomy, extra spikes or armor.
Image 6: ADOPTED DOCK B. The primary authority for dock architecture, light, giant scale, two-person placement and establishing camera. Low angle from wet steel bridge; Yametaro left faces Fukuchan right, gigantic Sova behind between them chest-deep in amber beer. Shoulder restraints, gray steel, cables, peripheral giant beer mug, overhead shafts of cold light. Recreate this shot recognizably, with subtle real motion. Character sheets remain higher priority for faces than scene image. Exactly one of each character.
Image 7: ADOPTED COCKPIT. Primary authority for torso chamber, office-window layout, furniture, seated placement and framing. Yametaro sits on a cardboard アーロンチュア next to mundane desk, papers, cups and cardboard boxes. Huge office-like front window acts as cockpit external display and shows Takosan destroying the city from Sobaya torso height. Preserve enclosing curved structural edges, cheap office furniture and cinematic daylight. Seat is INSIDE CENTER OF GIANT SOBAYA'S TORSO, not inside his head, not an unrelated office. The window is a LIVE VIEW, not a frozen picture. No extra desktop screen or floating HUD. No ordinary office workers. No other person inside. Do not copy Yametaro's static smile as compulsory acting.
Audio 1: Yotan canonical voice TIMBRE ONLY. Preserve natural male pitch and texture; stern distant authority, clipped downward endings.
Audio 2: Yametaro canonical voice TIMBRE ONLY. Preserve adult mid-low male voice and Kansai intonation. Irritated firm politeness at dock; exasperated Kansai realization in cockpit.
Audio 3: Fukuchan canonical voice TIMBRE ONLY. Preserve his own recognizable adult male voice. Urgent committed boarding command, not cheerful greeting.
Do not copy reference audio words, timing or reference mood. Generate the FOUR exact new utterances below. Do not copy sheet labels, panels, studio backgrounds, duplicated poses or headless clothes views.

Yametaro identity lock — Image 1 is the exact design authority, not loose inspiration. Preserve its head width-to-height ratio, hair silhouette and hairline, cheek and ear placement, short neck and compact body proportions in every frame. Keep the round black spectacle frames and the sheet's simple white lens/eye areas; do not invent visible pupils, irises, realistic eyeballs, eye sockets, eyelids or eyebrows. Keep the tiny black forehead mark separate from the low, subtle skin-colored nose; no black nose dot, outlined nostrils or projecting nose. Preserve the round cheeks and flat pink blush marks, smooth skin-colored chin, ears and nape, with no black contour bands or facial creases. Do not lengthen the forehead/head, inflate the hair, enlarge ears or add realistic lips. Animate the small inset mouth using the sheet's rest and A/I/U/E/O views as articulation guidance, with visible mouth interior when speaking; do not freeze the smile, protrude the lips or stretch the mouth into a new facial design. Emotion and cinematic lighting must not redesign the face. Wardrobe follows the scene instructions independently of identity. A previous generated take is not an identity reference. Match the side view's low nose, cheek-to-ear relationship and continuous skin-colored jaw/nape; do not grow a muzzle or lengthen the head.

