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窓際族物語 / 制作ノート

そば屋の楽しいそば作り

公開中:生成バージョン 2件 · 動画 2本

使用モデル

wan3.0-video生成 v2 · 通報シーントリミング修正版

入力素材 8件

参照番号をプロンプト内の指定と照らし合わせてご覧ください。

IMAGE

そば屋シート

Image 1 · character_sobaya_basic_sheet.png
AUDIO

そば屋声質参照

Audio 1 · Sobaya_voice.wav
DOCUMENT

台本・編集記録

script.md
DOCUMENT

生成設定

wan3_config.json
DOCUMENT

参照素材来歴

input_manifest.json
DOCUMENT

トリミング編集フレーム正本

edit-manifest.json
DOCUMENT

トリミング編集コード

Composition.tsx
DOCUMENT

再現手順

README.md

プロンプト

Wan 3.0 実送信本文(v1同一素材・トリミング編集) · revision 2

Create exactly one 30-second 16:9 cinematic live-action horror-comedy video with synchronized Japanese dialogue and sound. This is the complete NEW segment: office soba preparation, convenience-store misunderstanding, and a relaxed internal monologue. End inside the store. An existing police-car ending will be appended in editing; DO NOT generate police or an arrest here.

References:
Image 1: Sobaya identity and clothing only. Preserve his broad muscular heavy build, short black hair, neutral gray skin on ALL exposed body parts, and exact rigid white mask with red vertical markings, round black eye openings and forehead detail. Preserve white short-sleeve T-shirt, black trousers, white sneakers. Do not reinterpret the mask as a generic hockey mask: the customer's spoken description is an imperfect description, not a visual design instruction. Keep the exact reference mask correctly fitted in EVERY frame; never remove, lift, slide, deform, make transparent, or reveal his face. Ignore the reference sheet layout, labels, white background, repeated views and beer mug. No beer mug or playing cards in this episode.
Audio 1: Sobaya voice-timbre reference only, including his internal monologue. Do not copy sample words or their timing. Generate the exact NEW Japanese lines below in the same recognizable voice. The clerk and customer have their own distinct natural Japanese voices, NOT Audio 1.

Continuity and tone:
Bright daytime throughout. Sobaya is calmly slacking off in plain sight at work, making hobby soba while ordinary coworkers type at their desks. Then a normal bright Japanese convenience store. He is oblivious and polite, never aggressive. Exactly ONE large traditional soba-cutting knife: broad rectangular straight steel blade with offset wooden grip, visibly a noodle-cutting tool, not a machete or pointed chef knife. He holds the same knife in his right hand from noodle cutting through his shopping. The clerk and shoppers overreact strongly; Sobaya never attacks, robs, chases, shouts at, or touches anyone. No injuries or blood. Only frightened shoppers/clerk disturb merchandise.
Cast: exactly one Sobaya; one adult male clerk with a green work vest and white shirt; one adult female customer in a beige jacket who phones the police; one additional adult shopper who drops a basket and crouches. Office coworkers are unrelated ordinary adults, silent. Maintain each store character's identity and clothing across cuts.

Natural speech takes priority over approximate shot timestamps. Shot time ranges are editorial guides, not speech-duration targets or mandatory utterance start/end times. Deliver every line at a natural conversational pace appropriate to its emotion. Do not stretch syllables, vowels, final words or pauses to fill a time window, and do not rush speech to hit a timestamp. Let each utterance finish naturally, then close the mouth. Use remaining time for silent reactions, glances, small gestures and ambience. Speak only the dialogue written below; do not invent additional lines. Adjust internal cut boundaries to complete natural utterances while preserving scene order and the total duration of 30 seconds.

Shot 1 [0-6 s] — Daylit office, medium-wide. Coworkers work while Sobaya openly cuts folded soba dough into thin noodles on a wooden board covering his desk. Flour, cut noodles and a bowl establish hobby cooking. He notices the missing condiments, casually stops cutting, and says: 「あ、薬味買い忘れた。コンビニ行ってきます」. He walks away still holding the knife. No sneaking, no night lighting. His rigid reference mask remains fitted.

Shot 2 [6-10 s] — Hard cut to the convenience-store counter, already facing the clerk. Sobaya politely asks: 「すみません、薬味とかってあります?」. During a small ordinary questioning gesture, he directs the broad knife toward the clerk across the counter. This must be clearly visible and alarming from the clerk's perspective, but it is a single absent-minded gesture, not a lunge or swing. Keep separation across the counter. He retains his correctly fitted rigid mask.

Shot 3 [10-16 s] — Clerk medium close-up, mouth clearly visible. He sees the mask and knife, recoils, raises both hands and bumps a small display. In terrified disbelief followed by loud pleading he says: 「や、ヤク……? こ、殺さないで! お金なら全部渡します!」. His frightened facial movements and lips synchronize with his speech. Behind him, or in a brief reaction after the line, the additional shopper drops a basket and crouches; a few packaged items scatter. Sobaya stays put. The clerk does NOT call the police.

Shot 4 [16-25 s] — The female customer crouches behind a nearby aisle shelf with a phone at her ear, looking toward the counter. Tight enough to see her mouth, phone not blocking it. Panicked but intelligible report, spoken once: 「はい、ホッケーマスクを被った大男が、包丁で店員を脅してます!」. This is HER interpretation. No dispatcher voice. Do not say 「暴れていて」. No cut before her final syllable. Sobaya does not actually rampage.

Shot 5 [25-30 s] — Hard cut to a dry, static medium-wide view of Sobaya patiently standing at the counter. His knife is now held still and low in his right hand. Clerk remains frightened in the background; shoppers keep their distance. Sobaya's relaxed INTERNAL THOUGHT, in his own reference voice, is heard as close, dry voiceover: 「早くしないと、昼休み終わっちゃうよー」. This is NOT spoken to anyone; no one responds to it. Casual and mildly wistful, with only a natural short trailing 「よー」. No mouth movement and no mask deformation. Let the final thought finish and leave a brief silent visual beat for the hard cut to the reused arrest footage. Do not resolve the misunderstanding.

Dialogue order is strictly: Sobaya office line; Sobaya shopping question; clerk's mishearing and plea; customer's phone report; Sobaya internal thought. No overlaps. Pronounce 薬味 as やくみ completely in both Sobaya lines; only the clerk truncates his understanding to ヤク. Read 被った as かぶった, 大男 as おおおとこ, 包丁 as ほうちょう, 脅してます as おどしてます, 昼休み as ひるやすみ. Do not replace yakumi with drugs in Sobaya's speech. No 「いや、薬味を」 or extra pleas.

Audio: Generate all dialogue, internal monologue and environmental sound within this single Wan task. Office keyboard and noodle-cutting sounds; subtle store refrigerator hum; basket clatter and falling packages. Keep sound effects below dialogue. No music, narrator, police siren, laughter track or extra intelligible speech. Clerk and caller: natural synchronized lips, jaw and cheek motion, mouths closed during silence. Sobaya: preserve the rigid mask, speech is through it; the mask never acts as a moving mouth.

Hard constraints: one continuous 30-second generation with ordered cuts; daytime office and store; one Sobaya and one consistent soba knife; exact mask and gray skin throughout; friendly oblivious Sobaya versus exaggerated fear; actual caller is a customer, not the clerk; no actual assault or rampage; exact five dialogue turns; last line is internal voiceover; no arrest footage generated; no subtitles, captions, readable logos, watermarks, sheet labels or duplicated characters.
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