そば屋の経歴詐称面談

プロンプト

MiniMax H3 R2V Motion prompts（全13チャプター・逐語） · revision 1

本エピソードは /no-image-video スキルで制作。キーフレーム画像は一切作らず、各チャプターに「キャラクターシート（Picture）＋セリフ音声（Audio）」だけを添付してMiniMax H3のR2Vで生成した。以下は実際にワークフローJSONへ投入したMotion promptの全文（逐語）。

===== Chapter 1 — The guide shows Sobaya in / 158 frames (6.583s) =====
Inputs: <Picture 1> = Sobaya_sheet.png, <Picture 2> = Mob_guide_sheet.png / Audio: なし

Required attached input files: <Picture 1> = Sobaya_sheet.png — Sobaya's character model sheet, identity/design reference only, NOT a composition reference (PRESERVE: hard white full-face mask with TWO large black circular eye holes and ONE horizontal black mouth slit, four red vertical markings — one on the inner side and one on the outer side of each eye — plus a small black dot centered on the forehead, short spiky black hair above the mask visible from every angle, neutral-gray skin on neck, arms and hands, hulking 180cm/100kg thick build, plain white short-sleeve T-shirt, dark charcoal jeans, white sneakers; do NOT carry over: pose, camera angle, sheet background, panel layout, text labels); <Picture 2> = Mob_guide_sheet.png — the meeting guide's model sheet, identity/design reference only, NOT a composition reference (PRESERVE: Japanese woman about 25 years old, 165cm, slim-average build, shoulder-length dark brown hair with side-swept bangs, navy-blue two-button suit jacket with matching navy trousers, white blouse, dark burgundy ribbon bow tie at the collar, black low-heeled pumps, polite warm receptionist manner; do NOT carry over: pose, camera angle, sheet background, panel layout, text labels). These attachments are REQUIRED inputs. None of the attached pictures is a frame of this video: the video does NOT start on, end on or reproduce any sheet — no panels, no white sheet background, no labels or text. Photorealistic live-action cinematography with natural live-action proportions in bright afternoon daylight; Sobaya is a live-action man with neutral-gray skin and a hard white mask, and the meeting guide is a real photographed woman. NOT flat 2D anime, NOT cartoon lineart. The shot opens on a locked-off MEDIUM-WIDE at eye level facing the back wall of an empty, clean meeting room in a Tokyo office tower: pale gray walls, a plain light-gray rectangular meeting table running left to right across the middle of the frame with one chair on its LEFT side and one chair on its RIGHT side, a large window on the left-hand wall pouring bright afternoon daylight into the room, and a closed gray door in the back wall hinged on its LEFT edge with a silver lever handle at mid-height on its RIGHT edge; nothing is on the table and nobody is visible yet. Exactly two people appear in this chapter — Sobaya and the meeting guide — and each appears EXACTLY ONCE; nobody else enters the frame at any time. Beat 1 (0–1.5s): the door swings open inward, toward camera-left; its hinges stay on the LEFT edge and its lever handle stays on the RIGHT edge throughout the swing. Beat 2 (1.5–3.5s): the meeting guide steps in first and stops beside the open door, holding a tall amber glass beer bottle with a silver crown cap in her LEFT hand — its lower two thirds wrapped in a brushed-silver label with a large black brush-script Latin wordmark reading "Madogiwa" and red brush-written lines above and below it — while her RIGHT hand opens toward the room in a polite "please come in" gesture. Beat 3 (3.5–5.5s): Sobaya walks in through the door carrying his oversized clear glass beer mug, EMPTY, by its handle in his right hand, and crosses to the chair on the LEFT side of the table. Beat 4 (5.5–6.6s): he sits down facing screen-right and sets the empty mug upright on the table in front of him; the guide stays standing beside the open door. Nobody speaks in this chapter: there is no speech, no dialogue and no narration, and both characters keep their mouths closed the whole time. The camera stays locked-off for the whole chapter — no push, no pan, no handheld sway. The shot ends with Sobaya seated on the left side of the table behind his empty mug and the guide standing beside the still-open door with the bottle in her left hand. Sobaya moves as ONE continuous person and is never duplicated; in every frame his mask stays a hard white mask with two black eye holes and one horizontal black mouth slit — NO human eyes, NO eyelids, NO realistic nose or lips — and his exposed skin stays neutral gray. The meeting guide moves as ONE continuous person and is never duplicated; her navy suit, white blouse and dark burgundy ribbon tie stay unchanged. Do NOT render any on-screen text — no subtitles, no captions, no lower-thirds and no watermarks; the only lettering anywhere in the frame is the printed label on the beer bottle itself. Soundscape: a door latch and hinge, two sets of footsteps on carpet, a chair shifting, faint air-conditioning hum, muffled city traffic far below. Music: no background music.

===== Chapter 2 — She pours and excuses herself / 175 frames (7.292s) =====
Inputs: <Picture 1> = Sobaya_sheet.png, <Picture 2> = Mob_guide_sheet.png / <Audio 1> = ch2_line1_mob_guide.wav（案内役「少々お待ちください。」2.0s）

