福ギュン誕生 — 窓際王との雇用契約

プロンプト

全19チャプターのMotion prompt（MiniMax H3 R2V・逐語） · revision 1

# 福ギュン誕生 — 窓際王との雇用契約 / MiniMax H3 R2V プロンプト（全19チャプター・逐語）

画像なし制作（/no-image-video）。キーフレームは無く、各チャプターへ渡すのは
キャラクターシート・扉のセット参照・セリフwav・下記のMotion promptだけ。

バイト単位で正確な原本は入力資料の script.md（各章の `- Motion prompt:` 行）を参照。

## Chapter 1

Required attached input files: <Picture 1> = Fukuchan_sheet.png — Fukuchan's model sheet, identity reference only, NOT a composition reference (PRESERVE: a slim 48-year-old Japanese man with adult human proportions, medium black layered hair with a brow-length fringe, a warm smile, an open oversized black long coat over a white black-line-art T-shirt, black wide-leg trousers, white sneakers, ONE black SPONSOR lanyard and ONE blank wide white name card on his chest; do NOT carry over: pose, camera angle, sheet background, panel layout, text labels); <Picture 2> = Mob_grand_door_sheet.png — set reference for the great doors, design reference only, NOT a composition reference (PRESERVE: dark red-brown oak double doors, THREE gilded-brass-trimmed panels per leaf, an arched stone header with a gilded brass fan, the left leaf hinged FAR LEFT and the right leaf hinged FAR RIGHT, TWO vertical brass pull handles at the centre seam, ONE round brass knocker on the RIGHT leaf's middle panel at shoulder height, cream marble pilasters, TWO lit brass wall lanterns, checkerboard marble floor, red and gold carpet runner; do NOT carry over: the photo's framing, edges or text). These attachments are REQUIRED inputs. None of the attached pictures is a frame of this video: the video does NOT start on, end on or reproduce any sheet — no panels, no white sheet background, no labels or text. Photorealistic live-action cinematography with natural live-action proportions in the warm amber lantern light of a windowless interior corridor; Fukuchan is a real photographed person and the doors, marble and carpet are real photographed materials. NOT flat 2D anime, NOT cartoon lineart. The shot opens on wIDE, eye level, looking down a windowless interior corridor at the closed great double doors at its far end. Fukuchan stands in the near foreground, centre frame, his back to camera, looking up at the doors; both hands at his sides, carrying nothing. The doors are fully CLOSED. The brass knocker hangs still on the middle panel of the right leaf at shoulder height. Exactly one person appears in this chapter — Fukuchan — and he appears EXACTLY ONCE; nobody else enters the frame at any time, and the knocker's face stays an inert brass casting that does not move or speak in this chapter. Beat 1 (0.0–1.5s): Fukuchan walks two steps along the red carpet runner toward the doors. Beat 2 (1.5–3.0s): he stops in front of the doors, tilts his head back to take in their full height, then tilts his head to one side, still smiling. Beat 3 (3.0–4.5s): he slowly raises his right hand toward the vertical brass pull handle on the right leaf, stopping about ten centimetres short without touching it. The camera holds a WIDE eye-level framing and performs ONE slow small push-in toward the doors over the whole chapter — no pan, no tilt, no handheld sway. The shot ends in this state: fukuchan's right hand is held still about ten centimetres from the brass handle, the doors still closed, the knocker still an inert casting. There is no speech, no dialogue and no narration in this chapter; Fukuchan's lips stay closed and no voice is generated. Fukuchan moves as ONE continuous person, never duplicated, with adult human proportions in every frame — NOT chibi — his long coat open, the black SPONSOR lanyard and the ONE blank white name card on his chest. The doors keep their hinges on the OUTER edges and their TWO vertical brass handles at the centre seam throughout. Do NOT render any on-screen text — no subtitles, no captions, no lettering, no Japanese characters; the video must contain no text at all. Soundscape: two slow footsteps on a thick carpet, a faint hiss from the gas lanterns, a deep room tone. Music: no background music.

