窓際スーパーつらい — 地下労働篇
v4 — 完成採用・45秒
本番データとバックアップを消し、地下労働に送られたやめ太郎。10万ゆめポイントを貯めて脱出する決意は、よーたん班長の冷えたビールで揺らぐ。カイジ地下労働編オマージュのCM。完成v4は45秒。v1〜v3の失敗テイクと実際の入力素材も保存。
v4 — 前半・Wan生成原本
v4 · wan3.0-videov3 — 失敗・比較用編集版
v3 · wan3.0-videov3 — 後半・Wan生成原本
v3 · wan3.0-videov3 — 前半・Wan生成原本
v3 · wan3.0-videov2 — 失敗・比較用編集版
v2 · wan3.0-videov2 — 後半・Wan生成原本
v2 · wan3.0-videov2 — 前半・Wan生成原本
v2 · wan3.0-videov1 — 失敗・比較用編集版
v1 · wan3.0-videov1 — 後半・Wan生成原本
v1 · wan3.0-videov1 — 前半・Wan生成原本
v1 · wan3.0-videov4 — 完成採用・発話口形差分
Wan 3.0 v4 — 前半・後半の実送信プロンプト
## Part 1 — 15秒 Create one 15-second video, part 1 of a 45-second commercial. Japanese live-action psychological suspense film homage, grounded underground-labor oppression and intimate dorm temptation, 16:9. No environment references: invent locations from this text. Low stained concrete ceilings, damp walls, gray-brown muted palette, greenish practical fluorescent light and bare bulbs, restrained contrast, readable shadows. Eye-level 35-50mm perspective and patient closeups, modest camera movement. No glossy heroic rim light, teal-orange spectacle or fantasy castle. Direction includes ACTING, EDITING AND SOUND, not only color. Perform as a quiet Japanese dramatic scene: conversational volume, listeners visibly processing what was said, slight hesitation before answers, relaxed natural phrasing with clear vowels/consonants. Do not rush lines to hit shot boundaries or use ad-announcer cadence in character dialogue. Pauses marked by punctuation are short meaningful breaths, not drawn-out syllables. No shouted comic delivery, exaggerated gasps or laughter track. Keep voices intelligible above location sound. No background intelligible speech, no added lines. Character sheets define identity only, not composition. The new Yametaro sheet defines continuous peach skin around cheeks/ears/jaw/nape, natural scalp hair boundary, no black drawn contour or dark plate behind face. Preserve EXACT sheet proportions and materials; neither make him cuter nor more human. Preserve black hair and actual black glasses. Sobaya masks remain correctly worn including while drinking, no lifting, removal, transparency or deformation. Yametaro speaking animation: Image 1 lower row REST/A/I/U/E/O supplies articulated mouth shapes, not fixed expressions. During EVERY Yametaro spoken line continuously open and close the mouth and move lower jaw/cheeks with the generated Japanese phonemes. Show a warm dark mouth cavity during open vowels, change width and roundness naturally, close briefly for consonants and pauses. Never preserve a painted closed smile while speech is audible. Keep face proportions and identity stable; no exaggerated screaming. The mouth shapes are reference poses to interpolate, not panels to reproduce. Speech quoted below is the sole spoken script; kana spellings are pronunciation canon, never substitute kanji guesses. Generate speech and visible mouth motion together. Finish each line before cutting away, mouths rest during listening. Reference audio is voice timbre only, not source dialogue. No subtitles, title overlays, labels, panels, unintended people or phantom props. References (numbering applies to THIS part only): Image 1: character_yametaro_speech_v4_sheet.png — Yametaro, adult stylized character in purple leaf-pattern shirt, black trousers, round glasses; all design and body proportions from sheet. Image 2: character_sobaya_basic_sheet.png — muscular gray-skinned Sobaya with white/red mask, dirty white T-shirt, black pants and white shoes. Three distinct copies intentionally appear in labor. Image 3: prop_yume_points_review_v1.png — wall poster design: daily work 200 points, release 100,000, beer 200. Physical poster only. Image 4: product_super_try.png — silver 350ml beer can used ONLY in final dorm shot, not labor or payout. Audio 1: voice_ref_yametaro.wav — Yametaro voice timbre only, adult low-mid register with natural Kansai intonation. No other speaking character in this part. No Yotan present. Shot 1 [0-7 s]: Tight three-quarter SIDE tracking closeup on Yametaro's face, shoulders and both hands pressing the SIDE of a horizontal radial wooden bar. A heavy stone/iron capstan around a vertical axle is in background. Exactly FOUR separate radial bars with exactly ONE worker assigned to each: Yametaro on bar A, one Sobaya on bar B, one Sobaya on bar C, one Sobaya on bar D. Each Sobaya is strong enough to operate his own bar alone. No two workers share, queue at or touch the same bar; each keeps his own bar throughout. All workers WALK FORWARD in one rotational direction, force tangent to the circle, never backward or toward the central axle. Stable hand/shoulder contact, grounded push-off steps and clear outer lane. Camera travels alongside Yametaro, no backward-tracking illusion or wide machine demonstration. At 0.7-5.8 Yametaro says 「本番も……バックアップも……消すんやなかった……!」. Read 本番 as ほんばん. Tired regret under breath, small breaths from physical effort, every word clear, no cheerful grin; wait on his exhausted reaction until bell. Continuous wood creak, low gear grind, shoes on gritty concrete, ventilation rumble. No music. Shot 2 [7-12 s]: Bell rings once, gears slow to a halt. Hard cut to a narrow payout window in the adjacent concrete corridor. Camera remains on Yametaro's face and purple-shirt upper torso, with poster beside him. One offscreen clerk's hand places a single 200-point voucher in Yametaro's small hand; clerk stays entirely offscreen. Yametaro is the ONLY visible person and ONLY speaker. He receives, looks at the 100,000 release line, then grips his voucher. At 7.7-11.5 says 「じゅうまんポイント……ためて、絶対ここ出たる……」. Pronunciation ためて = ta-me-te, three clear morae; 絶対 = ぜったい; do not pronounce とめて. Resolve spoken quietly to himself after one small breath, not a triumphant speech. Paper rustle and lingering distant motor hum; no score. Shot 3 [12-15 s]: Hard cut into cramped dorm, no foreground conversation yet. Worn tatami, thin futons along both walls, low wooden table, small refrigerator and snack shelf at back, poster on rear wall, cold overhead fluorescent tube and weak amber doorway. Two Sobayas sit along left wall. Both have beer mugs and several empty cans, snack packets, open point envelopes with almost nothing left. They spend their savings on beer and ignore release points. One finishes a drink through existing mask mouth opening, the other opens another can; no spoken lines. Yametaro sits at the front table holding his only 200-point voucher and glances at their spending, then looks down at it. No Yotan, no seller visible, no other people. Fluorescent hum, refrigerator compressor, soft ventilation, cloth against futon, occasional quiet glass contact and can-tab hiss. Realistic dry sound with short room reflections, not noisy party ambience. Hold last half-second with room tone, ready for hard cut to approaching foreman in part 2. ## Part 2 — 30秒 Create one 30-second video, part 2 of a 45-second commercial. Start inside dorm, no labor recap. Japanese live-action psychological suspense film homage, grounded underground-labor oppression and intimate dorm temptation, 16:9. No environment references: invent locations from this text. Low stained concrete ceilings, damp walls, gray-brown muted palette, greenish practical fluorescent light and bare bulbs, restrained contrast, readable shadows. Eye-level 35-50mm perspective and patient closeups, modest camera movement. No glossy heroic rim light, teal-orange spectacle or fantasy castle. Direction includes ACTING, EDITING AND SOUND, not only color. Perform as a quiet Japanese dramatic scene: conversational