Required attached input files: <Picture 1> = Sobaya_sheet.png — Sobaya's character model sheet, identity/design reference only, NOT a composition reference (PRESERVE: hard white full-face mask with TWO large black circular eye holes and ONE horizontal black mouth slit, four red vertical markings — one on the inner side and one on the outer side of each eye — plus a small black dot centered on the forehead, short spiky black hair above the mask visible from every angle, neutral-gray skin on neck, arms and hands, hulking 180cm/100kg thick build, plain white short-sleeve T-shirt, dark charcoal jeans, white sneakers; do NOT carry over: pose, camera angle, sheet background, panel layout, text labels); <Picture 2> = Mob_guide_sheet.png — the meeting guide's model sheet, identity/design reference only, NOT a composition reference (PRESERVE: Japanese woman about 25 years old, 165cm, slim-average build, shoulder-length dark brown hair with side-swept bangs, navy-blue two-button suit jacket with matching navy trousers, white blouse, dark burgundy ribbon bow tie at the collar, black low-heeled pumps, polite warm receptionist manner; do NOT carry over: pose, camera angle, sheet background, panel layout, text labels); <Audio 1> = ch2_line1_mob_guide.wav — the meeting guide's spoken line, use AS-IS. These attachments are REQUIRED inputs. None of the attached pictures is a frame of this video: the video does NOT start on, end on or reproduce any sheet — no panels, no white sheet background, no labels or text. Photorealistic live-action cinematography with natural live-action proportions in bright afternoon daylight; Sobaya is a live-action man with neutral-gray skin and a hard white mask, and the meeting guide is a real photographed woman. NOT flat 2D anime, NOT cartoon lineart. The shot opens on a locked-off MEDIUM of the light-gray meeting table from a slightly high angle in the same clean, bright meeting room: Sobaya is seated at screen-LEFT in three-quarter view with his oversized clear glass beer mug standing EMPTY on the table in front of him, the meeting guide stands at screen-RIGHT holding a tall amber glass beer bottle with a silver crown cap and a brushed-silver label carrying a large black brush-script Latin wordmark reading "Madogiwa", and the gray door in the back wall is still open with its hinges on the LEFT edge and its lever handle on the RIGHT edge. Exactly two people appear in this chapter — Sobaya and the meeting guide — and each appears EXACTLY ONCE; nobody else enters the frame at any time. Beat 1 (0–1.5s): the guide takes one step to the table and takes the bottle in BOTH hands, tilting its neck over the mouth of the mug. Beat 2 (1.5–4s): amber beer pours from the bottle and the mug fills smoothly from EMPTY to FULL to the brim with a white foam head; Sobaya stays seated and watches, his hands resting on his knees. Beat 3 (4–6s): she rights the bottle, stops pouring and bends into a shallow polite bow. The meeting guide (S1) says <d>[Japanese] 少々お待ちください。</d>, lip-syncing to <Audio 1>; she begins the line as she starts the bow, her mouth moves ONLY while <Audio 1> is playing and then stays CLOSED. Sobaya does NOT speak — his mask's mouth slit never changes — and he answers with a small nod only. Use <Audio 1> AS-IS as the dialogue audio and do NOT generate any voice. Beat 4 (6–7.3s): she turns, walks away toward the back wall and out through the doorway, and the door swings closed behind her with its hinges still on the LEFT edge and its handle still on the RIGHT edge. The camera stays locked-off for the whole chapter — no push, no pan, no handheld sway. The shot ends with Sobaya alone at the table behind the FULL mug and the door fully closed; the bottle has left the room with her. Sobaya moves as ONE continuous person and is never duplicated; in every frame his mask stays a hard white mask with two black eye holes and one horizontal black mouth slit — NO human eyes, NO eyelids, NO realistic nose or lips — and his exposed skin stays neutral gray. The meeting guide moves as ONE continuous person and is never duplicated; her navy suit, white blouse and dark burgundy ribbon tie stay unchanged. Do NOT render any on-screen text — no subtitles, no captions, no lower-thirds and no watermarks; the only lettering anywhere in the frame is the printed label on the beer bottle itself. Soundscape: beer pouring into a glass mug, foam settling, a bottle set down, quiet footsteps on carpet, a door closing, faint air-conditioning hum. Music: no background music.

===== Chapter 3 — Yotan arrives / 192 frames (8.000s) =====
Inputs: <Picture 1> = Sobaya_sheet.png, <Picture 2> = Yotan_sheet.png / <Audio 1> = ch3_line1_yotan.wav（よーたん「お待たせしました。本日はよろしくお願いします。」3.56s）

Required attached input files: <Picture 1> = Sobaya_sheet.png — Sobaya's character model sheet, identity/design reference only, NOT a composition reference (PRESERVE: hard white full-face mask with TWO large black circular eye holes and ONE horizontal black mouth slit, four red vertical markings — one on the inner side and one on the outer side of each eye — plus a small black dot centered on the forehead, short spiky black hair above the mask visible from every angle including the back of the head, neutral-gray skin on neck, arms and hands, hulking 180cm/100kg thick build, plain white short-sleeve T-shirt, dark charcoal jeans, white sneakers; do NOT carry over: pose, camera angle, sheet background, panel layout, text labels); <Picture 2> = Yotan_sheet.png — Yotan's character model sheet, identity/design reference only, NOT a composition reference (PRESERVE: slim 170cm 40-year-old Japanese man, shoulder-length layered blond wolf hair, round dark-lensed sunglasses with black frames, black leather biker jacket with a diagonal zip, black T-shirt, silver chain necklace, one silver earring in his left ear, black trousers, black Chelsea boots, and a black Les Paul-type electric guitar on a black strap slung across his body; do NOT carry over: pose, camera angle, sheet background, panel layout, text labels); <Audio 1> = ch3_line1_yotan.wav — Yotan's spoken line, use AS-IS. These attachments are REQUIRED inputs. None of the attached pictures is a frame of this video: the video does NOT start on, end on or reproduce any sheet — no panels, no white sheet background, no labels or text. Photorealistic live-action cinematography with natural live-action proportions in bright afternoon daylight; Sobaya is a live-action man with neutral-gray skin and a hard white mask, and Yotan is a real photographed person. NOT flat 2D anime, NOT cartoon lineart. The shot opens on a locked-off MEDIUM-WIDE taken over Sobaya's RIGHT shoulder from behind: Sobaya sits in the near foreground at screen-LEFT with his back to camera, the short spiky black hair on the back of his head and his white T-shirt filling the lower left of the frame, and beyond him the light-gray table carries his oversized clear glass beer mug, FULL to the brim with amber beer and a white head; the back wall holds the closed gray door, hinged on its LEFT edge with a silver lever handle at mid-height on its RIGHT edge, and bright afternoon daylight comes from the window on the left-hand wall. Exactly two people appear in this chapter — Sobaya and Yotan — and each appears EXACTLY ONCE; nobody else enters the frame at any time. Beat 1 (0–2s): Sobaya lifts the mug by its handle, tips it to the mouth slit of his mask for one long sip, and sets it back down on the table; the beer level drops from FULL to exactly THREE-QUARTERS and stays there. Beat 2 (2–3.5s): the door swings open inward toward camera-left and Yotan walks in, his black Les Paul-type electric guitar slung across his body on its black strap. Beat 3 (3.5–7.1s): Yotan stops beside the chair on the RIGHT side of the table, dips his head in a short greeting bow and lifts it again. Yotan (S1) says <d>[Japanese] お待たせしました。本日はよろしくお願いします。</d>, lip-syncing to <Audio 1>; he begins the line as he lifts his head, his mouth moves ONLY while <Audio 1> is playing and then stays CLOSED. Sobaya does NOT speak — his mask's mouth slit never changes — he only turns his head slightly toward Yotan. Use <Audio 1> AS-IS as the dialogue audio and do NOT generate any voice. Beat 4 (7.1–8s): Yotan rests one hand on the back of the chair. The camera stays locked-off for the whole chapter — no push, no pan, no handheld sway. The shot ends with Yotan standing beside the right-hand chair with his head up and Sobaya still seated behind the three-quarters-full mug. Sobaya moves as ONE continuous person and is never duplicated; in every frame his mask stays a hard white mask with two black eye holes and one horizontal black mouth slit — NO human eyes, NO eyelids, NO realistic nose or lips — and his exposed skin stays neutral gray. Yotan moves as ONE continuous person and is never duplicated; his shoulder-length blond hair, round dark sunglasses, black leather biker jacket and the black electric guitar on its strap stay on him in every frame. Do NOT render any on-screen text — no subtitles, no captions, no lower-thirds, no watermarks, no lettering and no Japanese characters; the video must contain no text at all. Soundscape: a glass mug set down on a table, a door latch and hinge, footsteps on carpet, faint air-conditioning hum. Music: no background music.