## Chapter 2

Required attached input files: <Picture 1> = Mob_knocker_sheet.png — the five-view turnaround of the brass door knocker (FRONT, THREE-QUARTER, SIDE REST, SIDE RAISED, REAR MOUNT), design reference only, NOT a composition reference (PRESERVE: ONE circular brass backplate with a horizontal barrel hinge across its top; a cast face of dark patinated bronze bowl-cut hair with ONE sharp V-notch in the fringe over a pale polished brass face; SMALL ROUND glasses with brass rims and WHITE lenses; TWO tiny dot eyes; ONE tiny dot nose; one small smiling mouth; TWO round RED enamel blush cheeks; TWO round brass ear bosses at the sides of the head; ONE U-shaped brass ring hanging from those bosses; ONE lavender enamel collar with a leaf pattern and a brass stud below the face; ONE separate diamond-shaped brass strike boss mounted below the whole assembly. Every part is solid metal — brass, bronze and coloured enamel — never soft plastic or painted skin; do NOT carry over: the turnaround layout, the grey studio background, the arrow, the word labels); <Picture 2> = Fukuchan_sheet.png — Fukuchan's model sheet, identity reference for his HAND and sleeve only, NOT a composition reference (PRESERVE: an adult man's slim hand, the black sleeve of an oversized long coat over a white T-shirt cuff; do NOT carry over: his face, his whole body, pose, sheet background, panel layout, text labels — only his right hand and forearm enter this shot); <Picture 3> = Mob_grand_door_sheet.png — set reference for the great doors, design reference only, NOT a composition reference (PRESERVE: dark red-brown oak double doors, THREE gilded-brass-trimmed panels per leaf, an arched stone header with a gilded brass fan, the left leaf hinged FAR LEFT and the right leaf hinged FAR RIGHT, TWO vertical brass pull handles at the centre seam, ONE round brass knocker on the RIGHT leaf's middle panel at shoulder height, cream marble pilasters, TWO lit brass wall lanterns, checkerboard marble floor, red and gold carpet runner; do NOT carry over: the photo's framing, edges or text); <Audio 1> = ch2_line1_yametaro.wav — The brass knocker's spoken line, use AS-IS. These attachments are REQUIRED inputs. None of the attached pictures is a frame of this video: the video does NOT start on, end on or reproduce any sheet — no panels, no white sheet background, no labels or text. The knocker shown in Mob_knocker_sheet.png and the knocker already visible on the right door leaf in Mob_grand_door_sheet.png are THE SAME SINGLE OBJECT, photographed twice: the turnaround only defines its shape, material and face, and the door photograph defines where it sits and how big it is. Render EXACTLY ONE knocker in the whole frame — ONE brass backplate, ONE face, ONE hanging ring, ONE diamond boss — mounted on the middle panel of the RIGHT leaf at shoulder height. There is NO knocker on the left leaf, no second face anywhere on the doors or the walls, and no enlarged copy of it. It is a door fitting about the size of a man's palm — its backplate is roughly one tenth the width of a door leaf — NOT a large wall sculpture. Photorealistic live-action cinematography with natural live-action proportions in the warm amber lantern light of a windowless interior corridor; Fukuchan is a real photographed person, the doors are real photographed materials, and the knocker is a small solid brass casting bolted to the real door and lit by the same real lantern light. NOT flat 2D anime, NOT cartoon lineart. The shot opens on a locked-off CLOSE-UP, square on, of the brass door knocker on the middle panel of the right door leaf: a circular brass backplate holding the cast chibi face, the U-shaped brass ring hanging below it from the two small round ear bosses, and the small diamond brass boss under that. The cast face has its eyes shut and reads as inert metal. The deep red oak grain fills the rest of the frame. Nothing else is visible yet. Exactly one face and one hand appear in this chapter — the knocker's brass face, and Fukuchan's right hand and forearm — and each appears EXACTLY ONCE; no other person, body or face enters the frame at any time. Beat 1 (0.0–0.7s): Fukuchan's right hand and forearm — and nothing else of him — slide into frame from the bottom right, travelling PAST the knocker, well clear of it, toward the vertical brass pull handle at the right edge of frame; a clear gap of several centimetres stays between his fingers and the knocker at all times. Beat 2 (0.7–1.3s): the cast face's TWO dot eyes snap open while the whole face stays brass, and Fukuchan's hand freezes in mid-air, still touching nothing. Beat 3 (1.3–3.8s): the knocker speaks, its cast brass lips moving and its brow dropping into an exasperated look, the brass ring rattling faintly against the backplate. Beat 4 (3.8–4.5s): the knocker's mouth closes and Fukuchan's hand withdraws out of the bottom of the frame. Dialogue: The brass knocker (S1) says <d>[Japanese] ノックもしないのかい？無礼な子だね。</d>, lip-syncing to <Audio 1>; his mouth moves ONLY while <Audio 1> is playing and stays CLOSED before and after it. Fukuchan does NOT speak at any point in this chapter — his lips remain completely closed. Use <Audio 1> AS-IS as the dialogue audio and do NOT generate any voice. The camera is a locked-off static camera for the whole chapter — no push, no pan, no handheld sway. The shot ends in this state: the knocker face is still, eyes open, facing straight out; Fukuchan's hand has left the frame. The knocker stays SOLID METAL in every frame — a brass backplate, a bronze-haired brass face with white-lensed round glasses, TWO red enamel cheeks, a lavender enamel collar, a hanging U-shaped brass ring and a diamond brass boss below — bolted to the middle panel of the RIGHT leaf. It never becomes a soft coloured toy head, never grows a body or limbs, never leaves the door and is never duplicated. Only its eyes, brow and mouth move. Only Fukuchan's right hand and forearm ever enter the frame — his face, head and body never appear, the hand is never duplicated, and it is an adult man's hand in the black sleeve of an oversized long coat. Fukuchan's hand NEVER touches the knocker: it never grips, taps, lifts or rattles the brass ring, never rests on the backplate and never contacts the face — a clear gap stays between his fingers and the brass in EVERY frame, and the ring never swings or knocks. The doors keep their hinges on the OUTER edges and their TWO vertical brass handles at the centre seam throughout. Do NOT render any on-screen text — no subtitles, no captions, no lettering, no Japanese characters; the video must contain no text at all. Soundscape: a dry creak of old brass as the face comes alive, a faint room tone, nothing else — NO knocking sound, the ring is never struck. Music: no background music.

