プリチュア誕生編

プロンプト

MiniMax H3 (R2V) 実入力プロンプト 全37チャプター · revision 1

# 103 プリチュア誕生編 — MiniMax H3 (R2V) 実入力プロンプト 全37チャプター

H3 へ実際に渡したプロンプトは1チャプター平均4,200字・全37章で156,000字あり、この欄の上限（100,000字）に収まらない。
**逐語の原文は入力素材 `ch_prompts_all37.txt`（ch1_prompt.txt〜ch37_prompt.txt を章見出し付きで連結したもの）にある。**
ここには各章のディレクション（添付・構図・ビート・セリフ・カメラ・終了状態・音）だけを残し、
下記の定型文（全章に繰り返し入る添付ファイル記述・画風指定・キャノンガード）は省いてある。

## 省いた定型文

1. **添付ファイル記述（各章の冒頭）** — `Required attached input files:` に続けて、その章の Attachments が
   `<Picture n> = <file> — <そのシートの identity/design 記述（PRESERVE: … / do NOT carry over: pose, camera angle, sheet background, panel layout, text labels）>`
   の形で列挙され、`These attachments are REQUIRED inputs. None of the attached pictures is a frame of this video: the video does NOT start on, end on or reproduce any sheet — no panels, no sheet background, no labels or text.` で閉じる。

2. **画風・舞台** — `Photorealistic live-action cinematography with natural live-action proportions in warm morning sunlight …` ＋その章に映るキャラだけの実写/3D指定（`X is a real photographed person` / `Yametaro alone is a soft matte 3D chibi toy figure standing in the same real space, lit by the same real light` など）、`NOT flat 2D anime, NOT cartoon lineart.`、教室の章は `This is the same lavish private high-school classroom throughout: dark carved walnut panelling, a polished dark-green chalkboard at the front that is COMPLETELY BLANK …` 。

3. **キャノンガード（各章末尾）** — `Sobaya moves as ONE continuous person and is never duplicated; in every frame the mask stays a hard white mask with two black eye holes and one mouth slit — NO human eyes, NO eyelids, NO eyelashes, NO brows, NO realistic nose or lips — the mouth slit never opens or deforms even while speaking, and the exposed skin stays neutral gray.` / `Yametaro stays a matte 3D chibi toy figure at an adult's waist height and never becomes a live-action human.` / `Takosan keeps the hood up, two black dot eyes, no mouth, two white arms and six tentacles.` / `Yumemin has NO mouth and NEVER opens one: the voice is telepathy that resonates in the mind …` / `Chua Poison's costume is real cloth and real leather in every frame …` / `Exactly N characters appear in this chapter — … — and each appears EXACTLY ONCE; nobody else enters the frame at any time.` / `nobody is duplicated and no new person enters the frame at any point.` / `nobody wears a school uniform — each character keeps the exact clothing on their own sheet.` / `the chalkboard stays COMPLETELY BLANK in every frame …` / `Do NOT render any on-screen text — no subtitles, no captions, no lettering and no Japanese characters; the video must contain no text at all.` / `Use <Audio 1> AS-IS as the dialogue audio and do NOT generate any voice.`

---

## Chapter 1
Attachments: <Picture 1> = Fukuchan_sheet.png, <Picture 2> = Yametaro_sheet.png, <Picture 3> = Yotan_sheet.png, <Picture 4> = Tokun_sheet.png, <Picture 5> = Takosan_sheet.png, <Picture 6> = height_lineup.png, <Audio 1> = ch1_line1_fukuchan.wav

The shot opens on a locked-off static MEDIUM-WIDE shot at eye level from the BACK of the room, placed slightly RIGHT of centre so the room runs away diagonally toward the chalkboard, inside a lavish private high-school classroom: a polished dark-green chalkboard that is COMPLETELY BLANK and freshly wiped with absolutely nothing written on it, heavy carved walnut panelling at the front, tall arched windows along the LEFT wall, rows of solid wooden desks, a brass chandelier overhead.
Beat 1 (0–0.8s): Fukuchan steps forward once and raises one index finger in front of his chest; the four students turn their heads toward him.
Beat 2 (0.8–7.9s): he delivers the line to the class, still smiling warmly, wagging the raised finger from side to side at the phrase breaks; the four students stay seated and listen with their mouths closed — Yametaro blinks, Tokun's hands rest still on the ukulele, Yotan leans back, Takosan does not move.
Beat 3 (7.9–8.7s): Fukuchan lowers the finger and nods once, satisfied.
Fukuchan (S1) says <d>[Japanese] いいですかみなさん！目玉焼きにはケチャップしか許さないと言うような男とは付き合ってはいけません！</d>, lip-syncing to <Audio 1>; his mouth moves ONLY while <Audio 1> is playing and then stays CLOSED.
The camera stays locked-off static for the whole chapter — no push, no pan, no handheld sway.
The shot ends with Fukuchan standing at frame right, hands lowered, nodding with a warm smile, and the four students still seated at frame left.
Soundscape: a quiet classroom room tone, faint birdsong through the windows, one chair creaking.
Music: no background music.

## Chapter 2
Attachments: <Picture 1> = Fukuchan_sheet.png, <Picture 2> = Yametaro_sheet.png, <Picture 3> = Yotan_sheet.png, <Picture 4> = Tokun_sheet.png, <Picture 5> = Takosan_sheet.png, <Picture 6> = height_lineup.png, <Audio 1> = ch2_line1_fukuchan.wav

The shot opens on a locked-off static WIDE shot at eye level from the back of the room, looking forward inside a lavish private high-school classroom: a polished dark-green chalkboard that is COMPLETELY BLANK and freshly wiped with absolutely nothing written on it, heavy carved walnut panelling at the front, tall arched windows along the LEFT wall, rows of solid wooden desks, a brass chandelier overhead.
Beat 1 (0–0.7s): Fukuchan spreads both arms slightly.
Beat 2 (0.7–6.9s): he delivers the line to the room; the four students stay seated facing forward, listening, mouths closed.
Beat 3 (6.9–7.3s): Fukuchan finishes by pressing BOTH hands to his cheeks in his signature pose.
Fukuchan (S1) says <d>[Japanese] 男子のみんなはケチャップでもマヨネーズでも許容できるような大人になってくださいね！</d>, lip-syncing to <Audio 1>; his mouth moves ONLY while <Audio 1> is playing and then stays CLOSED.
The camera stays locked-off static for the whole chapter — no push, no pan, no handheld sway.
The shot ends with Fukuchan holding both hands to his cheeks and the four students still seated.
Soundscape: a quiet classroom room tone, faint birdsong, one chair creaking.
Music: no background music.

