窓際スーパーつらい — 宇宙カジュアル篇

Wan 3.0 — 30秒・480P / HUD・警報は後付け

Create exactly one 30-second 16:9 cinematic live-action space thriller that unexpectedly becomes a premium Japanese beer commercial. Generate synchronized English dialogue and soundtrack, except the final Japanese brand announcement. Serious expensive feature-film photography, realistic orbital Earth, crisp sunlight, deep black space, cool desaturated EVA scenes. The only absurdity is revealed after 15 seconds: Sobaya casually swims through vacuum in ordinary clothes. Never foreshadow that gag before his reveal.

References:
Image 1: Yotan, lead astronaut. Preserve the exact face from the face close-up panels, blond hair and slim build. Replace leather clothes with a realistic white EVA suit with a narrow red upper-arm stripe, backpack, gloves and a sealed clear helmet. No guitar. His recognizable dark glasses can remain inside his clear helmet. Sheet clothing panels are headless diagrams, NOT people. Generate one complete living man.
Image 2: Fukuchan, second astronaut. Preserve the exact face from the face close-ups and slim build. Replace civilian clothes and lanyard with a white EVA suit with narrow blue upper-arm stripes, backpack, gloves, sealed transparent helmet. No name tag or computer. One complete man, not a mannequin. Fukuchan stays silent and reacts seriously.
Image 3: Okayaman, remote mission control commander. Preserve his face, black medium-length hair, mustache and chin beard, black jacket. Extract the actual person from this reference; do not reproduce its televisions, diagram, labels or white background. He appears only in the two specified clean full-frame communication-source shots, never physically outside in space.
Image 4: Sobaya. Preserve his rigid white mask with exact red markings and dark holes, short black hair, neutral gray exposed skin, muscular stocky build. White short-sleeve T-shirt, black trousers, white sneakers. He wears NO space suit, helmet, oxygen tank, tether, jetpack or protective bubble. Do not copy the beer mug: he swims empty-handed, then reveals one silver can. His mask stays correctly attached, opaque, rigid and unchanged for every frame. No moving lips in the mask, no mask lifting, no bare face.
Image 5: the episode63 silver beer can, exact prop design, black slanted branding and red SUPER TRY typography. Use the same photographic metal can; no extra brands. Only appears from 20 seconds onward.
Audio 1: Yotan voice-timbre reference only.
Audio 2: Okayaman voice-timbre reference only.
Audio 3: Sobaya voice-timbre reference only.
All audio references are Japanese samples, but generate their NEW scripted English lines below with fluent natural English pronunciation while retaining speaker timbre. Do not copy any reference words, pauses or dialogue. The final announcer is a separate deep resonant mature male Japanese commercial voice.

Editing contract: this video is the clean source for a 30-second edited film. Do NOT generate HUD graphics, reticles, captions, floating text, countdowns, alert labels, screen borders or subtitles. Do NOT generate warning beeps, sirens, proximity alarm, identification chimes, synthesized warning voices or an alarm-like rhythmic score. Those precise HUD elements and a selected electronic alert will be added in post. Generate breathing, radio coloration, contact sounds, restrained atmospheric score and beer commercial sounds as specified. Maintain uncluttered lower 12 percent for Japanese subtitles. No split screens or picture-in-picture. The two Okayaman full-frame shots are intentionally standalone clean communication footage to be resized into a HUD window in post.

Continuity: low Earth orbit, one metallic station on screen right, Earth below, sunlight from upper right. Yotan and Fukuchan are both clipped by separate safety tethers to the station rail. They move slowly by handholds; tethers stay attached, no accident or broken tether is necessary. Realistic hostile vacuum and meticulous EVA procedure until the absurd reveal. No water or swimming pool in space. Sobaya's ordinary breaststroke through vacuum is deliberately physically impossible and played completely straight; do not fix it by giving him propulsion equipment.