===== Chapter 4 — Sobaya returns the greeting / 107 frames (4.458s) =====
Inputs: <Picture 1> = Sobaya_sheet.png, <Picture 2> = Yotan_sheet.png / <Audio 1> = ch4_line1_sobaya.wav（そば屋「こちらこそよろしくお願いします。」2.38s）

Required attached input files: <Picture 1> = Sobaya_sheet.png — Sobaya's character model sheet, identity/design reference only, NOT a composition reference (PRESERVE: hard white full-face mask with TWO large black circular eye holes and ONE horizontal black mouth slit, four red vertical markings — one on the inner side and one on the outer side of each eye — plus a small black dot centered on the forehead, short spiky black hair above the mask visible from every angle, neutral-gray skin on neck, arms and hands, hulking 180cm/100kg thick build, plain white short-sleeve T-shirt, dark charcoal jeans, white sneakers; do NOT carry over: pose, camera angle, sheet background, panel layout, text labels); <Picture 2> = Yotan_sheet.png — Yotan's character model sheet, identity/design reference only, NOT a composition reference (PRESERVE: slim 170cm 40-year-old Japanese man, shoulder-length layered blond wolf hair, round dark-lensed sunglasses with black frames, black leather biker jacket with a diagonal zip, black T-shirt, silver chain necklace, black trousers, black Chelsea boots, and a black Les Paul-type electric guitar on a black strap slung across his body; do NOT carry over: pose, camera angle, sheet background, panel layout, text labels); <Audio 1> = ch4_line1_sobaya.wav — Sobaya's spoken line, use AS-IS. These attachments are REQUIRED inputs. None of the attached pictures is a frame of this video: the video does NOT start on, end on or reproduce any sheet — no panels, no white sheet background, no labels or text. Photorealistic live-action cinematography with natural live-action proportions in bright afternoon daylight; Sobaya is a live-action man with neutral-gray skin and a hard white mask, and Yotan is a real photographed person. NOT flat 2D anime, NOT cartoon lineart. The shot opens on a MEDIUM reverse angle taken over Yotan's LEFT shoulder: the dark leather shoulder of Yotan's biker jacket and the ends of his blond hair fill the near foreground at screen-RIGHT in soft focus, and across the light-gray table Sobaya sits in sharp focus at screen-centre-left facing screen-right, his oversized clear glass beer mug standing on the table THREE-QUARTERS full of amber beer; bright afternoon daylight comes from the window on the left-hand wall and the gray door in the back wall stays closed with its hinges on the LEFT edge and its lever handle on the RIGHT edge. Exactly two people appear in this chapter — Sobaya and Yotan — and each appears EXACTLY ONCE; nobody else enters the frame at any time. Beat 1 (0–1s): Sobaya places both hands flat on his knees and straightens his back. Beat 2 (1–3.4s): he bends forward into a short polite bow and lifts his head. Sobaya (S1) says <d>[Japanese] こちらこそよろしくお願いします。</d> to <Audio 1>; the line is spoken from behind his rigid white mask — the mask does NOT deform, NO human lips, teeth or jaw appear, and the horizontal black mouth slit keeps its exact shape — so his head, shoulders and hands carry the delivery in time with <Audio 1>, and he stops moving with the line when <Audio 1> ends. Yotan does NOT speak — his mouth stays CLOSED for the entire chapter. Use <Audio 1> AS-IS as the dialogue audio and do NOT generate any voice. Beat 3 (3.4–4.5s): Sobaya settles back into an upright seated posture. The camera holds the same frame and makes one slow, small push-in of a few percent over the whole chapter — no pan, no handheld sway. The shot ends with Sobaya seated upright facing Yotan and the mug untouched at THREE-QUARTERS. Sobaya moves as ONE continuous person and is never duplicated; in every frame his mask stays a hard white mask with two black eye holes and one horizontal black mouth slit — NO human eyes, NO eyelids, NO realistic nose or lips — and his exposed skin stays neutral gray. Yotan moves as ONE continuous person and is never duplicated; his blond hair, round dark sunglasses and black leather biker jacket stay on him in every frame. Do NOT render any on-screen text — no subtitles, no captions, no lower-thirds, no watermarks, no lettering and no Japanese characters; the video must contain no text at all. Soundscape: a chair creaking faintly, clothing rustle, faint air-conditioning hum. Music: no background music.