## Chapter 3
Attachments: <Picture 1> = Yotan_sheet.png, <Audio 1> = ch3_line1_yotan.wav

The shot opens on a MEDIUM CLOSE shot at eye level of Yotan slumped at his own desk in the classroom, both elbows on the desktop, his black electric guitar propped against the chair beside him; tall arched windows and empty desks behind him.
Beat 1 (0–0.9s): Yotan lets out a heavy sigh and his shoulders drop.
Beat 2 (0.9–4.7s): half collapsed onto the desk, he delivers the line.
Beat 3 (4.7–5.2s): he lifts only his face and stares into the distance through his dark sunglasses.
Yotan (S1) says <d>[Japanese] またダメだったか・・・俺は醤油派だ</d>, lip-syncing to <Audio 1>; his mouth moves ONLY while <Audio 1> is playing and then stays CLOSED.
The camera makes one very slow small push-in of about five percent over the whole chapter — no pan, no handheld sway.
The shot ends with Yotan still on his elbows, face lifted, staring past camera.
Soundscape: a quiet classroom room tone, a long sigh, fabric shifting against a wooden desk.
Music: no background music.

## Chapter 4
Attachments: <Picture 1> = Tokun_sheet.png, <Audio 1> = ch4_line1_tokun.wav

The shot opens on a locked-off static MEDIUM CLOSE shot at eye level of Tokun seated at his own desk in the classroom, his natural-wood ukulele resting on his lap, both hands on it; empty desks and arched windows behind him.
Beat 1 (0–0.5s): Tokun strums the ukulele once.
Beat 2 (0.5–3.1s): he delivers the line brightly, still smiling.
Beat 3 (3.1–3.75s): he strums once more and laughs.
Tokun (S1) says <d>[Japanese] ハワイではソースいったくだぜ</d>, lip-syncing to <Audio 1>; his mouth moves ONLY while <Audio 1> is playing and then stays CLOSED.
The camera stays locked-off static for the whole chapter — no push, no pan, no handheld sway.
The shot ends with Tokun smiling, both hands resting on the ukulele.
Soundscape: a quiet classroom room tone, two soft ukulele strums, a short laugh.
Music: no background music.

## Chapter 5
Attachments: <Picture 1> = Yametaro_sheet.png, <Audio 1> = ch5_line1_yametaro.wav

The shot opens on a locked-off static MEDIUM CLOSE shot at a slightly high angle of Yametaro seated at his own desk in the classroom, so small that his head clears the desktop by only a little, both tiny hands resting on the desk; empty desks behind him.
Beat 1 (0–0.7s): Yametaro lowers his eyes and gives a small shake of the head.
Beat 2 (0.7–2.9s): he mutters the line to nobody in particular.
Beat 3 (2.9–3.75s): he puffs out his cheeks and rests his chin on the desktop.
Yametaro (S1) says <d>[Japanese] わいはプレーンでええんやけどな</d>, lip-syncing to <Audio 1>; his mouth moves ONLY while <Audio 1> is playing and then stays CLOSED.
The camera stays locked-off static for the whole chapter — no push, no pan, no handheld sway.
The shot ends with Yametaro's chin resting on the desk and his cheeks puffed.
Soundscape: a quiet classroom room tone, a small sigh, a soft bump as his chin meets the desk.
Music: no background music.

## Chapter 6
Attachments: <Picture 1> = Fukuchan_sheet.png, <Audio 1> = ch6_line1_fukuchan.wav

The shot opens on a locked-off static MEDIUM shot at eye level of Fukuchan standing beside the wooden lectern at the front of the classroom, hands loosely clasped in front of him, the dark-green chalkboard behind.
Beat 1 (0–0.6s): Fukuchan's face brightens and he opens both arms wide.
Beat 2 (0.6–3.7s): he announces the line happily.
Beat 3 (3.7–4.45s): arms still wide, he gives a small delighted bounce.
Fukuchan (S1) says <d>[Japanese] 今日は転校生を紹介します！</d>, lip-syncing to <Audio 1>; his mouth moves ONLY while <Audio 1> is playing and then stays CLOSED.
The camera stays locked-off static for the whole chapter — no push, no pan, no handheld sway.
The shot ends with Fukuchan standing with both arms open, beaming.
Soundscape: a quiet classroom room tone, shoes shifting once on a wooden floor.
Music: no background music.

## Chapter 7
Attachments: <Picture 1> = Yametaro_sheet.png, <Audio 1> = ch7_line1_yametaro.wav

The shot opens on a MEDIUM CLOSE shot at a slightly high angle of Yametaro at his desk in the classroom, chin on the desktop and cheeks puffed.
Beat 1 (0–0.6s): Yametaro springs to his feet and the chair slides back behind him.
Beat 2 (0.6–3.2s): he thrusts one tiny hand forward and fires off the line.
Beat 3 (3.2–3.75s): he drops the hand and his shoulders heave once.
Yametaro (S1) says <d>[Japanese] そっちが優先やろがい！</d>, lip-syncing to <Audio 1>; his mouth moves ONLY while <Audio 1> is playing and then stays CLOSED.
The camera makes one very slow small push-in of about five percent over the whole chapter — no pan, no handheld sway.
The shot ends with Yametaro standing beside his desk, hand lowered, breathing hard.
Soundscape: a wooden chair scraping back, a quiet classroom room tone.
Music: no background music.