volume, listeners visibly processing what was said, slight hesitation before answers, relaxed natural phrasing with clear vowels/consonants. Do not rush lines to hit shot boundaries or use ad-announcer cadence in character dialogue. Pauses marked by punctuation are short meaningful breaths, not drawn-out syllables. No shouted comic delivery, exaggerated gasps or laughter track. Keep voices intelligible above location sound. No background intelligible speech, no added lines. Character sheets define identity only, not composition. The new Yametaro sheet defines continuous peach skin around cheeks/ears/jaw/nape, natural scalp hair boundary, no black drawn contour or dark plate behind face. Preserve EXACT sheet proportions and materials; neither make him cuter nor more human. Preserve black hair and actual black glasses. Sobaya masks remain correctly worn including while drinking, no lifting, removal, transparency or deformation. Yametaro speaking animation: Image 1 lower row REST/A/I/U/E/O supplies articulated mouth shapes, not fixed expressions. During EVERY Yametaro spoken line continuously open and close the mouth and move lower jaw/cheeks with the generated Japanese phonemes. Show a warm dark mouth cavity during open vowels, change width and roundness naturally, close briefly for consonants and pauses. Never preserve a painted closed smile while speech is audible. Keep face proportions and identity stable; no exaggerated screaming. The mouth shapes are reference poses to interpolate, not panels to reproduce. Speech quoted below is the sole spoken script; kana spellings are pronunciation canon, never substitute kanji guesses. Generate speech and visible mouth motion together. Finish each line before cutting away, mouths rest during listening. Reference audio is voice timbre only, not source dialogue. No subtitles, title overlays, labels, panels, unintended people or phantom props. References (numbering applies to THIS part only): Image 1: character_yametaro_speech_v4_sheet.png — Yametaro identity, exact new outline-free proportions and surface treatment, adult voice and role. Image 2: character_yotan_basic_sheet.png — Yotan's face from closeups, blond hair, glasses. Beige work jacket and trousers in this story. No headless panel figures. Image 3: character_sobaya_basic_sheet.png — exactly TWO background Sobayas, muscular gray skin, white/red masks, white T-shirts, black trousers. Image 4: prop_yume_points_review_v1.png — physical reward poster, correct design and values; not a shot reference. Image 5: product_super_try.png — physical silver 350ml can, exact black/red design; not scene or camera reference. Audio 1 voice_ref_yametaro.wav: Yametaro canonical voice timbre, natural adult Kansai inflection. Audio 2 voice_ref_yotan.wav: Yotan canonical voice timbre, friendly conversational adult voice. Speak clearly without changing identity. Dorm continuity: cramped concrete room, low stained ceiling, worn tatami, futons along both walls, low wooden table, small refrigerator and snack shelf at rear, reward poster on rear wall, overhead fluorescent tube and weak amber doorway. Yametaro sits left foreground at table clutching one 200-point voucher. Yotan crouches right beside him. Two Sobayas along left/rear wall drink and open more beer, empty cans and snacks accumulating next to depleted point envelopes. They ignore the savings goal. No third Sobaya, extra clerk or background Yametaro. Acting: Yotan is a personable foreman using ordinary kindness as temptation, never an obvious villain. Soft volume, small smile, casual offer, watches Yametaro's response. Yametaro is tired and guarded, glances from voucher to cold can, replies after a brief hesitation. After drinking, relief escapes involuntarily before he can compose himself; the famous line is an intimate astonished admission, not a meme scream. Do not distort his head or face for emotion. Sound: no score until the final product shot. Maintain low refrigerator compressor, ventilation fan, faint fluorescent buzz, soft futon/clothing rustle, occasional offscreen can tab and mug set-down. Background sounds stay well below dialogue. Let room tone occupy pauses, do not fill every gap with music or silence. Subtly reduce background level for the first sip and relief but preserve believable room presence. Can hiss, sip and swallow come from visible action, not added narration. Shot 1 [0-4 s]: Seated-eye-level two-shot then gentle attention to Yotan. Yotan shows one unopened cold can. After 0.3 seconds of eye contact says 0.3-3.7 「やめたろうくん。今日の働き、見てたよ。ほら」. 今日=きょう, 働き=はたらき. Quiet conversational kindness. Can ownership remains Yotan's; no simultaneous purchase action. Shot 2 [4-8.5 s]: Closeup Yametaro, look at can, pause, tighten fingers around voucher. At 4.4-8.1 says 「いや……ポイントは使わん。ここ出るために、ためるんや」. Pronunciation: ためるんや = ta-me-ru-n-ya, no leading ha/za syllable; begin ためるんや cleanly after a short breath. Read 使わん as つかわん. Disciplined resolve with temptation in eye movements. Mouth remains visible. Shot 3 [8.5-12.5 s]: Yotan chest-up, places his unopened FREE can gently on table near Yametaro, then leaves hand relaxed. At 8.8-12.1 says 「これは俺のおごり。頑張った初日くらい、いいだろ?」. 俺=おれ, 頑張った=がんばった, 初日=しょにち. Warm, low-pressure invitation, slight softening at end. Small pause after おごり, no sinister laugh. Shot 4 [12.5-14.5 s]: Yametaro hesitates, looks down, at 13.0-14.1 says 「……いっぽんだけやで」. Resigned permission to himself. Place voucher safely on his own side of table and take the free can. Shot 5 [14.5-20.5 s]: SIX FULL SECONDS of silent physical drinking. Camera close enough to see can and lips. First open the tab with a crisp hiss (14.5-15.5). Then lift can (15.5-16.2). Clearly place rim against lips and TILT CAN to drink one visible sustained sip (16.2-18.0). Can actually touches lips; throat gives a small natural swallowing motion. Then separate can from lips and lower fully to chest (18.0-19.0). Finish swallowing with mouth closed, exhale softly, hold silent relief (19.0-20.5). No words during any of this. The sip is mandatory and must NOT be skipped, implied offscreen, substituted by opening the tab, or moved under the following dialogue. Keep all six seconds; do not spend them repeating tab opening. Character design remains unchanged. Shot 6 [20.5-24 s]: Hard cut AFTER drinking to Yametaro face closeup, can ALREADY below chin at chest. After a brief look of disbelief says 20.8-23.7 「キンキンにひえてやがる……! うますぎるやろ……!」. ひえて = hi-e-te. Natural adult voice breaking into genuine relief, first phrase breathy then warmer, not announcer or shout. Can remains down for entire line, mouth unobstructed and synchronized; no second sip. Shot 7 [24-27 s]: Yotan slight smile, second unopened can visible. At 24.2-26.0 says 「にほんめからは、ばいてんでね」. Pronunciation ばいてん = ba-i-te-n, four morae with distinct い, no extra ん after ば. Casual friendly matter-of-fact delivery, short knowing pause after line. Yametaro silently slides his 200 voucher to Yotan, who takes it and places second can near him by 26.8. Preserve clear ownership, no extra hands or teleporting objects. Shot 8 [27-30 s]: Hard cut to polished beer advertisement. Silver can LEFT on ice, large golden beer with foam behind, dark navy empty space RIGHT for postproduction text. Exact Image 5 can design, no generated titles. This is the FIRST bright glamour lighting and music: a brief original refreshing beer-commercial sting. Deep resonant professional male narrator distinct from both characters says at 27.3-29.3 「まどぎわ、スーパーツライ。」. Clear Japanese advertising cadence, musical tail ends cleanly. No extra voice.