## Chapter 3

Required attached input files: <Picture 1> = Fukuchan_sheet.png — Fukuchan's model sheet, identity reference only, NOT a composition reference (PRESERVE: a slim 48-year-old Japanese man with adult human proportions, medium black layered hair with a brow-length fringe, a warm smile, an open oversized black long coat over a white black-line-art T-shirt, black wide-leg trousers, white sneakers, ONE black SPONSOR lanyard and ONE blank wide white name card on his chest; do NOT carry over: pose, camera angle, sheet background, panel layout, text labels); <Picture 2> = Mob_grand_door_sheet.png — set reference for the great doors, design reference only, NOT a composition reference (PRESERVE: dark red-brown oak double doors, THREE gilded-brass-trimmed panels per leaf, an arched stone header with a gilded brass fan, the left leaf hinged FAR LEFT and the right leaf hinged FAR RIGHT, TWO vertical brass pull handles at the centre seam, ONE round brass knocker on the RIGHT leaf's middle panel at shoulder height, cream marble pilasters, TWO lit brass wall lanterns, checkerboard marble floor, red and gold carpet runner; do NOT carry over: the photo's framing, edges or text). These attachments are REQUIRED inputs. None of the attached pictures is a frame of this video: the video does NOT start on, end on or reproduce any sheet — no panels, no white sheet background, no labels or text. Photorealistic live-action cinematography with natural live-action proportions in the warm amber lantern light of a windowless interior corridor; Fukuchan is a real photographed person and the doors, marble and carpet are real photographed materials. NOT flat 2D anime, NOT cartoon lineart. The shot opens on a locked-off MEDIUM shot of Fukuchan from the front at eye level, taken from the doorway looking back down the corridor. Fukuchan faces camera, which means he is facing the great doors — those doors are BEHIND the camera and do NOT appear in this shot. Behind him the ornate mansion corridor recedes to a distant vanishing point: cream marble pilasters with gilded edges, a dark wood wainscot, brass-and-glass wall lanterns glowing along both walls, a cream and dark-green checkerboard marble floor and the red and gold patterned carpet runner leading away. His arms hang at his sides and his eyes are wide with surprise. Exactly one person appears in this chapter — Fukuchan — and he appears EXACTLY ONCE; nobody else enters the frame at any time. Beat 1 (0.0–1.2s): his shoulders jump and he takes half a step backwards. Beat 2 (1.2–2.5s): he snaps both hands closed into fists and presses them against both of his cheeks — the gyun-gyun pose — elbows tucked in. Beat 3 (2.5–3.8s): he rocks very slightly from side to side in that pose and his startled face melts into a shy, delighted smile. The camera is a locked-off static camera for the whole chapter — no push, no pan, no handheld sway. The shot ends in this state: fukuchan holds the gyun-gyun pose, both fists pressed to both cheeks, smiling, almost still, with the mansion corridor still receding behind him. There is no speech, no dialogue and no narration in this chapter; Fukuchan's lips stay closed except for the smile, and no voice is generated. Fukuchan moves as ONE continuous person, never duplicated, with adult human proportions in every frame — NOT chibi — his long coat open, the black SPONSOR lanyard and the ONE blank white name card on his chest. The great doors are BEHIND the camera in this chapter and must NOT appear anywhere in frame; what is behind Fukuchan is the ornate mansion corridor receding away, with its marble pilasters, wall lanterns, wainscot and checkerboard floor. Do NOT render any on-screen text — no subtitles, no captions, no lettering, no Japanese characters; the video must contain no text at all. Soundscape: one sharp intake of breath, the faint hiss of the gas lanterns, a deep room tone. Music: no background music.