## Chapter 8
Attachments: <Picture 1> = Fukuchan_sheet.png, <Audio 1> = ch8_line1_fukuchan.wav

The shot opens on a MEDIUM shot at eye level with Fukuchan standing at frame LEFT and, at frame RIGHT in the background, the closed heavy dark-walnut classroom door — hinged on its LEFT edge with a brass lever handle on its RIGHT edge at mid-height, opening INWARD into the room.
Beat 1 (0–0.7s): Fukuchan turns his body toward the door.
Beat 2 (0.7–1.9s): he holds an open palm toward the door and delivers the line.
Beat 3 (1.9–3.75s): the brass handle dips and the door swings a few centimetres INWARD; its hinges stay on the LEFT edge and the handle on the RIGHT edge throughout.
Fukuchan (S1) says <d>[Japanese] 入って</d>, lip-syncing to <Audio 1>; his mouth moves ONLY while <Audio 1> is playing and then stays CLOSED.
The camera makes one very slow small pan to the right of about five percent over the whole chapter — no push, no handheld sway.
The shot ends with the door barely cracked open inward and Fukuchan still holding his palm toward it.
Soundscape: a quiet classroom room tone, a brass latch clicking, a heavy wooden door beginning to move.
Music: no background music.

## Chapter 9
Attachments: <Picture 1> = Sobaya_sheet.png

The shot opens on a locked-off static MEDIUM-WIDE shot at a slightly low angle facing the heavy dark-walnut classroom door from inside the room — hinged on its LEFT edge, brass lever handle on its RIGHT edge, barely cracked open inward.
Beat 1 (0–1.5s): the door swings wide INWARD; its hinges stay on the LEFT edge and the handle on the RIGHT.
Beat 2 (1.5–3.6s): Sobaya fills the doorway, so tall he has to duck his head slightly to clear the frame; in his RIGHT hand he carries a transparent handled large glass mug FULL of amber beer with a thick foam head.
Beat 3 (3.6–5.17s): he takes one step into the room and stops, facing forward.
The camera stays locked-off static for the whole chapter — no push, no pan, no handheld sway.
The shot ends with Sobaya standing just inside the doorway, the full mug hanging from his right hand, the door wide open behind him.
Soundscape: a heavy wooden door swinging open, one set of slow heavy footsteps on a wooden floor, a quiet classroom room tone.
Music: no background music.

## Chapter 10
Attachments: <Picture 1> = Yotan_sheet.png, <Audio 1> = ch10_line1_yotan.wav

The shot opens on a locked-off static MEDIUM CLOSE shot at eye level of Yotan leaning back at his desk in the classroom, his guitar propped against the chair beside him.
Beat 1 (0–0.5s): Yotan leans forward and points off-frame to the left.
Beat 2 (0.5–3.1s): still pointing, he delivers the line.
Beat 3 (3.1–3.75s): he lowers the hand and tilts his head.
Yotan (S1) says <d>[Japanese] なんでビール持ってるんだ？</d>, lip-syncing to <Audio 1>; his mouth moves ONLY while <Audio 1> is playing and then stays CLOSED.
The camera stays locked-off static for the whole chapter — no push, no pan, no handheld sway.
The shot ends with Yotan leaning forward, head tilted.
Soundscape: a quiet classroom room tone, a chair creaking once.
Music: no background music.

## Chapter 11
Attachments: <Picture 1> = Sobaya_sheet.png, <Audio 1> = ch11_line1_sobaya.wav

The shot opens on a MEDIUM shot at a low angle of Sobaya standing beside the lectern at the front of the classroom, facing camera, the chalkboard behind him.
Beat 1 (0–0.4s): Sobaya squares his shoulders and turns the mask to face camera.
Beat 2 (0.4–2.9s): he delivers the line flatly.
Beat 3 (2.9–4.45s): only AFTER the line he raises the mug to the mask and tips it back; the beer drops from FULL to THREE QUARTERS.
Sobaya (S1) says <d>[Japanese] そば屋17歳ぴちぴちです。</d>, lip-syncing to <Audio 1>; his mask's mouth slit does NOT open or change shape at any point — the voice comes from behind the fixed mask.
The camera makes one very slow small push-in of about five percent over the whole chapter — no pan, no handheld sway.
The shot ends with Sobaya lowering the mug, now three quarters full.
Soundscape: a quiet classroom room tone, beer sloshing in a heavy glass mug, a single swallow.
Music: no background music.

## Chapter 12
Attachments: <Picture 1> = Fukuchan_sheet.png, <Audio 1> = ch12_line1_fukuchan.wav

The shot opens on a locked-off static MEDIUM CLOSE shot at eye level framing Fukuchan from the waist up.
Beat 1 (0–0.5s): Fukuchan lifts one arm from behind the lectern and points off-frame to the RIGHT, past the camera, toward the back of the room.
Beat 2 (0.5–2.6s): still pointing, he delivers the line with a warm smile.
Beat 3 (2.6–3.75s): he lowers the arm back to the lectern and nods.
Fukuchan (S1) says <d>[Japanese] それじゃあ、あそこの席に座って</d>, lip-syncing to <Audio 1>; his mouth moves ONLY while <Audio 1> is playing and then stays CLOSED.
The camera stays locked-off static for the whole chapter — no push, no pan, no handheld sway.
The shot ends with Fukuchan behind the lectern, arm lowered, nodding with a warm smile.
Soundscape: a quiet classroom room tone, faint birdsong through the windows.
Music: no background music.

