帰宅困難族

プロンプト

Wan 3.0 実送信本文（480P・30秒） · revision 1

Create exactly one 30-second, 16:9 Japanese absurd comedy film with synchronized Japanese dialogue and sound. Realistic night locations, photographic Fukuchan, and the exact reference-rendered Sobaya and stylized 3D Yametaro integrated into the same scene. Fast hard-cut comedy, natural conversational delivery, real-time action, no slow motion. Story: three drinking friends miss the last train; Sobaya casually leaps in front of a normally moving taxi and stops it by brute force; instant cut to all three in a police car, where Fukuchan gives a taxi-style destination and Yametaro corrects him.

References:
Image 1: Sobaya identity, exact white mask with red markings and black openings, short dark hair, muscular broad body, neutral gray skin everywhere exposed, white short-sleeved T-shirt, dark jeans and white shoes. Keep the rigid mask correctly worn in every frame; no removing, lifting, slipping, transparency or human face reveal. Beer mug is used ONLY in the izakaya; both hands are empty outdoors.
Image 2: Yametaro identity and purple patterned shirt, black trousers, compact stylized proportions. Keep him a stylized character, never a realistic human.
Image 3: Fukuchan. Exact same real person's face as the facial close-ups; black jacket and trousers, white graphic shirt and sponsor lanyard. Clothing panels are wardrobe references only, not headless bodies. Every character has one complete head and body.
Image 4: exact Japanese taxi vehicle reference. One dark navy-black right-hand-drive sedan, fender mirrors, compact white roof lamp with Japanese 「タクシー」, white door lettering 「東京タクシー」, red windshield sign 「空車」, green commercial plates with 「品川 500」 and 「あ 12-34」. Preserve Japanese glyphs, body silhouette and livery. It is undamaged before contact; only the scripted impact dents the hood. The sheet's parked pose must NOT make the taxi stationary or slow: in Shot 3 it is traveling at normal road speed before the interception.
Image 5: exact Tokyo patrol car reference. One right-hand-drive Japanese sedan, white upper body, black lower body, gold grille crest, RED-only roof light bar, white Japanese 「警視庁」 on the black side/rear areas, white Japanese plates 「品川 800」 and 「さ 11-08」. Preserve the Japanese typography and same vehicle in Shots 4 and 5. Use the main large view as authority for roof-light geometry. No blue emergency lights or foreign police markings. Interior is a Japanese sedan with steering wheel on the vehicle's right, three rear passenger places and restrained police equipment; no American prisoner cage.
Image 6: revised opening izakaya composition and prop authority for Shot 1 ONLY. Match the wooden booth and seated trio left Sobaya / center Yametaro / right Fukuchan. Sobaya holds amber beer with foam, Fukuchan opaque green aojiru, Yametaro colorless water. All mugs are UNLABELED, without paper tags or strings. Four ordinary matching wall-menu strips read exactly 「生ビール」, 「青汁」, 「チェイサーの水割り」, 「ゆめみんの姿揚げ」 with small 「時価」 below the last item. Treat all four as normal background menu items of equal prominence; no pointing, highlighting, explanatory inserts or close-up of the joke. No actual Yumemin, dish, picture or illustration. Images 1–3 remain the higher-priority character identity authority. Image 6 supplies staging and props only. Do not copy these menus into later locations.
Vehicle sheets each show multiple views of ONE car; never copy their studio background, multi-panel layout or parked condition into the film. All legible service markings must use the exact Japanese reference lettering; do not replace them with Chinese, Korean, invented glyphs or English TAXI/POLICE. Factory badges are incidental, not required readable text. Keep traffic left-hand, appropriate for Japan.
Use character sheets for identity and wardrobe only. Never reproduce panel grids, captions, labels, studio backgrounds, multiple views, duplicate people, detached heads or headless mannequins.
Audio 1: Sobaya voice-timbre reference only; deep resonant canonical voice, cheerful and entirely matter-of-fact.
Audio 2: Yametaro voice-timbre reference only; relaxed mid-low voice with natural Kansai intonation; sharp brief reaction at impact, dry disbelief at the end.
Audio 3: Fukuchan voice-timbre reference only; bright friendly adult male voice, carefree even in the police car.
Do not copy any words, rhythm or timing from the reference audios. Generate only the new dialogue below, with each voice assigned to its matching character.