TIMELINE — approximate shot boundaries, natural complete speech takes priority; total exactly 20 seconds.
Shot 1 [0-2 s]: Recreate Image 6 low-angle dock two-shot. Both standing facing each other, Sova behind them. Very subtle forward camera drift, beer moving, mist and lights alive. No speech. White mask remains fixed. No city-attack opening.
Shot 2 [2-6.5 s]: Cut to Yotan chest-up at elevated side control position within same dock. Hands below mouth. Say EXACTLY 「やめ太郎、ソヴァに乗れ。でなければ帰れ」. Reading: やめたろう、ソヴァにのれ。でなければかえれ。Address then firm order, tiny pause before ultimatum. Implacable command, no slow syllable recital. Show mouth until final phoneme and closure.
Shot 3 [6.5-9 s]: Yametaro chest-up on bridge, eyeline toward command position. Say EXACTLY 「定時なんで帰ります」. Reading: ていじなんでかえります。Irritated but politely worded refusal, stress 定時 and decisive clipped 帰ります. Tense posture, no cheerful smile. Only after last phoneme may he start to turn toward exit; mouth remains visible through speech.
Shot 4 [9-12 s]: Fukuchan chest-up on same bridge, blocking departure and looking at Yametaro. Say EXACTLY 「やめちゃんソバーに乗るのよ！」. Reading: やめちゃん、ソバーにのるのよ！ソバー has final long バー, not ソヴァ in this line. Misato-like urgent personal pressure, own canonical male voice, no added words, no ギュン or cheek pose. Hold clear mouth view through final よ and mouth closure. Immediately after this completed line, HARD CUT to cockpit. No return argument, no boarding walk, no ladder, no launch montage, no dissolve or black frame.
Shot 5 [12-14.5 s]: Instant comic reveal matching Image 7: Yametaro is ALREADY SEATED on cardboard アーロンチュア in Sobaya torso center. Begin wide enough to recognize cardboard chair, banal desk and the immense window. Takosan's lower tentacles smash a building outside, dust and small distant fires move, two white hands stay separate. The interior remains dry and stable; exterior destruction remains behind glass. Yametaro looks at desk then window with a small head movement. No speech yet. Do not show Sova outside his own window.
Shot 6 [14.5-18.5 s]: Cut or settle to a clear medium close shot of seated Yametaro, mouth readable, cardboard chair back and window still identifiable. Say EXACTLY 「そば屋さん、中も窓際なんかい。」. Reading: そばやさん、なかもまどぎわなんかい。Meaning: even INSIDE Sobaya, the seat is at the window. Say なかも, NEVER なかまも. A short incredulous pause after そば屋さん, then exasperated Kansai punchline, punch 窓際なんかい without yelling each syllable. Small open-palmed gesture toward desk if natural, never cover mouth. Remain seated. Complete full utterance and close mouth before cut.
Shot 7 [18.5-20 s]: Short silent seated reaction, gently widen to absurd office chair and live battle window. Yametaro remains exasperated, no celebratory grin. Throughout this final SILENT REACTION, Takosan CONTINUES RAMPAGING behind the window: a lower-body tentacle swings into a building facade, concrete breaks off and falls, and a fresh expanding dust plume rises. Keep this destructive action clearly visible alongside the seated silent Yametaro through the final frame; no frozen battle, idle waving or static background. Silent means NO DIALOGUE, not stopped action: muffled impacts and rumbling continue outside. End on live image, no fade, title or extra line.

AUDIO: Wan generates lips, mouth/jaw motion and exact Japanese dialogue together, one speaker at a time, all four utterances complete in order. Mouth closed in silent intervals. Own canonical voice identities, not voices of Evangelion actors. No narrator, no speech from Sova or Takosan. Original restrained tense instrumental bed, dock machinery and beer ambience below clear dialogue; cockpit cut drops the dock alarms to quiet ventilation and muffled distant city impacts. No comic laugh track. No 「帰れ言うたやん」, 「残業」, 「サービス」 or 「ギュン」. Reference voice clips are not finished dialogue tracks.

VISUAL AND EDIT CONSTRAINTS: one new generation, exactly 20 seconds, 480P 16:9. Use all-in-one image references; no reference video or first/last frames. Reproduce adopted scenes recognizably but animate them; do not make a slideshow or just pan static stills. Speak in readable close shots, establishing shots remain wide. Maintain Image 6 dock spatial relationships and Image 7 torso-cockpit layout across cuts. No body horror or transparent body cutaway. Preserve original furniture signage from Image 7 where visible; do not add text, subtitles, title, logos or HUD. Chair name is アーロンチュア, not アーロンチェア. Exact lettering can be repaired in later editing if necessary. End after the seated punchline and brief reaction, no service-service ending or new speech.