production_v4.zip
制作資料 · 制作記録・生成設定・編集コード · production_v4.zipv4実入力。SHA-256: 70e7dfa8f6a964943bda3cd8129afe28f535ec23468ea84b212390df061873a7
character_yametaro_speech_v4_sheet.png
実際の生成入力 · Part 1 / Image 1; Part 2 / Image 1 · character_yametaro_speech_v4_sheet.pngv4実入力。SHA-256: 7ad189a9b022087c24ea46f98e9d18c94d7215437e04c1b6b86a4d4244f954ea
character_sobaya_basic_sheet.png
実際の生成入力 · Part 1 / Image 2; Part 2 / Image 3 · character_sobaya_basic_sheet.pngv4実入力。SHA-256: 6de96b8fe2ebf1ce88c2f966d77a1abd7f0c2632322dfe4c527135de67494def
prop_yume_points_review_v1.png
実際の生成入力 · Part 1 / Image 3; Part 2 / Image 4 · prop_yume_points_review_v1.pngv4実入力。SHA-256: 80a9ff72c8ca819a7f9b158e32174e4765ac6ce357e9f0d62adbc8428a506085
product_super_try.png
実際の生成入力 · Part 1 / Image 4; Part 2 / Image 5 · product_super_try.pngv4実入力。SHA-256: bc64d24db15c6ac1945a7ff221264de8a555be014aadda407440672bd7999104
voice_ref_yametaro.wav
実際の生成入力 · Part 1 / Audio 1; Part 2 / Audio 1 · voice_ref_yametaro.wavv4実入力。SHA-256: ede825a58cf1920f1bdfb353eea17d0feb24f20592d7f36d7c5c22c5ab60530b
character_yotan_basic_sheet.png
実際の生成入力 · Part 2 / Image 2 · character_yotan_basic_sheet.pngv4実入力。SHA-256: a5fcff5308da91a9690426b6a4028a0fdf537cf362b6fb1438fdf14c51878e5a
voice_ref_yotan.wav
実際の生成入力 · Part 2 / Audio 2 · voice_ref_yotan.wavv4実入力。SHA-256: 9bd48c5577f5c70c7ed1ff7d684cca3f98ed23f24e89a02eee20907b47c1ec0c
v3 — 口パク固定・改善途中
Wan 3.0 v3 — 前半・後半の実送信プロンプト
## Part 1 — 15秒 Create one 15-second video, part 1 of a 45-second commercial. Japanese live-action psychological suspense film homage, grounded underground-labor oppression and intimate dorm temptation, 16:9. No environment references: invent locations from this text. Low stained concrete ceilings, damp walls, gray-brown muted palette, greenish practical fluorescent light and bare bulbs, restrained contrast, readable shadows. Eye-level 35-50mm perspective and patient closeups, modest camera movement. No glossy heroic rim light, teal-orange spectacle or fantasy castle. Direction includes ACTING, EDITING AND SOUND, not only color. Perform as a quiet Japanese dramatic scene: conversational volume, listeners visibly processing what was said, slight hesitation before answers, relaxed natural phrasing with clear vowels/consonants. Do not rush lines to hit shot boundaries or use ad-announcer cadence in character dialogue. Pauses marked by punctuation are short meaningful breaths, not drawn-out syllables. No shouted comic delivery, exaggerated gasps or laughter track. Keep voices intelligible above location sound. No background intelligible speech, no added lines. Character sheets define identity only, not composition. The new Yametaro sheet defines continuous peach skin around cheeks/ears/jaw/nape, natural scalp hair boundary, no black drawn contour or dark plate behind face. Preserve EXACT sheet proportions and materials; neither make him cuter nor more human. Preserve black hair and actual black glasses. Sobaya masks remain correctly worn including while drinking, no lifting, removal, transparency or deformation. Speech quoted below is the sole spoken script; kana spellings are pronunciation canon, never substitute kanji guesses. Generate speech and visible mouth motion together. Finish each line before cutting away, mouths rest during listening. Reference audio is voice timbre only, not source dialogue. No subtitles, title overlays, labels, panels, unintended people or phantom props. References (numbering applies to THIS part only): Image 1: character_yametaro_no_outline_v3_sheet.png — Yametaro, adult stylized character in purple leaf-pattern shirt, black trousers, round glasses; all design and body proportions from sheet. Image 2: character_sobaya_basic_sheet.png — muscular gray-skinned Sobaya with white/red mask, dirty white T-shirt, black pants and white shoes. Three distinct copies intentionally appear in labor. Image 3: prop_yume_points_review_v1.png — wall poster design: daily work 200 points, release 100,000, beer 200. Physical poster only. Image 4: product_super_try.png — silver 350ml beer can used ONLY in final dorm shot, not labor or payout. Audio 1: voice_ref_yametaro.wav — Yametaro voice timbre only, adult low-mid register with natural Kansai intonation. No other speaking character in this part. No Yotan present. Shot 1 [0-7 s]: Tight three-quarter SIDE tracking closeup on Yametaro's face, shoulders and both hands pressing the SIDE of a horizontal radial wooden bar. A heavy stone/iron capstan around a vertical axle is in background. Exactly FOUR separate radial bars with exactly ONE worker assigned to each: Yametaro on bar A, one Sobaya on bar B, one Sobaya on bar C, one Sobaya on bar D. Each Sobaya is strong enough to operate his own bar alone. No two workers share, queue at or touch the same bar; each keeps his own bar throughout. All workers WALK FORWARD in one rotational direction, force tangent to the circle, never backward or toward the central axle. Stable hand/shoulder contact, grounded push-off steps and clear outer lane. Camera travels alongside Yametaro, no backward-tracking illusion or wide machine demonstration. At 0.7-5.8 Yametaro says 「本番も……バックアップも……消すんやなかった……!」. Read 本番 as ほんばん. Tired regret under breath, small breaths from physical effort, every word clear, no cheerful grin; wait on his exhausted reaction until bell. Continuous wood creak, low gear grind, shoes on gritty concrete, ventilation rumble. No music. Shot 2 [7-12 s]: Bell rings once, gears slow to a halt. Hard cut to a narrow payout window in the adjacent concrete corridor. Camera remains on Yametaro's face and purple-shirt upper torso, with poster beside him. One offscreen clerk's hand places a single 200-point voucher in Yametaro's small hand; clerk stays entirely offscreen. Yametaro is the ONLY visible person and ONLY speaker. He receives, looks at the 100,000 release line, then grips his voucher. At 7.7-11.5 says 「じゅうまんポイント……ためて、絶対ここ出たる……」. Pronunciation ためて = ta-me-te, three clear morae; 絶対 = ぜったい; do not pronounce とめて. Resolve spoken quietly to himself after one small breath, not a triumphant speech. Paper rustle and lingering distant motor hum; no score. Shot 3 [12-15 s]: Hard cut into cramped dorm, no foreground conversation yet. Worn tatami, thin futons along both walls, low wooden table, small refrigerator and snack shelf at back, poster on rear wall, cold overhead fluorescent tube and weak amber doorway. Two Sobayas sit along left wall. Both have beer mugs and several empty cans, snack packets, open point envelopes with almost nothing left. They spend their savings on beer and ignore release points. One finishes a drink through existing mask mouth opening, the other opens another can; no spoken lines. Yametaro sits at the front table holding his only 200-point voucher and glances at their spending, then looks down at it. No Yotan, no seller visible, no other people. Fluorescent hum, refrigerator compressor, soft ventilation, cloth against futon, occasional quiet glass contact and can-tab hiss. Realistic dry sound with short room reflections, not noisy party ambience. Hold last half-second with room tone, ready for hard cut to approaching foreman in part 2. ## Part 2 — 30秒 Create one 30-second video, part 2 of a 45-second commercial. Start inside dorm, no labor recap. Japanese live-action psychological suspense film homage, grounded underground-labor oppression and intimate dorm temptation, 16:9. No environment references: invent locations from this text. Low stained concrete ceilings, damp walls, gray-brown muted palette, greenish practical fluorescent light and bare bulbs, restrained contrast, readable shadows. Eye-level 35-50mm perspective and patient closeups, modest camera movement. No glossy heroic rim light, teal-orange spectacle or fantasy castle. Direction includes ACTING, EDITING AND SOUND, not only color. Perform as a quiet Japanese dramatic scene: conversational volume, listeners visibly processing what was said, slight hesitation before answers, relaxed natural phrasing with clear vowels/consonants. Do not rush lines to hit shot boundaries or use ad-announcer cadence in character dialogue. Pauses marked by punctuation are short meaningful breaths, not drawn-out syllables. No shouted comic delivery, exaggerated gasps or laughter track. Keep voices intelligible above location sound. No background intelligible speech, no added lines. Character sheets define identity only, not composition. The new Yametaro sheet defines continuous peach skin around cheeks/ears/jaw/nape, natural scalp hair boundary, no black drawn contour or dark plate behind face. Preserve EXACT sheet proportions and materials; neither make him cuter nor more human. Preserve black hair and actual black glasses. Sobaya masks remain correctly worn including while drinking, no lifting, removal, transparency or deformation. Speech quoted below is the sole spoken script; kana spellings are pronunciation canon, never substitute kanji guesses. Generate speech and visible mouth motion together. Finish each line before cutting away, mouths rest during listening. Reference audio is voice timbre only, not source dialogue. No subtitles, title overlays, labels, panels, unintended people or phantom props. References (numbering applies to THIS part only): Image 1: character_yametaro_no_outline_v3_sheet.png — Yametaro identity, exact new outline-free proportions and surface treatment, adult voice and role. Image 2: character_yotan_basic_sheet.png — Yotan's face from closeups, blond hair, glasses. Beige work jacket and trousers in this story. No headless panel figures. Image 3: character_sobaya_basic_sheet.png — exactly TWO background Sobayas, muscular gray skin, white/red masks, white T-shirts, black trousers. Image 4: prop_yume_points_review_v1.png — physical reward poster, correct design and values; not a shot reference. Image 5: product_super_try.png — physical silver 350ml can, exact black/red design; not scene or camera reference. Audio 1 voice_ref_yametaro.wav: Yametaro canonical voice timbre, natural adult Kansai inflection. Audio 2 voice_ref_yotan.wav: Yotan canonical voice timbre, friendly conversational adult voice. Speak clearly without changing identity. Dorm continuity: cramped concrete room, low stained ceiling, worn tatami, futons along both walls, low wooden table, small refrigerator and snack shelf at rear, reward poster on rear wall, overhead fluorescent tube and weak amber doorway. Yametaro sits left foreground at table clutching one 200-point voucher. Yotan crouches right beside him. Two Sobayas along left/rear wall drink and open more beer, empty cans and snacks accumulating next to depleted point envelopes. They ignore the savings goal. No third Sobaya, extra clerk or background Yametaro. Acting: Yotan is a personable foreman using ordinary kindness as temptation, never an obvious villain. Soft volume, small smile, casual offer, watches Yametaro's response. Yametaro is tired and guarded, glances from voucher to cold can, replies after a brief hesitation. After drinking, relief escapes involuntarily before he can compose himself; the famous line is an intimate astonished admission, not a meme scream. Do not distort his head or face for emotion. Sound: no score until the final product shot. Maintain low refrigerator compressor, ventilation fan, faint fluorescent buzz, soft futon/clothing rustle, occasional offscreen can tab and mug set-down. Background sounds stay well below dialogue. Let room tone occupy pauses, do not fill every gap with music or silence. Subtly reduce background level for the first sip and relief but preserve believable room presence. Can hiss, sip and swallow come from visible action, not added narration. Shot 1 [0-4 s]: Seated-eye-level two-shot then gentle attention to Yotan. Yotan shows one unopened cold can. After 0.3 seconds of eye contact says 0.3-3.7 「やめたろうくん。今日の働き、見てたよ。ほら」. 今日=きょう, 働き=はたらき. Quiet conversational kindness. Can ownership remains Yotan's; no simultaneous purchase action. Shot 2 [4-8.5 s]: Closeup Yametaro, look at can, pause, tighten fingers around voucher. At 4.4-8.1 says 「いや……ポイントは使わん。ここ出るために、ためるんや」. Pronunciation: ためるんや = ta-me-ru-n-ya, no leading ha/za syllable; begin ためるんや cleanly after a short breath. Read 使わん as つかわん. Disciplined resolve with temptation in eye movements. Mouth remains visible. Shot 3 [8.5-12.5 s]: Yotan chest-up, places his unopened FREE can gently on table near Yametaro, then leaves hand relaxed. At 8.8-12.1 says 「これは俺のおごり。頑張った初日くらい、いいだろ?」. 俺=おれ, 頑張った=がんばった, 初日=しょにち. Warm, low-pressure invitation, slight softening at end. Small pause after おごり, no sinister laugh. Shot 4 [12.5-14.5 s]: Yametaro hesitates, looks down, at 13.0-14.1 says 「……いっぽんだけやで」. Resigned permission to himself. Place voucher safely on his own side of table and take the free can. Shot 5 [14.5-20.5 s]: SIX FULL SECONDS of silent physical drinking. Camera close enough to see can and lips. First open the tab with a crisp hiss (14.5-15.5). Then lift can (15.5-16.2). Clearly place rim against lips and TILT CAN to drink one visible sustained sip (16.2-18.0). Can actually touches lips; throat gives a small natural swallowing motion. Then separate can from lips and lower fully to chest (18.0-19.0). Finish swallowing with mouth closed, exhale softly, hold silent relief (19.0-20.5). No words during any of this. The sip is mandatory and must NOT be skipped, implied offscreen, substituted by opening the tab, or moved under the following dialogue. Keep all six seconds; do not spend them repeating tab opening. Character design remains unchanged. Shot 6 [20.5-24 s]: Hard cut AFTER drinking to Yametaro face closeup, can ALREADY below chin at chest. After a brief look of disbelief says 20.8-23.7 「キンキンにひえてやがる……! うますぎるやろ……!」. ひえて = hi-e-te. Natural adult voice breaking into genuine relief, first phrase breathy then warmer, not announcer or shout. Can remains down for entire line, mouth unobstructed and synchronized; no second sip. Shot 7 [24-27 s]: Yotan slight smile, second unopened can visible. At 24.2-26.0 says 「にほんめからは、ばいてんでね」. Pronunciation ばいてん = ba-i-te-n, four morae with distinct い, no extra ん after ば. Casual friendly matter-of-fact delivery, short knowing pause after line. Yametaro silently slides his 200 voucher to Yotan, who takes it and places second can near him by 26.8. Preserve clear ownership, no extra hands or teleporting objects. Shot 8 [27-30 s]: Hard cut to polished beer advertisement. Silver can LEFT on ice, large golden beer with foam behind, dark navy empty space RIGHT for postproduction text. Exact Image 5 can design, no generated titles. This is the FIRST bright glamour lighting and music: a brief original refreshing beer-commercial sting. Deep resonant professional male narrator distinct from both characters says at 27.3-29.3 「まどぎわ、スーパーツライ。」. Clear Japanese advertising cadence, musical tail ends cleanly. No extra voice.
