窓際力研究所

プロンプト

本編生成＋採用ポッド視点差し替え（別リクエスト） · revision 2

# 本編生成に使用したプロンプト

Create exactly ONE continuous 30-second 16:9 cinematic science-fiction panic-action horror video with synchronized Japanese dialogue and sound, rendered at 480P. Several editorial shots inside a single video, not separate clips. A sinister industrial clone laboratory, cool dark teal environment, amber beer culture pods, cold cyan hologram; tense horror images contrasted with two visitors' everyday banter. No subtitles, no readable UI, no labels, no watermark. Do not show the whole room until the hologram reveal.

REFERENCES (independent numbering for images and audio):
Image 1: exact Sobaya character sheet for every clone. Preserve white rigid mask, its red markings, black eye holes, short black hair, muscular bulky body, neutral gray exposed skin. White short-sleeved T-shirt and dark trousers. For this story barefoot like Image 5, EMPTY hands: no beer mugs. No mask removal, lifting, slipping, breaking, transparency or exposed human face, even inside beer or during breakout.
Image 2: exact Fukuchan identity. Use face close-ups for the human face, clothing views only for slim body and black blazer / white printed shirt / dark trousers / white shoes and lanyard. One complete realistic human, not a headless mannequin. His face must match the sheet.
Image 3: exact Yametaro identity and speaking-mouth guide. Compact toy-diorama character, purple shirt, black trousers, round black glasses with simple white lenses. Do not humanize his face.
Image 4: exact Takosan character design: compact hooded toy body, white round face, two solid black round eyes, small speaking mouth, black hooded robe, exactly two human-shaped arms ending in small rounded white fingerless hands, six tentacles from BELOW robe. Never tentacle arms or human legs. No white coat. Apply cyan hologram treatment and enlarged projection scale only as Image 5; keep original character proportions. He is a calm researcher, not a theatrical villain.
Image 5: adopted laboratory layout, lighting, amber cylindrical pods, large hologram scale and location only. The two visitors seen in it are NOT extra people or alternative face references. Side rows of independent vertical glass beer culture pods, unobstructed broad hall, far-end hologram and quiet rear wall. Minimal flush floor projector: no oversized overhead ring, emitter pylons, giant machine plinth, giant screen or circular pit. Use this environment for ALL shots, but the hologram is absent until its reveal. Never reproduce the image as a static full-video backdrop.
Audio 1: Fukuchan voice-timbre reference ONLY. Preserve this man's recognizable voice; do not copy words, pacing or duration of reference audio. His line's feminine Japanese ending does not change the male speaker's voice.
Audio 2: Yametaro voice-timbre reference ONLY. Preserve recognizable relaxed medium-low adult male Kansai voice, with urgent but intelligible alarm in final line. Do not copy reference words or timing.
For all character sheets, use identity and articulation only; no panels, text, white background, multiple-view duplicates or extra props.

Yametaro identity lock — Image 3 is the exact design authority, not loose inspiration. Preserve its head width-to-height ratio, hair silhouette and hairline, cheek and ear placement, short neck and compact body proportions in every frame. Keep the round black spectacle frames and the sheet's simple white lens/eye areas; do not invent visible pupils, irises, realistic eyeballs, eye sockets, eyelids or eyebrows. Keep the tiny black forehead mark separate from the low, subtle skin-colored nose; no black nose dot, outlined nostrils or projecting nose. Preserve the round cheeks and flat pink blush marks, smooth skin-colored chin, ears and nape, with no black contour bands or facial creases. Do not lengthen the forehead/head, inflate the hair, enlarge ears or add realistic lips. Animate the small inset mouth using the sheet's rest and A/I/U/E/O views as articulation guidance, with visible mouth interior when speaking; do not freeze the smile, protrude the lips or stretch the mouth into a new facial design. Emotion and cinematic lighting must not redesign the face. Wardrobe follows the scene instructions independently of identity. A previous generated take is not an identity reference.

CONTINUITY:
Exactly one Fukuchan and one Yametaro enter and remain the only visitors. Eight independent cylindrical culture pods, four along each side, ONE Sobaya clone per pod. All eight begin suspended upright inside amber transparent beer, fine rising bubbles and white foam near liquid surface. No communal tank. No clone initially outside its pod. Hints of tiny finger/neck movement precede real awakening; no breakout before command and alarm. White masks remain fixed and expressionless. On command the nearest two clones break out and pursue; two further pods crack behind them, remaining pods stay visible and intact. No clones multiply spontaneously or teleport. Spilled beer, glass damage and wet clothing persist. Only ONE Takosan hologram, at far end; no physical Takosan joins the room. The capture action is dangerous and frightening despite a command to preserve specimens; two visitors escape without a completed capture before the cut to black.