===== Chapter 5 — Yotan asks for the career history / 209 frames (8.708s) =====
Inputs: <Picture 1> = Sobaya_sheet.png, <Picture 2> = Yotan_sheet.png / <Audio 1> = ch5_line1_yotan.wav（よーたん「まずは自己紹介をかねて、これまでの経歴などをご紹介頂けますか？」5.20s）

Required attached input files: <Picture 1> = Sobaya_sheet.png — Sobaya's character model sheet, identity/design reference only, NOT a composition reference (PRESERVE: hard white full-face mask with TWO large black circular eye holes and ONE horizontal black mouth slit, four red vertical markings — one on the inner side and one on the outer side of each eye — plus a small black dot centered on the forehead, short spiky black hair above the mask, neutral-gray skin on neck, arms and hands, hulking 180cm/100kg thick build, plain white short-sleeve T-shirt, dark charcoal jeans, white sneakers; do NOT carry over: pose, camera angle, sheet background, panel layout, text labels); <Picture 2> = Yotan_sheet.png — Yotan's character model sheet, identity/design reference only, NOT a composition reference (PRESERVE: slim 170cm 40-year-old Japanese man, shoulder-length layered blond wolf hair, round dark-lensed sunglasses with black frames, black leather biker jacket with a diagonal zip, black T-shirt, silver chain necklace, one silver earring in his left ear, black trousers, black Chelsea boots, and a black Les Paul-type electric guitar on a black strap slung across his body; do NOT carry over: pose, camera angle, sheet background, panel layout, text labels); <Audio 1> = ch5_line1_yotan.wav — Yotan's spoken line, use AS-IS. These attachments are REQUIRED inputs. None of the attached pictures is a frame of this video: the video does NOT start on, end on or reproduce any sheet — no panels, no white sheet background, no labels or text. Photorealistic live-action cinematography with natural live-action proportions in bright afternoon daylight; Sobaya is a live-action man with neutral-gray skin and a hard white mask, and Yotan is a real photographed person. NOT flat 2D anime, NOT cartoon lineart. The shot opens on a locked-off MEDIUM taken over Sobaya's RIGHT shoulder: Sobaya's gray upper arm and the white sleeve of his T-shirt fill the near foreground at screen-LEFT in soft focus, and across the light-gray table Yotan stands in sharp focus at screen-centre-right beside his chair with the black electric guitar slung across his body; the gray door in the back wall behind him stays closed with its hinges on the LEFT edge and its lever handle on the RIGHT edge, and bright afternoon daylight comes from the window on the left-hand wall. Exactly two people appear in this chapter — Sobaya and Yotan — and each appears EXACTLY ONCE; nobody else enters the frame at any time. Beat 1 (0–1.5s): Yotan draws the chair back and sits down, easing the body of the guitar around to his side so it rests against his hip, still on its strap. Beat 2 (1.5–2.5s): he folds his hands together on the table top. Beat 3 (2.5–7.7s): he lifts his head toward Sobaya. Yotan (S1) says <d>[Japanese] まずは自己紹介をかねて、これまでの経歴などをご紹介頂けますか？</d>, lip-syncing to <Audio 1>; he begins the line as he lifts his head, his mouth moves ONLY while <Audio 1> is playing and then stays CLOSED. Sobaya does NOT speak — his mask's mouth slit never changes — and he stays still in the foreground. Use <Audio 1> AS-IS as the dialogue audio and do NOT generate any voice. Beat 4 (7.7–8.7s): Yotan keeps his hands folded and waits. The camera stays locked-off for the whole chapter — no push, no pan, no handheld sway. The shot ends with Yotan seated, hands folded on the table, waiting for an answer. Yotan moves as ONE continuous person and is never duplicated; his shoulder-length blond hair, round dark sunglasses, black leather biker jacket and the black electric guitar on its strap stay on him in every frame. Sobaya moves as ONE continuous person and is never duplicated; in every frame his mask stays a hard white mask with two black eye holes and one horizontal black mouth slit — NO human eyes, NO eyelids, NO realistic nose or lips — and his exposed skin stays neutral gray. Do NOT render any on-screen text — no subtitles, no captions, no lower-thirds, no watermarks, no lettering and no Japanese characters; the video must contain no text at all. Soundscape: a chair dragged back on carpet, a guitar body knocking softly against a jacket, clothing rustle, faint air-conditioning hum. Music: no background music.

===== Chapter 6 — Name and age / 175 frames (7.292s) =====
Inputs: <Picture 1> = Sobaya_sheet.png / <Audio 1> = ch6_line1_sobaya.wav（「はい。私はそば屋と申します。」2.97s）, <Audio 2> = ch6_line2_sobaya.wav（「年齢は17歳でピチピチです。」2.65s）

Required attached input files: <Picture 1> = Sobaya_sheet.png — Sobaya's character model sheet, identity/design reference only, NOT a composition reference (PRESERVE: hard white full-face mask with TWO large black circular eye holes and ONE horizontal black mouth slit, four red vertical markings — one on the inner side and one on the outer side of each eye — plus a small black dot centered on the forehead, short spiky black hair above the mask visible from every angle, neutral-gray skin on neck, arms and hands, hulking 180cm/100kg thick build, plain white short-sleeve T-shirt, dark charcoal jeans, white sneakers; do NOT carry over: pose, camera angle, sheet background, panel layout, text labels); <Audio 1> = ch6_line1_sobaya.wav — Sobaya's first spoken line, use AS-IS; <Audio 2> = ch6_line2_sobaya.wav — Sobaya's second spoken line, use AS-IS. These attachments are REQUIRED inputs. None of the attached pictures is a frame of this video: the video does NOT start on, end on or reproduce any sheet — no panels, no white sheet background, no labels or text. Photorealistic live-action cinematography with natural live-action proportions in bright afternoon daylight; Sobaya is a live-action man with neutral-gray skin and a hard white mask. NOT flat 2D anime, NOT cartoon lineart. The shot opens on a locked-off MEDIUM clean single on Sobaya across the light-gray meeting table, framed from the thighs up: he sits at screen-centre facing camera and angled slightly to screen-left, his hands on his knees, the top of his oversized clear glass beer mug standing THREE-QUARTERS full of amber beer in the lower foreground, the pale gray back wall and its closed gray door — hinged on the LEFT edge with a silver lever handle on the RIGHT edge — behind him, and bright afternoon daylight raking in from the window on the left-hand wall. Exactly one person appears in this chapter — Sobaya — and he appears EXACTLY ONCE; nobody else enters the frame at any time, and no other person is ever visible. Beat 1 (0–0.5s): Sobaya lays his right hand flat on his chest. Beat 2 (0.5–3.5s): Sobaya (S1) introduces himself, saying <d>[Japanese] はい。私はそば屋と申します。</d> to <Audio 1>; the line is spoken from behind his rigid white mask — the mask does NOT deform, NO human lips, teeth or jaw appear, and the horizontal black mouth slit keeps its exact shape — so his head, shoulders and the hand on his chest carry the delivery in time with <Audio 1>. Beat 3 (3.5–3.9s): he lowers the hand and pauses, perfectly still. Beat 4 (3.9–6.6s): he opens both hands outward at chest height with enormous confidence and says <d>[Japanese] 年齢は17歳でピチピチです。</d> to <Audio 2>, again with the mask completely rigid and the delivery carried by his hands, shoulders and a small proud tilt of the head. Use <Audio 1> and <Audio 2> AS-IS as the dialogue audio, in that order, and do NOT generate any voice. Beat 5 (6.6–7.3s): his hands come back down to his knees. The camera stays locked-off for the whole chapter — no push, no pan, no handheld sway. The shot ends with Sobaya seated, hands on his knees, facing front. Sobaya moves as ONE continuous person and is never duplicated; in every frame his mask stays a hard white mask with two black eye holes and one horizontal black mouth slit — NO human eyes, NO eyelids, NO realistic nose or lips — and his exposed skin stays neutral gray; his mug stays exactly THREE-QUARTERS full and nobody drinks or pours. Do NOT render any on-screen text — no subtitles, no captions, no lower-thirds, no watermarks, no lettering and no Japanese characters; the video must contain no text at all. Soundscape: clothing rustle, a chair creaking faintly, faint air-conditioning hum. Music: no background music.