production_v3.zip
制作資料 · 制作記録・生成設定・編集コード · production_v3.zipv3実入力。SHA-256: edfcf3b0db76d0ac8fa00b5222d712130af06faf700e313f5e52e108a0e0fb1b
character_yametaro_no_outline_v3_sheet.png
実際の生成入力 · Part 1 / Image 1; Part 2 / Image 1 · character_yametaro_no_outline_v3_sheet.pngv3実入力。SHA-256: 3689847e71c2fcaa9489f6ba97a2db360c971aa2bf8867e6fbf07831789ced08
character_sobaya_basic_sheet.png
実際の生成入力 · Part 1 / Image 2; Part 2 / Image 3 · character_sobaya_basic_sheet.pngv3実入力。SHA-256: 6de96b8fe2ebf1ce88c2f966d77a1abd7f0c2632322dfe4c527135de67494def
prop_yume_points_review_v1.png
実際の生成入力 · Part 1 / Image 3; Part 2 / Image 4 · prop_yume_points_review_v1.pngv3実入力。SHA-256: 80a9ff72c8ca819a7f9b158e32174e4765ac6ce357e9f0d62adbc8428a506085
product_super_try.png
実際の生成入力 · Part 1 / Image 4; Part 2 / Image 5 · product_super_try.pngv3実入力。SHA-256: bc64d24db15c6ac1945a7ff221264de8a555be014aadda407440672bd7999104
voice_ref_yametaro.wav
実際の生成入力 · Part 1 / Audio 1; Part 2 / Audio 1 · voice_ref_yametaro.wavv3実入力。SHA-256: ede825a58cf1920f1bdfb353eea17d0feb24f20592d7f36d7c5c22c5ab60530b
character_yotan_basic_sheet.png
実際の生成入力 · Part 2 / Image 2 · character_yotan_basic_sheet.pngv3実入力。SHA-256: a5fcff5308da91a9690426b6a4028a0fdf537cf362b6fb1438fdf14c51878e5a
voice_ref_yotan.wav
実際の生成入力 · Part 2 / Audio 2 · voice_ref_yotan.wavv3実入力。SHA-256: 9bd48c5577f5c70c7ed1ff7d684cca3f98ed23f24e89a02eee20907b47c1ec0c
v2 — 失敗テイク・邦画演出
Wan 3.0 v2 — 前半・後半の実送信プロンプト
## Part 1 — 10秒 Create exactly one 10-second video. This is the opening of a 40-second commercial. Japanese live-action psychological-suspense film homage that ends as a dark-comedy beer commercial. 16:9 with synchronized Japanese speech. Visual direction: contemporary Japanese live-action psychological suspense film, specifically the grounded underground-labor tension of a Japanese Kaiji film homage. Keep this look across labor and dorm scenes until the final beer-commercial cut. Confined utilitarian Japanese underground spaces, rough concrete, damp stains, low ceilings, practical exposed bulbs and slightly green fluorescent tubes. Desaturated gray, dusty brown and muted workwear colors; restrained contrast with readable shadow detail and natural skin tones on Yotan. Modest film grain and natural lens rendering. No Hollywood teal-orange grade, glossy heroic rim lights, epic fantasy dungeon, monumental castle columns, excessive volumetric god rays, or music-video camera moves. Eye-level 35-50mm-equivalent medium shots and closeups, restrained lateral tracking for labor, mostly steady observational framing for conversations. Use shot/reverse-shot at seated eye level, small pauses, eye movements, tight framing and room tone to build pressure; do not turn acting into broad theatrical mugging. Claustrophobia and fatigue come from framing, sound and restrained performance. This film treatment applies to environment, lighting and camera ONLY: Yametaro remains the stylized 3D character exactly as depicted in Image 1, never a realistic human. Let the cold can's condensation and metallic highlights stand out quietly against the drab room. Reserve luminous gold, clean silver, polished lighting and bright advertising music for the final product shot only. References, identical numbering in both parts: Image 1 Yametaro identity: adult 42-year-old short stylized 3D character, large rounded head, round black glasses, black center-part hair, purple patterned shirt, black trousers. Preserve distinctive proportions, do not make a realistic human or child. Image 2 Yotan identity: use face closeups as exact facial identity, blond hair and glasses. Wear dirty beige work jacket and trousers as foreman, not reference black leather outfit. Do not copy headless clothing panels. Image 3 Sobaya identity: muscular gray skin, exact white mask with red markings and black openings, dirty white T-shirt, black pants, white shoes. All copies are intentionally the same character. Masks remain worn, never removed, lifted, translucent, deformed or replaced. No talking from Sobayas. No mugs in labor. Image 4 exact reward poster design and Japanese wording: beer 200, snacks 100, pillow 500, day pass 20,000, release 100,000, daily reward 200. Physical paper poster on wall only, not a scene or composition reference. Image 5 exact silver 350ml beer can design, red SUPER TRY, Japanese 窓際スーパーつらい, black Madogiwa logo. Product shape and printing only, not a scene reference. Image 1 is the sole authority for Yametaro's appearance in EVERY shot: match the sheet's actual head-to-body ratio, silhouette, limb lengths, cheek shape, glasses, nose, mouth, skin finish and hair shape without exaggeration. Reproduce the same character design throughout, including closeups and drinking. Do not make him cuter, more baby-like, rounder, smoother, bigger-eyed or more extremely chibi than the sheet; do not enlarge the head or shorten the limbs beyond the reference. The target is fidelity to Image 1, not added cuteness. Do not add realistic human skin, pores, wrinkles, stubble, individual hair strands, realistic adult anatomy, long limbs, sagging cheeks or a fleshy human face. Convey exhaustion through pose and simple brows/mouth, never through grotesque facial texture or deformation. He remains an adult character, not a child. Match the character sheet rather than inventing a live-action reinterpretation. There are NO environment images, scene frames or previous videos among the inputs. Design all locations, staging and motion from the written shot descriptions. Character sheets supply identity only, never camera placement or static poses. Prop images supply object design only. No first-frame matching or recreation of a previous take. Audio 1 Yametaro voice-timbre reference only, soft low-mid adult male Kansai inflection; Audio 2 Yotan voice-timbre reference only, warmly persuasive adult male. Do not copy reference words or timing. Generate specified Japanese speech and lip/jaw/cheek motion together, mouth closed in silence. Keep speaking mouths visible until each line ends; no simultaneous dialogue. No character-sheet panels, labels, duplicate Yametaro or Yotan, subtitles, captions or watermarks. Exact given dialogue once each, no added spoken lines. Character identities and physically believable contacts take priority over composition fidelity. Shot 1 [0-6 s]: Start immediately on a powerful tight three-quarter side closeup of Yametaro's face, shoulders and BOTH hands pressing the SIDE of a heavy horizontal wooden pushbar. Cramped underground concrete labor chamber, damp rough walls, stained low ceiling, practical work lamps and dull fluorescent fill, sparse dust, oppressive utilitarian industrial light. A squat stone capstan with a central vertical axle and radial bars is suggested in shallow-focus background, with three Sobayas pushing other bars. Never open with an all-machine wide shot. Yametaro leans FORWARD into the bar; his chest, gaze, leading shoulder and steps all face his direction of travel, tangentially around the axle. He walks forward throughout, never backpedals, never drags the bar behind himself or pushes its end toward the axle. The tracking camera moves alongside him at his pace; environment parallax and background workers reveal the circular motion. Maintain a clear walking lane, planted push-off feet when visible, stable hand/bar contact and matching rotation speed. All workers advance in one shared rotational direction. Physical naturalness and facial performance take priority over decorative mechanism detail. Camera holds his face and mouth visible while speaking 0.6-5.6: 「本番も……バックアップも……消すんやなかった……!」. Reading 本番=ほんばん. He regrets deleting production customer data AND backups. Exhausted effort through brows and posture while keeping Image 1's exact facial design. Heavy gears, footfalls, restrained ominous score below speech. Shot 2 [6-10 s]: End-of-shift bell, machinery stops. Hard cut to a chest-up view at a narrow stone corridor payout counter OUTSIDE the dorm; only one Yametaro is present, no seated background copy, no beds or dorm scene. Show Yametaro receiving a single paper voucher marked 200 from an offscreen clerk hand; hand withdraws. Show Image 4 poster on wall beside his face, especially タコ部屋退室 100,000. He looks from voucher toward poster, grips it close, says at 6.5-9.7 「十万ポイント……貯めて、絶対ここ出たる……」. Read 十万=じゅうまん. End with voucher in his hand, no beer given to him yet. Low machine rumble fades into silence at end for hard cut to dorm. No narrator or product endcard in this part. ## Part 2 — 30秒 Create exactly one 30-second video. This is seconds 10-40 of a 40-second commercial, starting with hard cut into dorm; no opening recap. Japanese live-action psychological-suspense film homage that ends as a dark-comedy beer commercial. 