Natural speech takes priority over approximate shot timestamps. Shot time ranges are editorial guides, not speech-duration targets or mandatory utterance start/end times. Deliver every line at a natural conversational pace appropriate to its emotion. Do not stretch syllables, vowels, final words or pauses to fill a time window, and do not rush speech to hit a timestamp. Let each utterance finish naturally, then close the mouth. Use remaining time for silent reactions, glances, small gestures, ambience or the final action. Speak only the dialogue written in this prompt; do not invent additional lines. Adjust internal cut boundaries to complete natural utterances while preserving scene order and total duration of 30 seconds. The five-second surveillance shot is an editing target for the separately authored HUD; never cut mid-utterance elsewhere to enforce it.

Shot 1 [0-4 s] — Threat inside the beer.
A brief submerged view from INSIDE a pod looks outward through amber bubbles and curved glass toward two approaching visitors. Then a close lateral dolly skims the OUTSIDE of the pod wall: a pipe wipes across lens, revealing another identical white mask. Narrow claustrophobic framing, 50mm feel, no full-room establishing shot. Yametaro notices and speaks; show his recognizable three-quarter face through the glass when visible. Camera slows and holds rather than shakes constantly.
Yametaro says exactly once: 「これ、全部そば屋さんのクローン？」

Shot 2 [4-7 s] — Something behind Fukuchan.
Medium-close three-quarter Fukuchan with a pod behind his shoulder. He delivers his dry understated reaction. Rack focus from him to the rigid mask and a submerged hand behind him; a single gray finger flexes almost imperceptibly. He does not notice. Keep mask fixed. No sudden full awakening yet.
Fukuchan says exactly once: 「ギュンギュンどころじゃないわね……」

Shot 3 [7-11 s] — The camera becomes afraid.
Controlled backward track in front of the two visitors, pods restricting both frame edges, Yametaro in readable three-quarter view. He casually questions the experiment. After a muted knock from glass, camera reacts with a slight delayed turn, only then creeping toward a mask that seems angled a little differently. Bubbles briefly stop. A brief acoustic drop before the next cut; never make the mask smile or expose its face.
Yametaro says exactly once: 「窓際族、増やしてどうすんねん」

Shot 4 [11-16 s] — Researcher's surveillance feed, CLEAN PLATE for later HUD.
Hard cut to a single full-screen surveillance camera view of BOTH visitors, viewed by the unseen researcher. No monitor bezel or perspective screen, no embedded HUD or text. Almost locked camera, minimal subject movement. Fukuchan on LEFT with face near normalized (0.26,0.30), Yametaro on RIGHT with face near (0.74,0.40), both faces and upper bodies inside y=0.18-0.50. Keep lower y=0.54-0.96 as unobstructed floor/background for large numerical cards, and top 15% free for heading; never put a face in the HUD area. They look around, not at lens, silent with mouths closed. Takosan observes from offscreen; his voice establishes this as his feed. No hologram in the feed. We will add readings 213 and 5,082 and warning in post, so do NOT draw those values here. Subtle electronic acquisition clicks, anomaly tone near the latter half, below voice.
Takosan says exactly once, interested but clinical: 「……五千。そば屋の半分近いな」

Shot 5 [16-23 s] — Hologram and capture order.
Reveal the full adopted A4 room for the first time, rear view of two visitors, amber culture pods prominent on both sides, LARGE translucent cyan Takosan materializes at the far end without giant apparatus. Then move to a readable medium view of holographic Takosan's face and upper body for his two lines, with pods providing context. He shows mild scientific interest, restrained one-hand gesture, no laugh, no shouting. His small mouth moves in sync, while scanlines remain subtle. The visitors' entrance door locks after the specimen remark. Takosan's hologram does not physically touch anyone.
Takosan says exactly once: 「二人とも、実に興味深い」
Then Takosan says exactly once: 「そば屋くん。傷つけずに回収したまえ」
Do not cut before his order finishes.

Shot 6 [23-25 s] — Ordered awakening and shattering.
Immediately after the completed order, alarm and red practical lights. Close-up: gray palm SLAMS inside the nearest pod, rigid white mask behind it; cracks spread, glass breaks OUTWARD, beer surges into the aisle. Camera recoils sharply with the impact. The first clone steps through the broken wall, second clone breaks the opposite nearest pod. Further glass begins cracking behind them. Preserve single clone per tank, masks worn correctly, physical mass and direction of force.
No dialogue in this shot.

Shot 7 [25-30 s] — Panic and the punchline.
Ground-level retreat with the two visitors, nearest two clones obediently charging after them. Brief violent camera jolt at first rush, then controlled backward tracking at Yametaro's face height for readable speaking mouth and his complete final line. Fukuchan also flees. Yametaro realizes the clones are actually following work instructions; his shock is at their obedience, not at resemblance. He shouts intelligibly while moving, not a stretched scream. Keep his white eyeglass lenses and reference face; no bulging eyes or exaggerated new mouth design. End in a fast dark cut only AFTER the final syllable and mouth closure. No extra ending title, joke or dialogue.
Yametaro says exactly once, verbatim: 「指示どおり働くなんて、そば屋さんやない！」