## Chapter 13
Attachments: <Picture 1> = Sobaya_sheet.png, <Picture 2> = Yotan_sheet.png, <Picture 3> = Tokun_sheet.png, <Picture 4> = Takosan_sheet.png, <Picture 5> = height_lineup.png, <Audio 1> = ch13_line1_yotan.wav

The shot opens on a locked-off static MEDIUM-WIDE shot at a slightly high angle around the window-side desk at the right of the classroom: Sobaya sits at the desk, far too big for the chair, with a transparent handled large glass mug THREE QUARTERS full of amber beer standing on the desktop in front of him; Yotan stands at frame LEFT with his guitar slung on his back; Tokun stands at frame RIGHT holding his ukulele; Takosan stands at the near right of frame, only waist-high, tentacles on the floor.
Beat 1 (0–0.7s): the three standing characters each take one step closer and lean in over the desk.
Beat 2 (0.7–4.9s): Yotan plants one hand on the desktop, leans in and asks the line.
Beat 3 (4.9–5.17s): Takosan tilts his head slightly.
Yotan (S1) says <d>[Japanese] ねぇ、そば屋さんてここ来る前はどこの学校にいたの？</d>, lip-syncing to <Audio 1>; his mouth moves ONLY while <Audio 1> is playing and then stays CLOSED.
The camera stays locked-off static for the whole chapter — no push, no pan, no handheld sway.
The shot ends with Yotan still leaning in and Takosan's head tilted.
Soundscape: a quiet classroom room tone, shoes on a wooden floor, a hand placed on a wooden desktop.
Music: no background music.

## Chapter 14
Attachments: <Picture 1> = Sobaya_sheet.png, <Picture 2> = Yotan_sheet.png, <Picture 3> = Tokun_sheet.png, <Picture 4> = Takosan_sheet.png, <Picture 5> = height_lineup.png, <Audio 1> = ch14_line1_sobaya.wav

The shot opens on a locked-off static MEDIUM shot at eye level favouring Sobaya at the window-side desk, the mug THREE QUARTERS full standing on the desktop; Yotan is at the far LEFT edge of frame, Tokun at the far RIGHT edge, and Takosan partly in frame at the near right.
Beat 1 (0–0.4s): Sobaya slowly turns the mask to face forward.
Beat 2 (0.4–2.6s): he answers flatly.
Beat 3 (2.6–3.75s): the other three freeze where they stand — Yotan's mouth stays shut mid-reaction, Tokun's hands stop on the ukulele, Takosan does not move.
Sobaya (S1) says <d>[Japanese] ちょっと宇宙の方ですわ</d>, lip-syncing to <Audio 1>; his mask's mouth slit does NOT open or change shape at any point — the voice comes from behind the fixed mask.
The camera stays locked-off static for the whole chapter — no push, no pan, no handheld sway.
The shot ends with Sobaya facing forward and the other three frozen.
Soundscape: a quiet classroom room tone, one chair creaking, then stillness.
Music: no background music.

## Chapter 15
Attachments: <Picture 1> = Sobaya_sheet.png, <Picture 2> = Yotan_sheet.png, <Picture 3> = Tokun_sheet.png, <Picture 4> = Takosan_sheet.png, <Picture 5> = height_lineup.png, <Audio 1> = ch15_line1_tokun.wav

The shot opens on a locked-off static MEDIUM shot at eye level favouring Tokun at frame RIGHT beside the window-side desk, Sobaya seated behind him at centre with the mug THREE QUARTERS full on the desktop, Yotan at the far LEFT edge and Takosan low at the near right.
Beat 1 (0–0.6s): Tokun raises a hand to the brim of his straw fedora and turns serious.
Beat 2 (0.6–3.5s): he asks the line, genuinely puzzled.
Beat 3 (3.5–4.45s): he tilts his head far over and strums the ukulele once.
Tokun (S1) says <d>[Japanese] うちゅうってハワイより遠いのかしら？</d>, lip-syncing to <Audio 1>; his mouth moves ONLY while <Audio 1> is playing and then stays CLOSED.
The camera stays locked-off static for the whole chapter — no push, no pan, no handheld sway.
The shot ends with Tokun's head tilted far over, hand still on the ukulele.
Soundscape: a quiet classroom room tone, one soft ukulele strum.
Music: no background music.

## Chapter 16
Attachments: <Picture 1> = Sobaya_sheet.png, <Picture 2> = Yotan_sheet.png, <Picture 3> = Tokun_sheet.png, <Picture 4> = Takosan_sheet.png, <Picture 5> = height_lineup.png, <Audio 1> = ch16_line1_sobaya.wav

The shot opens on a MEDIUM-WIDE shot at a slightly high angle around the window-side desk at the right of the classroom: Sobaya sits at the desk, far too big for the chair, with a transparent handled large glass mug THREE QUARTERS full of amber beer standing on the desktop in front of him; Yotan stands at frame LEFT with his guitar slung on his back; Tokun stands at frame RIGHT holding his ukulele; Takosan stands at the near right of frame, only waist-high, tentacles on the floor.
Beat 1 (0–0.6s): Sobaya raises his LEFT hand to the forehead of the mask and lowers his head slightly.
Beat 2 (0.6–4.4s): he delivers the line.
Beat 3 (4.4–5.9s): only AFTER the line he picks the mug up in his RIGHT hand and tips it back; the beer drops from THREE QUARTERS to HALF.
Sobaya (S1) says <d>[Japanese] 少し二日酔いで・・・保健室に行ってきますわ</d>, lip-syncing to <Audio 1>; his mask's mouth slit does NOT open or change shape at any point — the voice comes from behind the fixed mask.
The camera makes one very slow small push-in of about five percent over the whole chapter — no pan, no handheld sway.
The shot ends with Sobaya lowering the half-full mug and the other three with their heads tilted.
Soundscape: a quiet classroom room tone, beer sloshing in a heavy glass mug, a single swallow.
Music: no background music.

## Chapter 17
Attachments: <Picture 1> = Sobaya_sheet.png, <Picture 2> = Yametaro_sheet.png, <Picture 3> = height_lineup.png, <Audio 1> = ch17_line1_sobaya.wav

The shot opens on a MEDIUM-WIDE shot from the side at eye level inside the classroom.
Beat 1 (0–1.3s): Sobaya finishes standing up to his full height.
Beat 2 (1.3–2.3s): he walks between the desks to Yametaro's seat and stops beside it; the size gap is stark — Yametaro's head reaches only Sobaya's waist.
Beat 3 (2.3–8.0s): Sobaya turns the mask down toward Yametaro and delivers the line; Yametaro stares up, frozen, mouth closed.
Sobaya (S1) says <d>[Japanese] やめ太郎、あなたこのクラスの保健委員よね？俺を案内しなさい</d>, lip-syncing to <Audio 1>; his mask's mouth slit does NOT open or change shape at any point — the voice comes from behind the fixed mask.
The camera tracks slowly LEFT with Sobaya's walk during the first third, then holds still — no push, no handheld sway.
The shot ends with Sobaya standing over Yametaro's desk and Yametaro staring up at him.
Soundscape: a quiet classroom room tone, slow heavy footsteps on a wooden floor, beer sloshing once in a glass mug.
Music: no background music.