===== Chapter 7 — The years of experience / 277 frames (11.542s) =====
Inputs: <Picture 1> = Sobaya_sheet.png / <Audio 1> = ch7_line1_sobaya.wav（「Javaの経験が53年ほど、phpの経験が300年ほど、直近の1000年くらいはAndroidアプリの開発を行なっております。」9.65s）

Required attached input files: <Picture 1> = Sobaya_sheet.png — Sobaya's character model sheet, identity/design reference only, NOT a composition reference (PRESERVE: hard white full-face mask with TWO large black circular eye holes and ONE horizontal black mouth slit, four red vertical markings — one on the inner side and one on the outer side of each eye — plus a small black dot centered on the forehead, short spiky black hair above the mask visible from every angle, neutral-gray skin on neck, arms and hands, hulking 180cm/100kg thick build, plain white short-sleeve T-shirt, dark charcoal jeans, white sneakers; do NOT carry over: pose, camera angle, sheet background, panel layout, text labels); <Audio 1> = ch7_line1_sobaya.wav — Sobaya's spoken line, use AS-IS. These attachments are REQUIRED inputs. None of the attached pictures is a frame of this video: the video does NOT start on, end on or reproduce any sheet — no panels, no white sheet background, no labels or text. Photorealistic live-action cinematography with natural live-action proportions in bright afternoon daylight; Sobaya is a live-action man with neutral-gray skin and a hard white mask. NOT flat 2D anime, NOT cartoon lineart. The shot opens on a MEDIUM clean single on Sobaya across the light-gray meeting table, framed from the waist up: he sits at screen-centre facing camera and angled slightly to screen-left with his hands on his knees, the top of his oversized clear glass beer mug standing THREE-QUARTERS full of amber beer in the lower foreground, the pale gray back wall and its closed gray door — hinged on the LEFT edge with a silver lever handle on the RIGHT edge — behind him, and bright afternoon daylight raking in from the window on the left-hand wall. Exactly one person appears in this chapter — Sobaya — and he appears EXACTLY ONCE; nobody else enters the frame at any time, and no other person is ever visible. Beat 1 (0–0.6s): Sobaya raises his right hand to chest height, palm open. Beat 2 (0.6–10.3s): he counts the items off, raising one finger at a time — first one finger, then two, then three — with growing pride, while Sobaya (S1) says <d>[Japanese] Javaの経験が53年ほど、phpの経験が300年ほど、直近の1000年くらいはAndroidアプリの開発を行なっております。</d> to <Audio 1>; the line is spoken from behind his rigid white mask — the mask does NOT deform, NO human lips, teeth or jaw appear, and the horizontal black mouth slit keeps its exact shape — so his counting hand, shoulders and small head movements carry the whole delivery in time with <Audio 1>, and they stop when <Audio 1> ends. Use <Audio 1> AS-IS as the dialogue audio and do NOT generate any voice. Beat 3 (10.3–11.5s): he lowers the hand back to his knee and faces front, satisfied. The camera holds the same frame and makes one slow, small push-in of a few percent across the whole chapter — no pan, no handheld sway. The shot ends with Sobaya seated, hands on his knees, facing front. Sobaya moves as ONE continuous person and is never duplicated; in every frame his mask stays a hard white mask with two black eye holes and one horizontal black mouth slit — NO human eyes, NO eyelids, NO realistic nose or lips — and his exposed skin stays neutral gray; his mug stays exactly THREE-QUARTERS full and nobody drinks or pours. Do NOT render any on-screen text — no subtitles, no captions, no lower-thirds, no watermarks, no lettering and no Japanese characters; the video must contain no text at all. Soundscape: clothing rustle, a chair creaking faintly, faint air-conditioning hum. Music: no background music.

===== Chapter 8 — The gap in the numbers / 141 frames (5.875s) =====
Inputs: <Picture 1> = Yotan_sheet.png / <Audio 1> = ch8_line1_yotan.wav（よーたん「年齢と経験年数に大きく乖離がある理由は？」3.76s）

Required attached input files: <Picture 1> = Yotan_sheet.png — Yotan's character model sheet, identity/design reference only, NOT a composition reference (PRESERVE: slim 170cm 40-year-old Japanese man, shoulder-length layered blond wolf hair, round dark-lensed sunglasses with black frames, black leather biker jacket with a diagonal zip, black T-shirt, silver chain necklace, one silver earring in his left ear, black trousers, and a black Les Paul-type electric guitar on a black strap slung across his body; do NOT carry over: pose, camera angle, sheet background, panel layout, text labels); <Audio 1> = ch8_line1_yotan.wav — Yotan's spoken line, use AS-IS. These attachments are REQUIRED inputs. None of the attached pictures is a frame of this video: the video does NOT start on, end on or reproduce any sheet — no panels, no white sheet background, no labels or text. Photorealistic live-action cinematography with natural live-action proportions in bright afternoon daylight; Yotan is a real photographed person. NOT flat 2D anime, NOT cartoon lineart. The shot opens on a locked-off MEDIUM-CLOSE clean single on Yotan across the light-gray meeting table, framed from the chest up: he sits at screen-centre facing camera and angled slightly to screen-right with his hands folded on the table top and the black electric guitar resting against his hip on its strap, the pale gray back wall and its closed gray door — hinged on the LEFT edge with a silver lever handle on the RIGHT edge — softly out of focus behind him, and bright afternoon daylight coming from the window on the left-hand wall. Exactly one person appears in this chapter — Yotan — and he appears EXACTLY ONCE; nobody else enters the frame at any time, and no other person is ever visible. Beat 1 (0–1s): Yotan tucks his chin a fraction, calm and unimpressed behind the dark lenses. Beat 2 (1–4.8s): he lifts his right hand a little off the table, palm half-open, and asks the question evenly. Yotan (S1) says <d>[Japanese] 年齢と経験年数に大きく乖離がある理由は？</d>, lip-syncing to <Audio 1>; his mouth moves ONLY while <Audio 1> is playing and then stays CLOSED. Use <Audio 1> AS-IS as the dialogue audio and do NOT generate any voice. Beat 3 (4.8–5.9s): his hand returns to the table and he folds his hands again, waiting. The camera stays locked-off for the whole chapter — no push, no pan, no handheld sway. The shot ends with Yotan seated with his hands folded, waiting for an answer. Yotan moves as ONE continuous person and is never duplicated; his shoulder-length blond hair, round dark sunglasses, black leather biker jacket and the black electric guitar on its strap stay on him in every frame. Do NOT render any on-screen text — no subtitles, no captions, no lower-thirds, no watermarks, no lettering and no Japanese characters; the video must contain no text at all. Soundscape: clothing rustle, a faint creak from the chair, faint air-conditioning hum. Music: no background music.