VOICE / SOUND:
Takosan: a single consistent restrained adult male Japanese researcher voice, mid-low register, dry precise diction, calm curiosity. Wan creates this voice; do not borrow Fukuchan or Yametaro's voice. Slight electronic hologram coloration, subtle room reverb, dialogue remains clear. Same voice when offscreen and holographic.
Readings: 五千=ごせん; そば屋=そばや; 半分=はんぶん; 興味深い=きょうみぶかい; 回収=かいしゅう; 指示どおり=しじどおり; 働く=はたらく. 福ちゃん's ギュンギュン is pronounced ぎゅんぎゅん twice, not ぎゅぎゅん. Final line reading: しじどおり はたらくなんて、そばやさんやない！
Generate all dialogue and visible mouth/jaw/cheek motion together. Visible mouths close before speech, in pauses and after last phoneme. Do not animate the rigid Sobaya mask mouth. Sobaya clones have NO spoken words. No narrator, no computer spoken warning, no other voices.
Sound design generated by Wan: low beer pump rumble, fine bubbles, sparse metal ticks, muted knock inside glass, short silence before surveillance, quiet scanner clicks, lock, alarm, glass cracks and explosive shatter, beer splash, wet footsteps and pursuit impacts. Effects stay below spoken lines, especially final punchline. No background music: tension comes from machinery, breath, silence and sudden action.

HARD CONSTRAINTS: one 30-second video, one continuous location, exactly two visitors, one clone per cylindrical beer pod, one nonphysical Takosan hologram only after reveal, no giant projection hardware, no early breakout, masks always worn and rigid, Yametaro design unchanged. Eight pods are environment inventory, never eight additional visitors. No copy of sheet layouts or props, no beer mugs, no written subtitles or numerical interface, no split screen or panel borders, no extra dialogue, no early cutoff of final line.


# ポッド視点差し替えに使用したプロンプト（別生成）

Create a single continuous 4-second 16:9 cinematic horror laboratory shot at 480P. This is one replacement shot for an existing film, not a remake of the whole film. No cuts, no transitions, no captions, no UI.

Image 1: user-approved composition, architecture, viewpoint, beer tint and staging. Match this image closely from the first frame. Image 2: exact Yametaro character identity and speaking-mouth design. Image 3: exact Sobaya identity and mask. Audio 1: the existing Yametaro take, voice-timbre reference only; not a guaranteed sample-accurate speech driver. Do not copy sheet grids, multiple views or labels.

Strict first-person viewpoint from the eyes of Sobaya submerged in beer inside a tall vertical cylindrical culture pod. Never show the POV occupant's head, shoulder, arms or reflection. Amber beer tint across the entire field of view, a few slowly rising near-camera bubbles, subtle edge refraction; keep the face readable. Narrow vertical glass edges exit the bottom of frame straight; no U-shaped lower rim, no rounded viewport, no visible tank base. Camera fixed with almost imperceptible submerged drift; no zoom, pan, rotation or jump scare.

Exactly one Yametaro stands carelessly very close to the OUTSIDE of this pod's glass, looking up toward its occupant and camera. Preserve Image 1's large foreground face and modest hand gesture. Yametaro is on the dry aisle, never inside liquid, never duplicated in reflections. Broad unobstructed floor separates him from the opposite wall's regular row of pods. Three fully visible pods behind him each contain exactly one identical Sobaya, white mask worn, white T-shirt, dark trousers, bare feet, empty hands. Those clones remain still and suspended. Do not move a pod into the middle of the aisle. No Fukuchan, no Takosan, no hologram.

Yametaro alone says once in Japanese, mildly puzzled and uneasy, in a natural conversational voice: 「これ、全部そば屋さんのクローン？」
Reading: 「これ、ぜんぶそばやさんのクローン？」
The short line occupies the early part of the shot with brief settling afterward. Speak naturally, no stretched vowels, no extra words, no other speaker. Animate the small inset mouth, jaw and cheeks to the generated Japanese speech, ending with the mouth closed. Maintain the same character design while speaking. Only restrained body and hand motion. Quiet pod bubbling, no music, no alarms, no impacts. Generated audio is an audition/synchronization guide; final edit aims to retain the existing film audio and must check synchronization separately.

Yametaro identity lock — Image 2 is the exact design authority, not loose inspiration. Preserve its head width-to-height ratio, hair silhouette and hairline, cheek and ear placement, short neck and compact body proportions in every frame. Keep the round black spectacle frames and the sheet's simple white lens/eye areas; do not invent visible pupils, irises, realistic eyeballs, eye sockets, eyelids or eyebrows. Keep the tiny black forehead mark separate from the low, subtle skin-colored nose; no black nose dot, outlined nostrils or projecting nose. Preserve the round cheeks and flat pink blush marks, smooth skin-colored chin, ears and nape, with no black contour bands or facial creases. Do not lengthen the forehead/head, inflate the hair, enlarge ears or add realistic lips. Animate the small inset mouth using the sheet's rest and A/I/U/E/O views as articulation guidance, with visible mouth interior when speaking; do not freeze the smile, protrude the lips or stretch the mouth into a new facial design. Emotion and cinematic lighting must not redesign the face. Wardrobe follows the scene instructions independently of identity. A previous generated take is not an identity reference.