## Chapter 18
Attachments: <Picture 1> = Yametaro_sheet.png, <Picture 2> = Sobaya_sheet.png, <Picture 3> = height_lineup.png, <Audio 1> = ch18_line1_yametaro.wav

The shot opens on a locked-off static MEDIUM CLOSE shot at a slightly high angle of Yametaro seated at his desk looking up.
Beat 1 (0–0.5s): Yametaro's eyes go wide and his whole body gives a small startled bounce.
Beat 2 (0.5–3.15s): he stammers the line.
Beat 3 (3.15–3.75s): he climbs down off the chair and stands beside the desk.
Yametaro (S1) says <d>[Japanese] え？あ、わかったやで</d>, lip-syncing to <Audio 1>; his mouth moves ONLY while <Audio 1> is playing and then stays CLOSED.
The camera stays locked-off static for the whole chapter — no push, no pan, no handheld sway.
The shot ends with Yametaro standing beside his desk, Sobaya's torso still at the right edge.
Soundscape: a quiet classroom room tone, a chair creaking, small quick footsteps.
Music: no background music.

## Chapter 19
Attachments: <Picture 1> = Sobaya_sheet.png, <Picture 2> = Yametaro_sheet.png, <Picture 3> = height_lineup.png, <Audio 1> = ch19_line1_yametaro.wav

The shot opens on a MEDIUM-WIDE shot from directly BEHIND both characters in a lavish marble school corridor with a row of tall arched windows on the RIGHT throwing bright stripes across the polished floor.
Beat 1 (0–1.0s): the two keep walking; Sobaya's stride is long and Yametaro has to trot to keep up.
Beat 2 (1.0–4.7s): still walking, Yametaro lifts his face toward Sobaya's back and asks the line; Sobaya does not turn around.
Beat 3 (4.7–5.17s): Sobaya's pace slows very slightly.
Yametaro (S1) says <d>[Japanese] あなたなんでワイが保健委員だって知ってるんや？</d>, lip-syncing to <Audio 1>; his mouth moves ONLY while <Audio 1> is playing and then stays CLOSED.
The camera dollies forward slowly behind them for the whole chapter, holding the same distance — no pan, no handheld sway.
The shot ends with both still walking and Sobaya's pace just beginning to fall off.
Soundscape: two sets of footsteps on a marble floor, a distant school bell, faint birdsong outside the windows.
Music: no background music.

## Chapter 20
Attachments: <Picture 1> = Sobaya_sheet.png, <Picture 2> = Yametaro_sheet.png, <Picture 3> = height_lineup.png, <Audio 1> = ch20_line1_sobaya.wav

The shot opens on a locked-off static MEDIUM shot from the SIDE at eye level in the marble corridor.
Beat 1 (0–0.8s): Sobaya comes to a full stop and slowly rotates only his head toward Yametaro.
Beat 2 (0.8–1.4s): a silent beat — neither moves and dust drifts in the window light.
Beat 3 (1.4–6.7s): Sobaya delivers the line; Yametaro keeps looking up, mouth closed.
Beat 4 (6.7–7.29s): Sobaya faces forward again and Yametaro stays rooted, staring at his back.
Sobaya (S1) says <d>[Japanese] あなたは何にもならないでね？何があってもそのままでいなければダメよ</d>, lip-syncing to <Audio 1>; his mask's mouth slit does NOT open or change shape at any point — the voice comes from behind the fixed mask.
The camera stays locked-off static for the whole chapter — no push, no pan, no handheld sway.
The shot ends with Sobaya facing down the corridor and Yametaro standing still, looking up at him.
Soundscape: a marble corridor reverb, one distant door closing, no footsteps while they stand still.
Music: no background music.

## Chapter 21
Attachments: <Picture 1> = Yametaro_sheet.png, <Audio 1> = ch21_line1_yumemin.wav

The shot opens on a locked-off static MEDIUM-WIDE shot from the SIDE at a slightly high angle on a tree-lined road outside the school gate.
Beat 1 (0–1.2s): Yametaro trudges along into the centre of frame.
Beat 2 (1.2–2.2s): the voice reaches him and he stops dead with a jolt.
Beat 3 (2.2–3.75s): he turns his head left and right, scanning the empty road; there is nobody.
A small voice (S1) that resonates directly inside Yametaro's mind says <d>[Japanese] 助けて</d>, carried by <Audio 1>; the speaker is NOT visible anywhere in this chapter and no other person is on screen.
The camera stays locked-off static for the whole chapter — no push, no pan, no handheld sway.
The shot ends with Yametaro standing still in the middle of the road, looking around.
Soundscape: late-afternoon cicadas, leaves rustling, small footsteps on asphalt that stop abruptly.
Music: no background music.

## Chapter 22
Attachments: <Picture 1> = Yametaro_sheet.png, <Audio 1> = ch22_line1_yumemin.wav

The shot opens on a MEDIUM-WIDE frontal shot at a slightly high angle on the same tree-lined road, Yametaro at centre starting to walk toward camera.
Beat 1 (0–1.2s): Yametaro shakes his head once and starts walking again.
Beat 2 (1.2–2.2s): the voice comes again; he stops and turns to look at the ruin at frame RIGHT.
Beat 3 (2.2–3.75s): he breaks into a run toward the ruin, getting smaller as he goes.
A small voice (S1) that resonates directly inside Yametaro's mind says <d>[Japanese] 助けて</d>, carried by <Audio 1>; the speaker is NOT visible anywhere in this chapter and no other person is on screen.
The camera makes one very slow small push-in of about five percent over the whole chapter — no pan, no handheld sway.
The shot ends with Yametaro's small back running away toward the ruin.
Soundscape: late-afternoon cicadas, small running footsteps on asphalt receding.
Music: no background music.