===== Chapter 9 — The confession / 209 frames (8.708s) =====
Inputs: <Picture 1> = Sobaya_sheet.png / <Audio 1> = ch9_line1_sobaya.wav（「はい、弊社の方針で経歴は詐称しろと社長から言われておりまして、しっかり盛りました！」6.71s）

Required attached input files: <Picture 1> = Sobaya_sheet.png — Sobaya's character model sheet, identity/design reference only, NOT a composition reference (PRESERVE: hard white full-face mask with TWO large black circular eye holes and ONE horizontal black mouth slit, four red vertical markings — one on the inner side and one on the outer side of each eye — plus a small black dot centered on the forehead, short spiky black hair above the mask visible from every angle, neutral-gray skin on neck, arms and hands, hulking 180cm/100kg thick build, plain white short-sleeve T-shirt, dark charcoal jeans, white sneakers; do NOT carry over: pose, camera angle, sheet background, panel layout, text labels); <Audio 1> = ch9_line1_sobaya.wav — Sobaya's spoken line, use AS-IS. These attachments are REQUIRED inputs. None of the attached pictures is a frame of this video: the video does NOT start on, end on or reproduce any sheet — no panels, no white sheet background, no labels or text. Photorealistic live-action cinematography with natural live-action proportions in bright afternoon daylight; Sobaya is a live-action man with neutral-gray skin and a hard white mask. NOT flat 2D anime, NOT cartoon lineart. The shot opens on a MEDIUM clean single on Sobaya across the light-gray meeting table, framed from the thighs up: he sits at screen-centre facing camera and angled slightly to screen-left with his hands on his knees, the top of his oversized clear glass beer mug standing THREE-QUARTERS full of amber beer in the lower foreground, the pale gray back wall and its closed gray door — hinged on the LEFT edge with a silver lever handle on the RIGHT edge — behind him, and bright afternoon daylight raking in from the window on the left-hand wall. Exactly one person appears in this chapter — Sobaya — and he appears EXACTLY ONCE; nobody else enters the frame at any time, and no other person is ever visible. Beat 1 (0–1s): Sobaya straightens his back sharply, with no trace of guilt. Beat 2 (1–7.7s): he puffs out his chest and holds his right hand open toward camera in a bright, matter-of-fact gesture while Sobaya (S1) says <d>[Japanese] はい、弊社の方針で経歴は詐称しろと社長から言われておりまして、しっかり盛りました！</d> to <Audio 1>; the line is spoken from behind his rigid white mask — the mask does NOT deform, NO human lips, teeth or jaw appear, and the horizontal black mouth slit keeps its exact shape — so his open hand, chest and small head movements carry the delivery in time with <Audio 1> and stop when <Audio 1> ends. The tone stays cheerful and comedic throughout: nobody is upset, scolded or humiliated. Use <Audio 1> AS-IS as the dialogue audio and do NOT generate any voice. Beat 3 (7.7–8.7s): he folds his thick arms across his chest, thoroughly pleased with himself. The camera holds the same frame and makes one slow, small push-in of a few percent across the whole chapter — no pan, no handheld sway. The shot ends with Sobaya seated with his arms folded. Sobaya moves as ONE continuous person and is never duplicated; in every frame his mask stays a hard white mask with two black eye holes and one horizontal black mouth slit — NO human eyes, NO eyelids, NO realistic nose or lips — and his exposed skin stays neutral gray; his mug stays exactly THREE-QUARTERS full and nobody drinks or pours. Do NOT render any on-screen text — no subtitles, no captions, no lower-thirds, no watermarks, no lettering and no Japanese characters; the video must contain no text at all. Soundscape: clothing rustle, a chair creaking under a heavy frame, faint air-conditioning hum. Music: no background music.

===== Chapter 10 — The polite compliment / 158 frames (6.583s) =====
Inputs: <Picture 1> = Yotan_sheet.png / <Audio 1> = ch10_line1_yotan.wav（よーたん「上の指示をしっかり守る、素晴らしいお人柄なんですね。」4.04s）