Yametaro identity lock — Image 2 is the exact design authority, not loose inspiration. Preserve its head width-to-height ratio, hair silhouette and hairline, cheek and ear placement, short neck and compact body proportions in every frame. Keep the round black spectacle frames and the sheet's simple white lens/eye areas; do not invent visible pupils, irises, realistic eyeballs, eye sockets, eyelids or eyebrows. Keep the tiny black forehead mark separate from the low, subtle skin-colored nose; no black nose dot, outlined nostrils or projecting nose. Preserve the round cheeks and flat pink blush marks, smooth skin-colored chin, ears and nape, with no black contour bands or facial creases. Do not lengthen the forehead/head, inflate the hair, enlarge ears or add realistic lips. Animate the small inset mouth using the sheet's rest and A/I/U/E/O views as articulation guidance, with visible mouth interior when speaking; do not freeze the smile, protrude the lips or stretch the mouth into a new facial design. Emotion and cinematic lighting must not redesign the face. Wardrobe follows the scene instructions independently of identity. A previous generated take is not an identity reference.

Overall continuity: exactly these three friends, no Takosan or fourth friend. Same clothing and identities across locations. Warm late-night izakaya -> closed railway station entrance and adjacent street -> moving Japanese black-and-white patrol car. The drinking scene occurs earlier that same night. The station scene takes place after the last train. Mug props remain in the bar after the cut. Sobaya's mask remains rigid and correctly worn even at the toast, impact and police-car cut. No handcuffs are needed. Police driver and taxi driver are separate silent adult background characters, never substitutes for the three friends.

Natural speech takes priority over approximate shot timestamps. Shot time ranges are editorial guides, not speech-duration targets or mandatory utterance start/end times. Deliver every line at a natural conversational pace appropriate to its emotion. Do not stretch syllables, vowels, final words or pauses to fill a time window, and do not rush speech to hit a timestamp. Let each utterance finish naturally, then close the mouth. Use remaining time for silent reactions, glances, small gestures, ambience or the final action. Speak only the dialogue written in this prompt; do not invent additional lines during generation. Adjust internal cut boundaries to complete natural utterances while preserving scene order and the total duration of 30 seconds.

Shot 1 [0-6 s] — Match Image 6: warm izakaya table and mostly finished snack plates establish a long drinking session. Keep the exact three drink assignments and readable in-world wall menus from Image 6; nobody explains or reacts to these background jokes. Medium three-shot with readable faces. Yametaro says 「そろそろ終電やで」. Sobaya cheerfully answers 「あと一杯だけ！」 without moving or removing his mask. Fukuchan raises his mug of opaque green aojiru and says 「かんぱーい！」. All three clink their differently filled mugs: Sobaya beer, Yametaro clear water, Fukuchan green aojiru; keep mugs below faces and do not depict drinking through or lifting Sobaya's mask. Hard cut on the glass clink, with cheerful bar ambience suddenly replaced by sparse night street ambience.

Shot 2 [6-11 s] — Same three now stand before a completely shuttered railway station entrance. Dark ticket gates visible beyond the shut entrance communicate that service has finished, without relying on readable signs or clocks. Front medium framing on the trio and shutter. Yametaro looks at the shutter with slumped shoulders and says 「……せやから言うたやん」. Fukuchan notices the street, points and says 「あ、タクシー！」. Sobaya, still masked, calmly says 「止めます」. Hands empty; friends remain on the pavement until the next action.