## Chapter 23
Attachments: <Picture 1> = Yametaro_sheet.png, <Audio 1> = ch23_line1_yametaro.wav

The shot opens on a locked-off static WIDE shot at eye level inside a ruined concrete hall: cracked walls, rubble and broken glass on the floor, broken high windows on the left, a bare doorway with no door in the back wall.
Beat 1 (0–0.7s): Yametaro runs in through the rear doorway and stops in the middle of the hall, tiny in the big space.
Beat 2 (0.7–3.0s): breathing hard, he calls the line into the darkness.
Beat 3 (3.0–3.75s): his voice echoes back and he takes one step backwards.
Yametaro (S1) says <d>[Japanese] わいを呼んだのは誰や？</d>, lip-syncing to <Audio 1>; his mouth moves ONLY while <Audio 1> is playing and then stays CLOSED.
The camera stays locked-off static for the whole chapter — no push, no pan, no handheld sway.
The shot ends with Yametaro standing alone at the centre of the hall, one step back from where he stopped.
Soundscape: a large concrete reverb, small running footsteps stopping on grit, an echoing call, distant wind.
Music: no background music.

## Chapter 24
Attachments: <Picture 1> = Sobaya_sheet.png, <Picture 2> = Yumemin_sheet.png, <Picture 3> = height_lineup.png, <Audio 1> = ch24_line1_yumemin.wav

The shot opens on a MEDIUM shot at a LOW angle inside the ruined concrete hall, a dusty orange shaft of light falling across frame centre.
Beat 1 (0–1.0s): Sobaya tips the mug further and more amber beer runs down Yumemin's body onto the rubble.
Beat 2 (1.0–2.1s): the telepathic voice sounds; Yumemin's body trembles and the trunk nose droops.
Beat 3 (2.1–3.75s): Yumemin twists and squirms in the huge grey hand.
Yumemin (S1) says <d>[Japanese] 助けて</d>, carried by <Audio 1> as telepathy; Yumemin has NO mouth and NEVER opens one: the voice is telepathy that resonates in the mind, so Yumemin's face does not change at all while the line plays — the only motion is the body trembling and the trunk nose moving.
The camera makes one very slow small push-in of about five percent over the whole chapter — no pan, no handheld sway.
The shot ends with Sobaya still gripping Yumemin and the mug still pressed against the blue body.
Soundscape: a large concrete reverb, liquid pouring and dripping onto rubble, distant wind.
Music: no background music.

## Chapter 25
Attachments: <Picture 1> = Yametaro_sheet.png, <Audio 1> = ch25_line1_yametaro.wav

The shot opens on a locked-off static MEDIUM CLOSE shot at a slightly high angle of Yametaro alone in the ruined hall, eyes wide, staring off-frame to the RIGHT.
Beat 1 (0–0.5s): Yametaro clenches both tiny fists and takes one step forward.
Beat 2 (0.5–3.0s): he shouts the line with everything he has.
Beat 3 (3.0–3.75s): the shout carries him into a forward lean.
Yametaro (S1) says <d>[Japanese] やめてやで！！</d>, lip-syncing to <Audio 1>; his mouth moves ONLY while <Audio 1> is playing and then stays CLOSED.
The camera stays locked-off static for the whole chapter — no push, no pan, no handheld sway.
The shot ends with Yametaro leaning forward, fists clenched.
Soundscape: a large concrete reverb, a small shout echoing off the walls.
Music: no background music.

## Chapter 26
Attachments: <Picture 1> = Yametaro_sheet.png, <Picture 2> = Sobaya_sheet.png, <Picture 3> = Yumemin_sheet.png, <Picture 4> = height_lineup.png

The shot opens on a locked-off static WIDE shot from the SIDE at eye level in the ruined concrete hall.
Beat 1 (0–1.5s): Yametaro sprints across the floor straight at Sobaya's legs.
Beat 2 (1.5–3.0s): he slams into Sobaya's shin; Sobaya rocks and plants one foot back.
Beat 3 (3.0–4.5s): Yumemin slips out of Sobaya's LEFT hand, falls to the floor, bounces once and rolls.
Beat 4 (4.5–6.5s): Yametaro scrambles to the rolling sphere and scoops it up in both arms.
Beat 5 (6.5–8.0s): he hugs Yumemin to his chest and twists his body away from Sobaya to shield it.
The camera stays locked-off static for the whole chapter — no push, no pan, no handheld sway.
The shot ends with Yametaro at frame LEFT hugging Yumemin and turned away, and Sobaya at frame RIGHT recovering his balance with the half-full mug still in his right hand.
Soundscape: a large concrete reverb, running footsteps, a dull impact, beer sloshing, a light object bouncing on concrete.
Music: no background music.

## Chapter 27
Attachments: <Picture 1> = Sobaya_sheet.png, <Audio 1> = ch27_line1_sobaya.wav

The shot opens on a locked-off static MEDIUM shot at a LOW angle of Sobaya alone, steadying himself in the ruined hall.
Beat 1 (0–0.4s): Sobaya straightens up and turns the mask off-frame to the LEFT.
Beat 2 (0.4–1.8s): he delivers the line coldly.
Beat 3 (1.8–3.75s): only AFTER the line he raises the mug and drinks slowly; the beer drops from HALF to ONE QUARTER.
Sobaya (S1) says <d>[Japanese] あなたには関係ない</d>, lip-syncing to <Audio 1>; his mask's mouth slit does NOT open or change shape at any point — the voice comes from behind the fixed mask.
The camera stays locked-off static for the whole chapter — no push, no pan, no handheld sway.
The shot ends with Sobaya lowering the mug, now one quarter full.
Soundscape: a large concrete reverb, beer sloshing in a heavy glass mug, a single long swallow.
Music: no background music.