Required attached input files: <Picture 1> = Yotan_sheet.png — Yotan's character model sheet, identity/design reference only, NOT a composition reference (PRESERVE: slim 170cm 40-year-old Japanese man, shoulder-length layered blond wolf hair, round dark-lensed sunglasses with black frames, black leather biker jacket with a diagonal zip, black T-shirt, silver chain necklace, one silver earring in his left ear, black trousers, and a black Les Paul-type electric guitar on a black strap slung across his body; do NOT carry over: pose, camera angle, sheet background, panel layout, text labels); <Audio 1> = ch10_line1_yotan.wav — Yotan's spoken line, use AS-IS. These attachments are REQUIRED inputs. None of the attached pictures is a frame of this video: the video does NOT start on, end on or reproduce any sheet — no panels, no white sheet background, no labels or text. Photorealistic live-action cinematography with natural live-action proportions in bright afternoon daylight; Yotan is a real photographed person. NOT flat 2D anime, NOT cartoon lineart. The shot opens on a locked-off MEDIUM-CLOSE clean single on Yotan across the light-gray meeting table, framed from the chest up: he sits at screen-centre facing camera and angled slightly to screen-right with his hands folded on the table top and the black electric guitar resting against his hip on its strap, the pale gray back wall and its closed gray door — hinged on the LEFT edge with a silver lever handle on the RIGHT edge — softly out of focus behind him, and bright afternoon daylight coming from the window on the left-hand wall. Exactly one person appears in this chapter — Yotan — and he appears EXACTLY ONCE; nobody else enters the frame at any time, and no other person is ever visible. Beat 1 (0–1s): Yotan gives one small, slow nod. Beat 2 (1–5s): a mild, agreeable smile spreads across his face and he delivers the compliment warmly, still nodding faintly. Yotan (S1) says <d>[Japanese] 上の指示をしっかり守る、素晴らしいお人柄なんですね。</d>, lip-syncing to <Audio 1>; his mouth moves ONLY while <Audio 1> is playing and then stays CLOSED. Use <Audio 1> AS-IS as the dialogue audio and do NOT generate any voice. Beat 3 (5–6.6s): the nodding stops and the smile begins to drain out of his face as the words sink in. The camera stays locked-off for the whole chapter — no push, no pan, no handheld sway. The shot ends with Yotan's smile half gone and his expression hardening. Yotan moves as ONE continuous person and is never duplicated; his shoulder-length blond hair, round dark sunglasses, black leather biker jacket and the black electric guitar on its strap stay on him in every frame. Do NOT render any on-screen text — no subtitles, no captions, no lower-thirds, no watermarks, no lettering and no Japanese characters; the video must contain no text at all. Soundscape: clothing rustle, a faint creak from the chair, faint air-conditioning hum. Music: no background music.

===== Chapter 11 — Sobaya doubles down / 209 frames (8.708s) =====
Inputs: <Picture 1> = Sobaya_sheet.png, <Picture 2> = Yotan_sheet.png / <Audio 1> = ch11_line1_sobaya.wav（「はい！このような悪事でも全く苦にならず、呼吸をするかのように経歴詐称できます！」6.57s）

Required attached input files: <Picture 1> = Sobaya_sheet.png — Sobaya's character model sheet, identity/design reference only, NOT a composition reference (PRESERVE: hard white full-face mask with TWO large black circular eye holes and ONE horizontal black mouth slit, four red vertical markings — one on the inner side and one on the outer side of each eye — plus a small black dot centered on the forehead, short spiky black hair above the mask visible from every angle, neutral-gray skin on neck, arms and hands, hulking 180cm/100kg thick build, plain white short-sleeve T-shirt, dark charcoal jeans, white sneakers; do NOT carry over: pose, camera angle, sheet background, panel layout, text labels); <Picture 2> = Yotan_sheet.png — Yotan's character model sheet, identity/design reference only, NOT a composition reference (PRESERVE: slim 170cm 40-year-old Japanese man, shoulder-length layered blond wolf hair, round dark-lensed sunglasses with black frames, black leather biker jacket with a diagonal zip, black T-shirt, silver chain necklace, one silver earring in his left ear, black trousers, black Chelsea boots, and a black Les Paul-type electric guitar on a black strap slung across his body; do NOT carry over: pose, camera angle, sheet background, panel layout, text labels); <Audio 1> = ch11_line1_sobaya.wav — Sobaya's spoken line, use AS-IS. These attachments are REQUIRED inputs. None of the attached pictures is a frame of this video: the video does NOT start on, end on or reproduce any sheet — no panels, no white sheet background, no labels or text. Photorealistic live-action cinematography with natural live-action proportions in bright afternoon daylight; Sobaya is a live-action man with neutral-gray skin and a hard white mask, and Yotan is a real photographed person. NOT flat 2D anime, NOT cartoon lineart. The shot opens on a locked-off MEDIUM-WIDE profile two-shot taken from the end of the light-gray meeting table: Sobaya sits at screen-LEFT in three-quarter profile facing screen-right, Yotan sits at screen-RIGHT in three-quarter profile facing screen-left with the black electric guitar against his hip, the oversized clear glass beer mug stands THREE-QUARTERS full of amber beer on the table between them, the pale gray back wall carries the closed gray door — hinged on the LEFT edge with a silver lever handle on the RIGHT edge — and bright afternoon daylight comes from the window on the left-hand wall. Exactly two people appear in this chapter — Sobaya and Yotan — and each appears EXACTLY ONCE; nobody else enters the frame at any time. Beat 1 (0–1s): Sobaya plants both hands on the table and leans forward toward Yotan. Beat 2 (1–7.6s): he declares his point with complete, sunny conviction while Sobaya (S1) says <d>[Japanese] はい！このような悪事でも全く苦にならず、呼吸をするかのように経歴詐称できます！</d> to <Audio 1>; the line is spoken from behind his rigid white mask — the mask does NOT deform, NO human lips, teeth or jaw appear, and the horizontal black mouth slit keeps its exact shape — so his leaning body, hands and head carry the delivery in time with <Audio 1>. Yotan does NOT speak — his mouth stays CLOSED for the entire chapter — he sits almost motionless and just listens, his face slowly going blank. The mood stays cheerful and comedic; nobody is angry, scolded or humiliated. Use <Audio 1> AS-IS as the dialogue audio and do NOT generate any voice. Beat 3 (7.6–8.7s): Sobaya settles back into his chair, satisfied, and Yotan sinks back against his chair back. The camera stays locked-off for the whole chapter — no push, no pan, no handheld sway. The shot ends with Sobaya upright and pleased at screen-left and Yotan leaning back at screen-right. Sobaya moves as ONE continuous person and is never duplicated; in every frame his mask stays a hard white mask with two black eye holes and one horizontal black mouth slit — NO human eyes, NO eyelids, NO realistic nose or lips — and his exposed skin stays neutral gray; his mug stays exactly THREE-QUARTERS full and nobody drinks or pours. Yotan moves as ONE continuous person and is never duplicated; his blond hair, round dark sunglasses, black leather biker jacket and the black electric guitar on its strap stay on him in every frame. Do NOT render any on-screen text — no subtitles, no captions, no lower-thirds, no watermarks, no lettering and no Japanese characters; the video must contain no text at all. Soundscape: palms landing on a table top, clothing rustle, two chairs creaking, faint air-conditioning hum. Music: no background music.