===== prompt_wan3_cockpit_19h_v2.txt =====
Create ONE 8-second cinematic 16:9 shot sequence replacing ONLY the final cockpit scene of Sovangelion. Start immediately inside the cockpit; no dock or other speakers.
Image 1: exact Yametaro canonical identity. Image 2: exact Takosan red-core form. Image 3: ADOPTED 19:00 cockpit reference, authority for composition, cardboard chair, office desk, window, lighting and environment. Character sheets override scene image for identity; never copy sheets/panels/labels or duplicate characters.
Audio 1: Yametaro canonical adult male mid-low voice timbre with Kansai inflection ONLY. Do not copy sample words, timing or relaxed mood. Generate the exact new utterance synchronized to mouth and jaw. No other dialogue or narrator.
The seat is inside center of giant Sobaya torso. Reproduce Image 3 recognizably: Yametaro already seated in cardboard アーロンチュア, piles of office papers, paper cups, 窓際族 desk placard, ordinary fluorescent lights ON, enclosing structural shell, immense office-like window functioning as external display. Outside is evening around 19:00: deep blue sky after sunset, city offices still illuminated, streetlights and fires. NO daylight, sun rays, sunset band or midnight blackout. No clock or HUD. No Sobaya body visible outside. Yametaro wears purple patterned shirt and black trousers. Alone inside; Takosan only outside.
Takosan: giant canonical toy-diorama black hood and robe, white oval face, two black circular eyes, red chest sphere, TWO humanoid arms with rounded white fingerless hands, SIX tentacles beneath robe. Keep arms separate from tentacles. Violent tentacle impacts shatter building facades, debris falls, fresh dust rises. City destruction is moving continuously behind glass, not a still image.
Yametaro identity lock — Image 1 is the exact design authority, not loose inspiration. Preserve its head width-to-height ratio, hair silhouette and hairline, cheek and ear placement, short neck and compact body proportions in every frame. Keep the round black spectacle frames and the sheet's simple white lens/eye areas; do not invent visible pupils, irises, realistic eyeballs, eye sockets, eyelids or eyebrows. Keep the tiny black forehead mark separate from the low, subtle skin-colored nose; no black nose dot, outlined nostrils or projecting nose. Preserve the round cheeks and flat pink blush marks, smooth skin-colored chin, ears and nape, with no black contour bands or facial creases. Do not lengthen the forehead/head, inflate the hair, enlarge ears or add realistic lips. Animate the small inset mouth using the sheet's rest and A/I/U/E/O views as articulation guidance, with visible mouth interior when speaking; do not freeze the smile, protrude the lips or stretch the mouth into a new facial design. Emotion and cinematic lighting must not redesign the face. Wardrobe follows the scene instructions independently of identity. A previous generated take is not an identity reference.
Shot 1 [0-1.5 seconds]: Begin on Image 3 composition, Yametaro seated on cardboard chair, face readable in three-quarter view, large window and Takosan visible. Small disbelieving glance at desk, no smile exaggeration. Takosan lashes a building with lower tentacle, falling fragments visible. Stable office lighting, no daylight.
Shot 2 [1.5-5.8 seconds]: Medium shot of seated Yametaro, mouth clear and window still in frame, say EXACTLY 「そば屋さん、中も窓際なんかい。」 Reading: そばやさん、なかもまどぎわなんかい。Never なかまも. Short pause after そば屋さん, then exasperated Kansai realization, natural adult voice, not cheerful. Tiny palm-up gesture toward desk permitted. Remain seated, same face/white lenses, no eyebrows/pupils. Hold mouth visible until final phoneme and closure; do not freeze mouth or cut away during line. Outside destruction continues throughout speech.
Shot 3 [5.8-8 seconds]: Widen smoothly to chair, desk and whole window, seated Yametaro silent with mouth closed and resigned still posture. THROUGH THE FINAL FRAME Takosan continues actively rampaging: a lower tentacle strikes a building, wall breaks, debris falls and a fresh dust plume rises. Make this substantial movement clearly visible behind the still seated character, not idle swaying. Two white hands remain separate from tentacles. Silence means no dialogue, not no action. End live without fade or title.
Sound: synchronized Wan dialogue, ordinary interior ventilation, muffled exterior smashing and rumbling continuing to final frame. No added words, no laugh track, no extra speakers. Restrained tension, office absurdity. Preserve furniture signs already in reference; no overlay captions. Exactly 8 seconds. No transition from earlier footage inside this generated clip, no dissolve, no daylight. Character motion and exterior destruction must be truly animated, not a pan across still art.