Shot 1 [0.0-3.5 s] — CLEAN COMMUNICATION SOURCE. Locked full-frame chest-up frontal shot of Okayaman alone in a dim realistic mission-control room, subtle cool monitor light on his face, dark defocused equipment behind him, no readable screens. Head centered, whole head and shoulders inside central 65 percent, expression grave. Natural synchronized lips, jaw and cheeks. He speaks from 0.35 to 3.05 seconds: "Lock your tethers. Proceed to the antenna." Hold through closed mouth. No actual HUD or monitor frame.
Shot 2 [3.5-7.0 s] — Hard cut to spectacular orbital medium-wide shot of Yotan and Fukuchan in their sealed white EVA suits, faces recognizable through clear visors. Earth fills the lower half. Station occupies far right. Yotan in foreground carefully clips his safety line, pulls himself along a handrail toward an antenna; Fukuchan follows a few feet behind. Close enough to read the glove and latch action, then gently widen to show the drop. Breathing and subdued suit contact. Neither Sobaya nor any beer appears.
Shot 3 [7.0-10.0 s] — Hard cut to Yotan chest-up through his clear visor at screen right, station edge behind him. He turns his gaze toward offscreen open space; leave the upper-left and center-left dark and empty for post-production HUD. No mysterious figure visible yet. From 7.5 to 9.6 seconds Yotan speaks urgently into his radio, mouth visible and synchronized: "Control, something's coming toward us." Fukuchan remains offscreen. No alarm sound generated.
Shot 4 [10.0-13.0 s] — CLEAN COMMUNICATION SOURCE. Same locked full-frame chest-up Okayaman framing, same dark control room and same face as Shot 1. He focuses sharply and says once from 10.45 to 12.3 seconds: "Hold position. Do not engage." Hold his face to the end. No HUD or screen border. This clean clip will be placed inside a communication window by the editor.
Shot 5 [13.0-19.5 s] — Hard cut to Yotan's first-person helmet view across open space. Earth is below, station is far right, subtle out-of-focus helmet rim at extreme corners only. Upper left is mostly dark clean space. A small backlit shape in the center-right slowly approaches. From 13 to 15 seconds it is too distant to identify. Camera holds the same axis with very gentle drift. At 15 seconds sunlight reveals Sobaya: rigid white red-marked mask, gray bare muscular arms, white T-shirt, black trousers and white sneakers, absolutely no space equipment. Show his ENTIRE BODY clearly against Earth and space as he does TWO slow unmistakable breaststroke cycles, both arms reach forward, sweep outward and return, knees bend and legs kick then glide. He remains roughly horizontal, moves center-right toward center and becomes larger. No water, wake, thrusters, bubbles or magical aura. At 16.0 seconds stop the suspense music abruptly. Offscreen Yotan says with stunned disbelief from 16.2 to 18.4 seconds: "He's not wearing a suit." This is voiceover from the astronaut whose eyes are the camera; do not put Yotan's face in this POV image. Sobaya stays silent while swimming, mask rigid, no lip movement.
Shot 6 [19.5-23.0 s] — Medium shot: Sobaya halts his breaststroke near the two tethered, fully helmeted astronauts at the station. His upper body and mask are clear. He casually takes one cold silver can matching Image 5 from his trouser pocket and extends it toward them in his gray right hand, like meeting colleagues at a pool. Hand grips the can continuously; can never appears until the pocket action. From 20.1 to 22.0 seconds Sobaya says warmly and casually in his low distinctive voice: "Anyone need a cold one?" Rigid mask does not deform, become transparent or move off his face. The astronauts silently stare, remaining sealed in their suits. Do not have astronauts drink or remove helmets.
Shot 7 [23.0-26.5 s] — Hard cut on a bright clean can-opening sound. Premium macro beer commercial: a gray hand opens the silver can, golden beer and tiny foam spheres emerge in weightlessness, cold condensation droplets, exquisite metallic highlights, curved blue Earth behind. Transition to a composed hero product shot: ONE can upright on the LEFT third, tiny suspended droplets around it, open dark space across RIGHT half for editorial brand copy. Camera settles by 26.5 seconds. No generated overlay text. Beer imagery richly golden and appetizing, not an explosion.
Shot 8 [26.5-30.0 s] — Hold the photographic can on left, Earth horizon below, right half remains clean and dark for added typography. Subtle light across the silver can, label facing camera. From 27.0 to 29.1 seconds separate deep male Japanese announcer says exactly once: "窓際、スーパーツライ。" Pronunciation: "マドギワ、スーパーツライ" / ma-do-gi-wa, suu-paa-tsu-ra-i. Use the iconic clipped premium Japanese beer-announcement cadence and emphatic falling delivery of "アサヒスーパードライ", but say only our actual brand words. The final word is Japanese TSU-RA-I, not English TRY, not DO-RA-I. No mention of Asahi in the actual speech. Crisp powerful dry consonants, low resonant delivery, no exaggerated long pause between SUPER and TSURAI. End with a short confident musical finish before 30 seconds.

Sound: restrained low cinematic atmospheric tension from 0 to 16 seconds, no pulsing alarm-like notes; keep it quiet at 7-16 seconds for the post-produced warning. Radio speech forward and intelligible, gentle radio band limitation not heavy distortion. Breathing only during astronaut scenes. No whooshing air outside spacecraft. At 16 seconds suspense collapses into an awkward quiet beat, then dry dialogue. At 23 seconds one crisp can crack introduces a refreshing premium commercial music sting. All dialogue exactly once, no improvisation, no laughter, no additional narration. English through 23 seconds; only final product call is Japanese. Generate speech and visible human facial motion together, mouth closed in silence, no cut before final phoneme. Sobaya's rigid mask is never animated as a mouth.

Hard constraints: exactly 30 seconds; one continuous task with the stated hard cuts; four unique characters total, never duplicated; Okayaman only in his two indoor communication source shots; two sealed suited astronauts; Sobaya never before Shot 5 and never wearing a spacesuit; preserve every face and his mask in every appearance; no sheet layouts, white studio backgrounds, headless people, UI, subtitles, watermarks, alarms or extra dialogue; no beer before Shot 6; final can left with empty right half. No abrupt flashing frames or rapid chaotic montage.