## Chapter 28
Attachments: <Picture 1> = Yametaro_sheet.png, <Picture 2> = Yumemin_sheet.png, <Picture 3> = height_lineup.png, <Audio 1> = ch28_line1_yametaro.wav

The shot opens on a MEDIUM CLOSE shot at a slightly high angle of Yametaro half crouched in the ruined hall, holding Yumemin against his chest with both arms; the blue body is visibly wet with beer.
Beat 1 (0–0.5s): still holding Yumemin, Yametaro lifts his face toward off-frame RIGHT.
Beat 2 (0.5–3.0s): he delivers the line; Yumemin's trunk nose sways faintly and its face does not change.
Beat 3 (3.0–3.75s): he tightens his arms and pulls Yumemin closer.
Yametaro (S1) says <d>[Japanese] なんでこんな酷いことするの？</d>, lip-syncing to <Audio 1>; his mouth moves ONLY while <Audio 1> is playing and then stays CLOSED.
The camera makes one very slow small push-in of about five percent over the whole chapter — no pan, no handheld sway.
The shot ends with Yametaro hugging Yumemin tightly against his chest.
Soundscape: a large concrete reverb, a small voice echoing, beer dripping onto concrete.
Music: no background music.

## Chapter 29
Attachments: <Picture 1> = Sobaya_sheet.png

The shot opens on a MEDIUM shot at eye level of Sobaya alone in the ruined hall, the ONE QUARTER full glass mug in his RIGHT hand, the light still warm orange.
Beat 1 (0–1.5s): Sobaya's mask snaps upward and he scans the space around him, startled.
Beat 2 (1.5–3.5s): the light in the hall shifts from orange to PURPLE and DEEP GREEN, black haze seeps out of the cracks in the concrete and the air ripples as if warped.
Beat 3 (3.5–5.17s): he takes half a step back and draws the mug arm in against his body.
The camera holds a slow small handheld sway of about three percent for the whole chapter — no push, no pan.
The shot ends with Sobaya half a step back in a hall that has turned purple and deep green.
Soundscape: a large concrete reverb, a low rising hum, a subsonic rumble, grit falling from the ceiling.
Music: no background music.

## Chapter 30
Attachments: <Picture 1> = Sobaya_sheet.png, <Audio 1> = ch30_line1_sobaya.wav

The shot opens on a locked-off static MEDIUM shot at a LOW angle of Sobaya standing square to camera in the corrupted hall, the ONE QUARTER full glass mug in his RIGHT hand.
Beat 1 (0–0.6s): Sobaya brings his head level and lets his shoulders drop.
Beat 2 (0.6–4.1s): he delivers the line — his gaze lowers on the first half, and on the last words he raises the mug straight above his head.
Beat 3 (4.1–5.17s): the amber beer in the lifted mug begins to glow violet.
Sobaya (S1) says <d>[Japanese] もう窓にバレたか・・・変身だ</d>, lip-syncing to <Audio 1>; his mask's mouth slit does NOT open or change shape at any point — the voice comes from behind the fixed mask.
The camera stays locked-off static for the whole chapter — no push, no pan, no handheld sway.
The shot ends with Sobaya holding the mug overhead and violet light kindling inside it.
Soundscape: a large concrete reverb, a low hum building, a rising magical shimmer.
Music: no background music.

## Chapter 31
Attachments: <Picture 1> = Sobaya_sheet.png, <Picture 2> = Mob_chuapoison_sheet.png

The shot opens on a MEDIUM-WIDE shot at a LOW angle of Sobaya standing in the corrupted hall with the ONE QUARTER full glass mug held straight above his head, violet light glowing inside it.
Beat 1 (0–1.5s): violet light spirals down from the mug and wraps his whole body.
Beat 2 (1.5–3.0s): ribbons of light and purple heart-shaped bows circle him and the clothing is replaced.
Beat 3 (3.0–4.5s): the light clears and he stands transformed as Chua Poison in the purple-and-white frilled magical-girl costume with the large purple heart bow at the chest, the shoulder cape, the gold winged-heart belt, the frilled wrist cuffs and the white knee-high boots.
Beat 4 (4.5–6.58s): the mug refills to FULL amber beer with a fresh foam head, and he drops into a pose with one hand on his hip and the mug held out.
The camera makes one very slow small push-in of about five percent over the whole chapter — no pan, no handheld sway.
The shot ends on Chua Poison holding the finished pose with a full mug.
Soundscape: a rising magical shimmer, ribbons whipping through air, a bright chime on the final pose.
Music: no background music.

## Chapter 32
Attachments: <Picture 1> = Yametaro_sheet.png, <Picture 2> = Yumemin_sheet.png, <Picture 3> = Mob_chuapoison_sheet.png, <Picture 4> = height_lineup.png, <Audio 1> = ch32_line1_yumemin.wav

Beat 1 (0–0.5s): the image fades up from black.
Beat 2 (0.5–1.3s): Yumemin lifts gently out of Yametaro's arms and hovers at the height of his face.
Beat 3 (1.3–9.1s): the telepathic line plays; Yumemin bobs slightly and the trunk nose moves slowly, its face unchanged.
Beat 4 (9.1–9.42s): Yametaro's breath catches and he stares at the floating sphere.
Yumemin (S1) says <d>[Japanese] やめ太郎、どうだい？見ただろプリチュアの力を。僕と契約して君もプリチュアになりなよ</d>, carried by <Audio 1> as telepathy; Yumemin has NO mouth and NEVER opens one: the voice is telepathy that resonates in the mind, so Yumemin's face does not change at all while the line plays — the only motion is the body trembling and the trunk nose moving.
The camera stays locked-off static for the whole chapter — no push, no pan, no handheld sway.
The shot ends with Yumemin hovering at Yametaro's eye level and Chua Poison standing still at frame right.
Soundscape: an open outdoor ambience, evening cicadas, a faint wind over rubble.
Music: no background music.