16:9 with synchronized Japanese speech. Visual direction: contemporary Japanese live-action psychological suspense film, specifically the grounded underground-labor tension of a Japanese Kaiji film homage. Keep this look across labor and dorm scenes until the final beer-commercial cut. Confined utilitarian Japanese underground spaces, rough concrete, damp stains, low ceilings, practical exposed bulbs and slightly green fluorescent tubes. Desaturated gray, dusty brown and muted workwear colors; restrained contrast with readable shadow detail and natural skin tones on Yotan. Modest film grain and natural lens rendering. No Hollywood teal-orange grade, glossy heroic rim lights, epic fantasy dungeon, monumental castle columns, excessive volumetric god rays, or music-video camera moves. Eye-level 35-50mm-equivalent medium shots and closeups, restrained lateral tracking for labor, mostly steady observational framing for conversations. Use shot/reverse-shot at seated eye level, small pauses, eye movements, tight framing and room tone to build pressure; do not turn acting into broad theatrical mugging. Claustrophobia and fatigue come from framing, sound and restrained performance. This film treatment applies to environment, lighting and camera ONLY: Yametaro remains the stylized 3D character exactly as depicted in Image 1, never a realistic human. Let the cold can's condensation and metallic highlights stand out quietly against the drab room. Reserve luminous gold, clean silver, polished lighting and bright advertising music for the final product shot only. References, identical numbering in both parts: Image 1 Yametaro identity: adult 42-year-old short stylized 3D character, large rounded head, round black glasses, black center-part hair, purple patterned shirt, black trousers. Preserve distinctive proportions, do not make a realistic human or child. Image 2 Yotan identity: use face closeups as exact facial identity, blond hair and glasses. Wear dirty beige work jacket and trousers as foreman, not reference black leather outfit. Do not copy headless clothing panels. Image 3 Sobaya identity: muscular gray skin, exact white mask with red markings and black openings, dirty white T-shirt, black pants, white shoes. All copies are intentionally the same character. Masks remain worn, never removed, lifted, translucent, deformed or replaced. No talking from Sobayas. No mugs in labor. Image 4 exact reward poster design and Japanese wording: beer 200, snacks 100, pillow 500, day pass 20,000, release 100,000, daily reward 200. Physical paper poster on wall only, not a scene or composition reference. Image 5 exact silver 350ml beer can design, red SUPER TRY, Japanese 窓際スーパーつらい, black Madogiwa logo. Product shape and printing only, not a scene reference. Image 1 is the sole authority for Yametaro's appearance in EVERY shot: match the sheet's actual head-to-body ratio, silhouette, limb lengths, cheek shape, glasses, nose, mouth, skin finish and hair shape without exaggeration. Reproduce the same character design throughout, including closeups and drinking. Do not make him cuter, more baby-like, rounder, smoother, bigger-eyed or more extremely chibi than the sheet; do not enlarge the head or shorten the limbs beyond the reference. The target is fidelity to Image 1, not added cuteness. Do not add realistic human skin, pores, wrinkles, stubble, individual hair strands, realistic adult anatomy, long limbs, sagging cheeks or a fleshy human face. Convey exhaustion through pose and simple brows/mouth, never through grotesque facial texture or deformation. He remains an adult character, not a child. Match the character sheet rather than inventing a live-action reinterpretation. There are NO environment images, scene frames or previous videos among the inputs. Design all locations, staging and motion from the written shot descriptions. Character sheets supply identity only, never camera placement or static poses. Prop images supply object design only. No first-frame matching or recreation of a previous take. Audio 1 Yametaro voice-timbre reference only, soft low-mid adult male Kansai inflection; Audio 2 Yotan voice-timbre reference only, warmly persuasive adult male. Do not copy reference words or timing. Generate specified Japanese speech and lip/jaw/cheek motion together, mouth closed in silence. Keep speaking mouths visible until each line ends; no simultaneous dialogue. No character-sheet panels, labels, duplicate Yametaro or Yotan, subtitles, captions or watermarks. Exact given dialogue once each, no added spoken lines. Character identities and physically believable contacts take priority over composition fidelity. Shot 1 [0-2 s]: Start immediately INSIDE the cramped underground dorm. No capstan, gears, labor flashback, recap or labor-room scene anywhere in this part. Low stained concrete ceiling, exposed pipes, worn tatami, thin futons packed along both walls, a low wooden table, small beer refrigerator and snack shelf at rear, cold fluorescent overhead and warm doorway. Medium-wide establishing shot. Exactly one Yotan, one Yametaro and two Sobayas. Sobayas beside futons have multiple empty cans and snacks. Yotan completes a simple visible exchange: background Sobaya hands him saved point vouchers, Yotan gives that Sobaya extra unopened beer can. Other Sobaya already has a beer and depleted point pile. They ignore the reward poster on wall and toast quietly. Yametaro alone sits foreground clutching his 200 voucher. Yotan turns toward him. No dialogue yet. Shot 2 [2-6 s]: Yotan crouches beside low table facing Yametaro, gently extends unopened cold silver can, smiles warmly, visible face chest-up. At 2.1-5.7 says 「やめ太郎くん。今日の働き、見てたよ。ほら」. Read やめ太郎=やめたろう. Background drinkers remain secondary. Shot 3 [6-11 s]: Yametaro medium closeup, looks at chilled can, almost reaches then retracts, clutches voucher. At 6.1-10.7 says 「いや……ポイントは使わん。ここ出るために貯めるんや」. Do not show him already drinking. Two background Sobayas happily opening and drinking beers, no spoken lines, maintain masks and use existing mouth opening. Shot 4 [11-15 s]: Yotan friendly closeup sets the free can on table in front of Yametaro while saying 11.1-14.8 「これは俺のおごり。頑張った初日くらい、いいだろ?」. Tone kind and convincing, never overtly villainous. Shot 5 [15-17 s]: Yametaro visible face replies 15.1-16.6 「……一本だけやで」, sets voucher on his own side of table and takes free can securely. Shot 6A [17-19.5 s] — DRINKING ONLY, NO SPEECH: Close shot of Yametaro opening the tab at 17.0-17.4, crisp hiss. He lifts the can and takes ONE short sip at 17.4-18.5, lips closed around the rim. He then visibly separates the can from his lips and lowers it fully to chest level at 18.5-19.0, swallows with mouth closed, exhales silently and pauses at 19.0-19.5. Complete these actions in this exact order. No words, mouth articulation or voiceover during opening, sipping, lowering or swallowing. Preserve the hand proportions and facial design exactly as shown in the character sheet. Shot 6B [19.5-23 s] — SPEAKING ONLY: Hard cut AFTER the swallow to a clean delighted FACE CLOSEUP. The can is already held still at chest level below his chin, clear of his entire mouth. After the brief silent reaction he says 19.6-22.8 exactly 「キンキンに冷えてやがる……! うますぎるやろ……!」. Animate the visible small stylized mouth in sync with the words. He never raises the can or drinks again during this line. No speech from the drinking shot carries across the cut. Eyes widen and eyebrows lift without changing head shape or adding human facial anatomy. If timing becomes tight, shorten the sip, NOT the can-lowering, swallow or silence separating drinking from speech. Cold droplets catch the existing fluorescent light; the room remains drab and physically grounded while oppressive sound recedes. No golden glamour lighting until the product cut. Shot 7 [23-26 s]: Yotan shows second unopened can with warm smile, at 23.1-25.1 says 「二本目からは、売店でね」. After line Yametaro voluntarily slides his 200 voucher across table; Yotan accepts it, leaving Yametaro without points. Clear hands, no teleportation. Sobayas remain happily drinking in background. Don't add laughter speech. Shot 8 [26-30 s]: Hard cut to premium beer commercial hero shot, silver can from Image 5 on ice LEFT, golden beer and luminous foam, condensation, dark navy gradient empty space RIGHT for exact postproduction text. No generated title overlay. Bright original refreshing commercial music replaces ominous score. Deep resonant professional adult male Japanese narrator, crisp beer-commercial cadence, says once 26.7-29.0 「窓際、スーパーツライ。」 reading まどぎわ、すーぱーつらい. Not Yotan or Yametaro voice. Finish musical sting with clean tail. All music, effects and narrator generated here.