===== Chapter 12 — Yotan's retort / 209 frames (8.708s) =====
Inputs: <Picture 1> = Yotan_sheet.png / <Audio 1> = ch12_line1_yotan.wav（よーたん「よし！採用！！ってなるかーい！経歴さしょうすんなや！」4.64s / seed 101）

Required attached input files: <Picture 1> = Yotan_sheet.png — Yotan's character model sheet, identity/design reference only, NOT a composition reference (PRESERVE: slim 170cm 40-year-old Japanese man, shoulder-length layered blond wolf hair, round dark-lensed sunglasses with black frames, black leather biker jacket with a diagonal zip, black T-shirt, silver chain necklace, one silver earring in his left ear, and the black strap of his electric guitar across his chest; do NOT carry over: pose, camera angle, sheet background, panel layout, text labels); <Audio 1> = ch12_line1_yotan.wav — Yotan's spoken line, use AS-IS. These attachments are REQUIRED inputs. None of the attached pictures is a frame of this video: the video does NOT start on, end on or reproduce any sheet — no panels, no white sheet background, no labels or text. Photorealistic live-action cinematography with natural live-action proportions in bright afternoon daylight; Yotan is a real photographed person. NOT flat 2D anime, NOT cartoon lineart. The shot opens on a locked-off CLOSE-UP of Yotan framed from the chest up at screen-centre, facing camera and angled slightly to screen-left, his mouth CLOSED, the black guitar strap crossing his chest, and the pale gray meeting-room wall thrown softly out of focus behind him with bright afternoon daylight from the window on the left-hand wall. Exactly one person appears in this chapter — Yotan — and he appears EXACTLY ONCE; nobody else enters the frame at any time, and no other person is ever visible. Beat 1 (0–2s): complete silence — he raises his right hand to his chin, tilts his head a little to one side and genuinely weighs it up; his mouth stays CLOSED and nothing is said for these two seconds. Beat 2 (2–2.5s): his head snaps up and his hand leaves his chin. Beat 3 (2.5–7.2s): he throws the hand up and fires the retort off at full comic speed. Yotan (S1) says <d>[Japanese] よし！採用！！ってなるかーい！経歴さしょうすんなや！</d>, lip-syncing to <Audio 1>; his mouth starts moving exactly when <Audio 1> starts, moves ONLY while <Audio 1> is playing and then stays CLOSED. The delivery is bright, exasperated stand-up-comedy tsukkomi energy, never real anger. Use <Audio 1> AS-IS as the dialogue audio and do NOT generate any voice. Beat 4 (7.2–8.7s): he drops the hand, lets his shoulders fall and exhales. The camera stays locked-off for the whole chapter — no push, no pan, no handheld sway. The shot ends with Yotan's hand down and his face front, exasperated and a little amused. Yotan moves as ONE continuous person and is never duplicated; his shoulder-length blond hair, round dark sunglasses with black frames, black leather biker jacket and the black guitar strap stay on him in every frame. Do NOT render any on-screen text — no subtitles, no captions, no lower-thirds, no watermarks, no lettering and no Japanese characters; the video must contain no text at all. Soundscape: a sharp intake of breath, clothing rustle as an arm swings up, a faint creak from the chair, faint air-conditioning hum. Music: no background music.

===== Chapter 13 — Tehe / 107 frames (4.458s) =====
Inputs: <Picture 1> = Sobaya_sheet.png / <Audio 1> = ch13_line1_sobaya.wav（「てへっ」2.0s・0.68sから末尾パディング）

Required attached input files: <Picture 1> = Sobaya_sheet.png — Sobaya's character model sheet, identity/design reference only, NOT a composition reference (PRESERVE: hard white full-face mask with TWO large black circular eye holes and ONE horizontal black mouth slit, four red vertical markings — one on the inner side and one on the outer side of each eye — plus a small black dot centered on the forehead, short spiky black hair above the mask visible from every angle, neutral-gray skin on neck, arms and hands, hulking 180cm/100kg thick build, plain white short-sleeve T-shirt; do NOT carry over: pose, camera angle, sheet background, panel layout, text labels); <Audio 1> = ch13_line1_sobaya.wav — Sobaya's spoken line, use AS-IS. These attachments are REQUIRED inputs. None of the attached pictures is a frame of this video: the video does NOT start on, end on or reproduce any sheet — no panels, no white sheet background, no labels or text. Photorealistic live-action cinematography with natural live-action proportions in bright afternoon daylight; Sobaya is a live-action man with neutral-gray skin and a hard white mask. NOT flat 2D anime, NOT cartoon lineart. The shot opens on a locked-off CLOSE-UP of Sobaya framed from the chest up at screen-centre, the hard white mask squared to camera with its two black circular eye holes and single horizontal black mouth slit, the short spiky black hair above it, his neutral-gray neck and the white collar of his T-shirt below, and the pale gray meeting-room wall thrown softly out of focus behind him with bright afternoon daylight from the window on the left-hand wall. Exactly one person appears in this chapter — Sobaya — and he appears EXACTLY ONCE; nobody else enters the frame at any time, and no other person is ever visible. Beat 1 (0–1s): he tilts his head over to screen-right in a sheepish, bashful angle. Beat 2 (1–3s): he lifts his right hand and scratches the back of his head, the gray fingers working through the spiky black hair, while Sobaya (S1) lets out <d>[Japanese] てへっ</d> to <Audio 1>; the sound comes from behind his rigid white mask — the mask does NOT deform, NO human lips, teeth, jaw, eyes or eyelids appear, and the horizontal black mouth slit keeps its exact shape — so the bashfulness is carried entirely by the head tilt, the scratching hand and his shoulders, timed to <Audio 1>. Use <Audio 1> AS-IS as the dialogue audio and do NOT generate any voice. Beat 3 (3–4.5s): he lowers the hand and holds the tilt, completely still. The camera stays locked-off for the whole chapter — no push, no pan, no handheld sway. The shot ends on Sobaya holding the sheepish head tilt, facing front. Sobaya moves as ONE continuous person and is never duplicated; in every frame his mask stays a hard white mask with two black eye holes and one horizontal black mouth slit, the four red vertical markings and the small black forehead dot stay exactly as attached, and his exposed skin stays neutral gray. Do NOT render any on-screen text — no subtitles, no captions, no lower-thirds, no watermarks, no lettering and no Japanese characters; the video must contain no text at all. Soundscape: a hand brushing through stiff hair, clothing rustle, faint air-conditioning hum. Music: no background music.