Shot 3 [11-17 s] — One continuous street-level wide three-quarter SIDE view showing the taxi's path, the pavement and Sobaya's entire body. The exact Image 4 Japanese taxi is ALREADY traveling at ordinary urban road speed, visually around 40 km/h, with fast wheel rotation, engine/tire sound and scenery passing. It is not crawling, parked, at a red light, arriving at a taxi stand or already slowing to collect passengers. Establish its moving approach BEFORE Sobaya moves. Sobaya casually and abruptly hops sideways from the pavement directly into its path, without hesitation, fear, a fighting pose or a dramatic wind-up. He plants his feet and meets the front edge of the hood with BOTH palms. The moving car hits his hands: a single heavy metallic THUD, hood crumples, front suspension compresses and rear wheels lift briefly from the sudden stop. His superhuman strength, not prior braking or slow approach, abruptly arrests the taxi's motion. Sobaya stays upright, uninjured and nonchalant; rigid white mask never shifts. No body passes through the car, no flying man, no explosion, no rollover. Driver freezes in shock behind the windshield. The taxi remains a taxi. Yametaro, still on the pavement, reacts once 「止め方！！」 immediately after the impact. Make his shout forceful through voice, posture and reference-based speaking mouth; keep the same white lenses, head proportions and hair silhouette, with no bulging eyes or enlarged face. As soon as this brief reaction finishes, HARD CUT DIRECTLY to Shot 4. No police arrival, discussion, arrest, door destruction or boarding sequence.

Shot 4 [17-28 s] — Sudden medium frontal three-shot of all THREE already seated shoulder-to-shoulder in the REAR bench of a MOVING Japanese police patrol car. Screen left Sobaya, center Yametaro, screen right Fukuchan. Sobaya's mask is still correctly worn. Recognizable police equipment toward the front and red beacon reflections on windows establish the new vehicle. They are passengers; none drives. Sobaya faces forward silently, Yametaro slumps in disbelief, Fukuchan is cheerfully oblivious. Keep Fukuchan's and Yametaro's mouths large and visible. Fukuchan addresses the silent driver as though in a taxi: 「赤坂までお願いします。あ、そこのコンビニ寄ってもらっていいですか？」. After Fukuchan completes the entire line naturally, Yametaro turns slightly toward him, retains the sheet's low nose and cheek-to-ear relation, and says dryly 「タクシーちゃうねん」. Sobaya says nothing. Brief silent beat after the punchline; no extra joke or reply.

Shot 5 [28-30 s] — Exterior rear three-quarter view of the same Image 5 black-and-white Japanese patrol car driving away along the night street with its red rooftop emergency light rotating. Three friends remain inside. Short fading engine and road noise, no further dialogue. End.

Dialogue pronunciation: 終電=しゅうでん; 一杯=いっぱい; 止めます=とめます; 止め方=とめかた; 赤坂=あかさか; 寄って=よって. Preserve Kansai 「せやから言うたやん」 and the exact final 「タクシーちゃうねん」. No narration, police lines, driver lines, chants or intelligible background conversation.
Lip sync: Generate speech and facial motion together for Fukuchan and Yametaro, articulate the reference-based mouth, jaw and cheeks; keep mouths closed when not speaking. Do not freeze Yametaro's smile. Hold visible dialogue through the final phoneme and mouth closure. Sobaya is a deliberate rigid-mask exception: keep his mask immobile and intact, voice comes from behind it with small head/body gestures, never animate a new mouth onto the mask or reveal his face.
Sound: bar murmur without intelligible words, single toast clink, quiet station ambience, normally moving taxi engine/tires, single heavy metal impact with a brief tire squeal AT contact, moving police-car cabin road hum, exterior engine fade. Keep effects below speech. No background music, laugh track, added narration or subtitle/title overlays.
Hard constraints: one 30-second video, fixed scene order, only three named friends, all three together in the rear police seat immediately after the taxi gag. Ordinary-speed taxi approach and abrupt interception MUST remain visible in the same continuous action shot. No slow motion, pre-stopped taxi, polite hailing success, driving lessons or explanatory police scene. No face redesign, pupils or eyelids for Yametaro, no mask removal for Sobaya, no duplicate characters, sheet layouts, watermarks or added dialogue.