production_v2.zip
制作資料 · 制作記録・生成設定・編集コード · production_v2.zipv2実入力。SHA-256: b420dfd46ce3189ed97a266eb437926dec3a7ef8ad979f5a035ed5ed76e70d35
character_yametaro_basic_sheet.png
実際の生成入力 · Part 1 / Image 1; Part 2 / Image 1 · character_yametaro_basic_sheet.pngv2実入力。SHA-256: 4ec4f5288f0a9ff1d16da56c668251af608ddde8e6e847c481234ce81f8a5277
character_yotan_basic_sheet.png
実際の生成入力 · Part 1 / Image 2; Part 2 / Image 2 · character_yotan_basic_sheet.pngv2実入力。SHA-256: a5fcff5308da91a9690426b6a4028a0fdf537cf362b6fb1438fdf14c51878e5a
character_sobaya_basic_sheet.png
実際の生成入力 · Part 1 / Image 3; Part 2 / Image 3 · character_sobaya_basic_sheet.pngv2実入力。SHA-256: 6de96b8fe2ebf1ce88c2f966d77a1abd7f0c2632322dfe4c527135de67494def
prop_yume_points_review_v1.png
実際の生成入力 · Part 1 / Image 4; Part 2 / Image 4 · prop_yume_points_review_v1.pngv2実入力。SHA-256: 80a9ff72c8ca819a7f9b158e32174e4765ac6ce357e9f0d62adbc8428a506085
product_super_try.png
実際の生成入力 · Part 1 / Image 5; Part 2 / Image 5 · product_super_try.pngv2実入力。SHA-256: bc64d24db15c6ac1945a7ff221264de8a555be014aadda407440672bd7999104
voice_ref_yametaro.wav
実際の生成入力 · Part 1 / Audio 1; Part 2 / Audio 1 · voice_ref_yametaro.wavv2実入力。SHA-256: ede825a58cf1920f1bdfb353eea17d0feb24f20592d7f36d7c5c22c5ab60530b
voice_ref_yotan.wav
実際の生成入力 · Part 1 / Audio 2; Part 2 / Audio 2 · voice_ref_yotan.wavv2実入力。SHA-256: 9bd48c5577f5c70c7ed1ff7d684cca3f98ed23f24e89a02eee20907b47c1ec0c
v1 — 失敗テイク・場面画像参照
Wan 3.0 v1 — 前半・後半の実送信プロンプト
## Part 1 — 10秒 Create exactly one 10-second video. This is the opening of a 40-second commercial. Cinematic Japanese dark-comedy beer commercial, serious underground labor film transitioning to premium refreshing beer advertising. 16:9 with synchronized Japanese speech. References, identical numbering in both parts: Image 1 Yametaro identity: adult 42-year-old short stylized 3D character, large rounded head, round black glasses, black center-part hair, purple patterned shirt, black trousers. Preserve distinctive proportions, do not make a realistic human or child. Image 2 Yotan identity: use face closeups as exact facial identity, blond hair and glasses. Wear dirty beige work jacket and trousers as foreman, not reference black leather outfit. Do not copy headless clothing panels. Image 3 Sobaya identity: muscular gray skin, exact white mask with red markings and black openings, dirty white T-shirt, black pants, white shoes. All copies are intentionally the same character. Masks remain worn, never removed, lifted, translucent, deformed or replaced. No talking from Sobayas. No mugs in labor. Image 4 labor environment and capstan design only. Physically natural motion takes priority over matching poses or composition. Correct worker positions, push sides, body angles, bar height, stride as necessary. Everyone walks in the SAME rotational direction, pushing radial bars tangentially around vertical axis. Never push poles lengthwise toward hub. Feet plant and push off, weight shifts, hands keep contact, capstan moves with workers. No opposing forces, sliding, hovering, intersection. Yametaro has clear outer walking lane. NOT a locked first frame. Image 5 dorm environment and foreground staging, NOT resting background behavior. Maintain low table, tatami, thin futons, cold refrigerator, warm doorway and cold fluorescent light. Yotan face from Image 2 and Yametaro identity from Image 1 take precedence. Background Sobayas now spend saved points recklessly on beer and snacks, with empty cans and open packets. All background Sobayas drink, none saves for release. Image 6 exact reward poster design and Japanese wording, including beer 200, snacks 100, pillow 500, day pass 20,000, release 100,000, daily reward 200. This is physical paper on wall only. Image 7 exact silver 350ml beer can design, red SUPER TRY and Japanese 窓際スーパーつらい, black Madogiwa logo. Do not copy erroneous can printing from Image 5. Audio 1 Yametaro voice-timbre reference only, soft low-mid adult male Kansai inflection; Audio 2 Yotan voice-timbre reference only, warmly persuasive adult male. Do not copy reference words or timing. Generate specified Japanese speech and lip/jaw/cheek motion together, mouth closed in silence. Keep speaking mouths visible until each line ends; no simultaneous dialogue. No character-sheet panels, labels, duplicate Yametaro or Yotan, subtitles, captions or watermarks. Exact given dialogue once each, no added spoken lines. Character identities and physically believable contacts take priority over composition fidelity. Shot 1 [0-6 s]: Establish huge capstan in subterranean stone hall. Exactly one Yametaro and three Sobayas push separate radial bars in the same direction, continuous physically natural stepping with grounded effort. Start medium-wide, gentle push toward Yametaro upper body, keep his face and mouth visible while speaking from 0.6 to 5.6: 「本番も……バックアップも……消すんやなかった……!」. Reading 本番=ほんばん. He regrets deleting production customer data AND backups. Exhausted strain, not cheerful. Heavy gears, shoes scraping ground, restrained ominous score beneath clear voice. Shot 2 [6-10 s]: End-of-shift bell, machinery stops. Hard cut to Yametaro receiving a single paper voucher marked 200 from an offscreen clerk hand; hand withdraws. Show Image 6 poster on wall beside his face, especially タコ部屋退室 100,000. He looks from voucher toward poster, grips it close, says at 6.5-9.7 「十万ポイント……貯めて、絶対ここ出たる……」. Read 十万=じゅうまん. End with voucher in his hand, no beer given to him yet. Low machine rumble fades into silence at end for hard cut to dorm. No narrator or product endcard in this part. ## Part 2 — 30秒 Create exactly one 30-second video. This is seconds 10-40 of a 40-second commercial, starting with hard cut into dorm; no opening recap. Cinematic Japanese dark-comedy beer commercial, serious underground labor film transitioning to premium refreshing beer advertising. 