## Chapter 33
Attachments: <Picture 1> = Yametaro_sheet.png, <Picture 2> = Yumemin_sheet.png, <Picture 3> = height_lineup.png, <Audio 1> = ch33_line1_yametaro.wav

The shot opens on a locked-off static CLOSE shot at a slightly high angle on Yametaro's face in front of the ruin, with Yumemin hovering at the upper RIGHT of frame.
Beat 1 (0–0.5s): Yametaro lowers his eyes.
Beat 2 (0.5–2.3s): he repeats the word slowly, as if tasting it.
Beat 3 (2.3–3.75s): a silent beat — he says nothing more, his brow furrows and he keeps staring down; Yumemin's trunk nose sways gently.
Yametaro (S1) says <d>[Japanese] プリチュア</d>, lip-syncing to <Audio 1>; his mouth moves ONLY while <Audio 1> is playing and then stays CLOSED.
The camera stays locked-off static for the whole chapter — no push, no pan, no handheld sway.
The shot ends on Yametaro silent with a furrowed brow and Yumemin hovering beside him.
Soundscape: an open outdoor ambience, evening cicadas, a faint wind.
Music: no background music.

## Chapter 34
Attachments: <Picture 1> = Mob_chuapoison_sheet.png, <Audio 1> = ch34_line1_sobaya.wav

The shot opens on a locked-off static MEDIUM shot at a LOW angle of Chua Poison standing alone in front of the ruin's cracked facade, a transparent handled large glass mug FULL of amber beer in his RIGHT hand, the purple frills and ribbon tails stirring in the breeze.
Beat 1 (0–0.5s): Chua Poison raises his LEFT hand and points off-frame to the LEFT.
Beat 2 (0.5–2.9s): he delivers the line sharply.
Beat 3 (2.9–3.75s): he lowers the pointing hand slowly.
Chua Poison (S1) says <d>[Japanese] こいつの言うことを聞いてはいけない</d>, lip-syncing to <Audio 1>; his mask's mouth slit does NOT open or change shape at any point — the voice comes from behind the fixed mask.
The camera stays locked-off static for the whole chapter — no push, no pan, no handheld sway.
The shot ends with Chua Poison standing with his hand lowered and the full mug at his side.
Soundscape: an open outdoor ambience, evening cicadas, fabric frills moving in a breeze.
Music: no background music.

## Chapter 35
Attachments: <Picture 1> = Yametaro_sheet.png, <Picture 2> = Yumemin_sheet.png, <Picture 3> = height_lineup.png, <Audio 1> = ch35_line1_yametaro.wav

The shot opens on a locked-off static MEDIUM CLOSE shot at a slightly high angle of Yametaro in front of the ruin, Yumemin hovering at the upper RIGHT of frame.
Beat 1 (0–0.4s): Yametaro lifts his face toward off-frame RIGHT.
Beat 2 (0.4–2.4s): he asks the line.
Beat 3 (2.4–3.75s): he takes one step forward and Yumemin drifts along beside him.
Yametaro (S1) says <d>[Japanese] あなたは何者なの？</d>, lip-syncing to <Audio 1>; his mouth moves ONLY while <Audio 1> is playing and then stays CLOSED.
The camera stays locked-off static for the whole chapter — no push, no pan, no handheld sway.
The shot ends with Yametaro one step forward and Yumemin hovering at his shoulder.
Soundscape: an open outdoor ambience, evening cicadas, one small footstep on gravel.
Music: no background music.

## Chapter 36
Attachments: <Picture 1> = Mob_chuapoison_sheet.png, <Audio 1> = ch36_line1_sobaya.wav

The shot opens on a MEDIUM-WIDE shot at a LOW angle of Chua Poison standing in front of the ruin's cracked facade against the orange sky, the FULL glass mug in his RIGHT hand.
Beat 1 (0–0.4s): he sweeps the mug arm wide out to the side.
Beat 2 (0.4–3.1s): he declares the line.
Beat 3 (3.1–3.75s): he sets his LEFT hand on his hip and brings the mug up to chest height in a finished pose; the skirt frills and the purple ribbon tails swing in the wind.
Chua Poison (S1) says <d>[Japanese] 俺はプリチュア！チュアポイズン！</d>, lip-syncing to <Audio 1>; his mask's mouth slit does NOT open or change shape at any point — the voice comes from behind the fixed mask.
The camera makes one very slow small push-in of about five percent over the whole chapter — no pan, no handheld sway.
The shot ends on Chua Poison holding the pose, mug at chest height, frills settling.
Soundscape: an open outdoor ambience, a gust of wind, fabric snapping, a bright chime on the pose.
Music: no background music.

## Chapter 37
Attachments: <Picture 1> = Yametaro_sheet.png, <Picture 2> = Yumemin_sheet.png, <Picture 3> = Mob_chuapoison_sheet.png, <Picture 4> = height_lineup.png, <Audio 1> = ch37_line1_yametaro.wav

The shot opens on a MEDIUM-WIDE shot at eye level holding all three, on the open ground in front of the ruin's cracked facade, the corruption gone and the sky warm orange; Yametaro stands at frame LEFT holding Yumemin, and Chua Poison stands apart at frame RIGHT with a transparent handled large glass mug FULL of amber beer in his RIGHT hand, the orange sky behind them.
Beat 1 (0–0.6s): Yametaro looks down and closes both fists.
Beat 2 (0.6–4.6s): he delivers the line — the name first, slowly, then a pause with his face still down, then he lifts his head and finishes clearly.
Beat 3 (4.6–5.17s): Chua Poison tilts the mask very slightly and the three hold their places against the sunset.
Yametaro (S1) says <d>[Japanese] チュアポイズン・・・わい・・・契約しません</d>, lip-syncing to <Audio 1>; his mouth moves ONLY while <Audio 1> is playing and then stays CLOSED.
The camera makes one very slow small pull-out of about five percent over the whole chapter — no pan, no handheld sway.
The shot ends on a wide hold of all three standing against the orange sky.
Soundscape: an open outdoor ambience, evening cicadas, a gust of wind over rubble.
Music: no background music.