16:9 with synchronized Japanese speech. References, identical numbering in both parts: Image 1 Yametaro identity: adult 42-year-old short stylized 3D character, large rounded head, round black glasses, black center-part hair, purple patterned shirt, black trousers. Preserve distinctive proportions, do not make a realistic human or child. Image 2 Yotan identity: use face closeups as exact facial identity, blond hair and glasses. Wear dirty beige work jacket and trousers as foreman, not reference black leather outfit. Do not copy headless clothing panels. Image 3 Sobaya identity: muscular gray skin, exact white mask with red markings and black openings, dirty white T-shirt, black pants, white shoes. All copies are intentionally the same character. Masks remain worn, never removed, lifted, translucent, deformed or replaced. No talking from Sobayas. No mugs in labor. Image 4 labor environment and capstan design only. Physically natural motion takes priority over matching poses or composition. Correct worker positions, push sides, body angles, bar height, stride as necessary. Everyone walks in the SAME rotational direction, pushing radial bars tangentially around vertical axis. Never push poles lengthwise toward hub. Feet plant and push off, weight shifts, hands keep contact, capstan moves with workers. No opposing forces, sliding, hovering, intersection. Yametaro has clear outer walking lane. NOT a locked first frame. Image 5 dorm environment and foreground staging, NOT resting background behavior. Maintain low table, tatami, thin futons, cold refrigerator, warm doorway and cold fluorescent light. Yotan face from Image 2 and Yametaro identity from Image 1 take precedence. Background Sobayas now spend saved points recklessly on beer and snacks, with empty cans and open packets. All background Sobayas drink, none saves for release. Image 6 exact reward poster design and Japanese wording, including beer 200, snacks 100, pillow 500, day pass 20,000, release 100,000, daily reward 200. This is physical paper on wall only. Image 7 exact silver 350ml beer can design, red SUPER TRY and Japanese 窓際スーパーつらい, black Madogiwa logo. Do not copy erroneous can printing from Image 5. Audio 1 Yametaro voice-timbre reference only, soft low-mid adult male Kansai inflection; Audio 2 Yotan voice-timbre reference only, warmly persuasive adult male. Do not copy reference words or timing. Generate specified Japanese speech and lip/jaw/cheek motion together, mouth closed in silence. Keep speaking mouths visible until each line ends; no simultaneous dialogue. No character-sheet panels, labels, duplicate Yametaro or Yotan, subtitles, captions or watermarks. Exact given dialogue once each, no added spoken lines. Character identities and physically believable contacts take priority over composition fidelity. Shot 1 [0-2 s]: Medium-wide dorm establishing shot. Exactly one Yotan, one Yametaro and two Sobayas. Sobayas beside futons have multiple empty cans and snacks. Yotan completes a simple visible exchange: background Sobaya hands him saved point vouchers, Yotan gives that Sobaya extra unopened beer can. Other Sobaya already has a beer and depleted point pile. They ignore the reward poster on wall and toast quietly. Yametaro alone sits foreground clutching his 200 voucher. Yotan turns toward him. No dialogue yet. Shot 2 [2-6 s]: Yotan crouches beside low table facing Yametaro, gently extends unopened cold silver can, smiles warmly, visible face chest-up. At 2.1-5.7 says 「やめ太郎くん。今日の働き、見てたよ。ほら」. Read やめ太郎=やめたろう. Background drinkers remain secondary. Shot 3 [6-11 s]: Yametaro medium closeup, looks at chilled can, almost reaches then retracts, clutches voucher. At 6.1-10.7 says 「いや……ポイントは使わん。ここ出るために貯めるんや」. Do not show him already drinking. Two background Sobayas happily opening and drinking beers, no spoken lines, maintain masks and use existing mouth opening. Shot 4 [11-15 s]: Yotan friendly closeup sets the free can on table in front of Yametaro while saying 11.1-14.8 「これは俺のおごり。頑張った初日くらい、いいだろ?」. Tone kind and convincing, never overtly villainous. Shot 5 [15-17 s]: Yametaro visible face replies 15.1-16.6 「……一本だけやで」, sets voucher on his own side of table and takes free can securely. Shot 6 [17-23 s]: Close detail opening tab at 17, bright crisp hiss, lift can and take long swallow 17.7-19.2, lower below visible mouth. On face from 19.3-22.8 Yametaro says emotionally 「キンキンに冷えてやがる……! うますぎるやろ……!」. Eyes widen, hands tremble with pleasure. Cold droplets, warm golden rim light, oppressive sound recedes during sip. Keep speech mouth uncovered. Shot 7 [23-26 s]: Yotan shows second unopened can with warm smile, at 23.1-25.1 says 「二本目からは、売店でね」. After line Yametaro voluntarily slides his 200 voucher across table; Yotan accepts it, leaving Yametaro without points. Clear hands, no teleportation. Sobayas remain happily drinking in background. Don't add laughter speech. Shot 8 [26-30 s]: Hard cut to premium beer commercial hero shot, silver can from Image 7 on ice LEFT, golden beer and luminous foam, condensation, dark navy gradient empty space RIGHT for exact postproduction text. No generated title overlay. Bright original refreshing commercial music replaces ominous score. Deep resonant professional adult male Japanese narrator, crisp beer-commercial cadence, says once 26.7-29.0 「窓際、スーパーツライ。」 reading まどぎわ、すーぱーつらい. Not Yotan or Yametaro voice. Finish musical sting with clean tail. All music, effects and narrator generated here.
character_yametaro_basic_sheet.png
Part 1 / Image 1; Part 2 / Image 1 · character_yametaro_basic_sheet.pngv1実入力。前回PUTは403で未完了のため新規チケット。
production_v1.zip
制作資料 · 制作記録・生成設定・編集コード · production_v1.zipv1実入力。SHA-256: 895da119f9acdf097bfa1d9325adffbee7e5000e152c8cae9a1181c0d43635ef
character_yotan_basic_sheet.png
実際の生成入力 · Part 1 / Image 2; Part 2 / Image 2 · character_yotan_basic_sheet.pngv1実入力。SHA-256: a5fcff5308da91a9690426b6a4028a0fdf537cf362b6fb1438fdf14c51878e5a
character_sobaya_basic_sheet.png
実際の生成入力 · Part 1 / Image 3; Part 2 / Image 3 · character_sobaya_basic_sheet.pngv1実入力。SHA-256: 6de96b8fe2ebf1ce88c2f966d77a1abd7f0c2632322dfe4c527135de67494def
scene_01_labor_review_v2.png
実際の生成入力 · Part 1 / Image 4; Part 2 / Image 4 · scene_01_labor_review_v2.pngv1実入力。SHA-256: 30e21aff87b5766e03bb4ac2e2edbbff5ff10f64f90a751c0815d0fbbb5630c1
scene_02_dorm_review_v1.png
実際の生成入力 · Part 1 / Image 5; Part 2 / Image 5 · scene_02_dorm_review_v1.pngv1実入力。SHA-256: f28a2a6fd3fc3be8029cadd24a098de7f6e257336692376e08406461cfa1a464
prop_yume_points_review_v1.png
実際の生成入力 · Part 1 / Image 6; Part 2 / Image 6 · prop_yume_points_review_v1.pngv1実入力。SHA-256: 80a9ff72c8ca819a7f9b158e32174e4765ac6ce357e9f0d62adbc8428a506085
product_super_try.png
実際の生成入力 · Part 1 / Image 7; Part 2 / Image 7 · product_super_try.pngv1実入力。SHA-256: bc64d24db15c6ac1945a7ff221264de8a555be014aadda407440672bd7999104
voice_ref_yametaro.wav
実際の生成入力 · Part 1 / Audio 1; Part 2 / Audio 1 · voice_ref_yametaro.wavv1実入力。SHA-256: ede825a58cf1920f1bdfb353eea17d0feb24f20592d7f36d7c5c22c5ab60530b
voice_ref_yotan.wav
実際の生成入力 · Part 1 / Audio 2; Part 2 / Audio 2 · voice_ref_yotan.wavv1実入力。SHA-256: 9bd48c5577f5c70c7ed1ff7d684cca3f98ed23f24e89a02eee20907b47c1ec0c