## Chapter 4

Required attached input files: <Picture 1> = Fukuchan_sheet.png — Fukuchan's model sheet, identity reference only, NOT a composition reference (PRESERVE: a slim 48-year-old Japanese man with adult human proportions, medium black layered hair with a brow-length fringe, a warm smile, an open oversized black long coat over a white black-line-art T-shirt, black wide-leg trousers, white sneakers, ONE black SPONSOR lanyard and ONE blank wide white name card on his chest; do NOT carry over: pose, camera angle, sheet background, panel layout, text labels); <Picture 2> = Mob_grand_door_sheet.png — set reference for the great doors, design reference only, NOT a composition reference (PRESERVE: dark red-brown oak double doors, THREE gilded-brass-trimmed panels per leaf, an arched stone header with a gilded brass fan, the left leaf hinged FAR LEFT and the right leaf hinged FAR RIGHT, TWO vertical brass pull handles at the centre seam, ONE round brass knocker on the RIGHT leaf's middle panel at shoulder height, cream marble pilasters, TWO lit brass wall lanterns, checkerboard marble floor, red and gold carpet runner; do NOT carry over: the photo's framing, edges or text); <Audio 1> = ch4_line1_yametaro.wav — The brass knocker's spoken line, use AS-IS. These attachments are REQUIRED inputs. None of the attached pictures is a frame of this video: the video does NOT start on, end on or reproduce any sheet — no panels, no white sheet background, no labels or text. Photorealistic live-action cinematography with natural live-action proportions in the warm amber lantern light of a windowless interior corridor; Fukuchan is a real photographed person, the doors are real photographed materials, and the knocker is a small solid brass casting bolted to the real door and lit by the same real lantern light. NOT flat 2D anime, NOT cartoon lineart. The shot opens on a locked-off MEDIUM-WIDE shot from a slightly low angle, framed so the FULLY CLOSED great double doors fill the CENTRE and RIGHT of the frame from top to bottom and Fukuchan stands at the LEFT, close enough that he is about as tall as half the frame, still holding the gyun-gyun pose with both fists against both cheeks. The small brass knocker sits on the middle panel of the RIGHT leaf at shoulder height, its eyes open. No part of the corridor behind the camera is visible. Exactly one person and one knocker face appear in this chapter — Fukuchan and the brass knocker face — and each appears EXACTLY ONCE; nobody else enters the frame at any time. Beat 1 (0.0–0.8s): the knocker's cast face glances sideways toward Fukuchan. Beat 2 (0.8–3.0s): the knocker speaks, its brass lips moving, while Fukuchan listens without moving out of his pose. Beat 3 (3.0–3.8s): the knocker's mouth closes, its eyes shut and it settles back into inert brass; the doors stay shut and nothing else moves. Dialogue: The brass knocker (S1) says <d>[Japanese] まあいい、入んな</d>, lip-syncing to <Audio 1>; his mouth moves ONLY while <Audio 1> is playing and stays CLOSED before and after it. Fukuchan does NOT speak at any point in this chapter — his lips remain completely closed. Use <Audio 1> AS-IS as the dialogue audio and do NOT generate any voice. The camera is a locked-off static camera for the whole chapter — no push, no pan, no handheld sway. The shot ends in this state: both door leaves are still FULLY CLOSED, the knocker is inert brass with its eyes shut, and Fukuchan is still in the gyun-gyun pose at the left of frame. The knocker is ALREADY PART of the door in the attached door photograph, at the size and the place it belongs: a small brass fitting on the middle panel of the RIGHT leaf, about the size of a man's palm, its backplate roughly one tenth the width of a leaf. Keep it exactly that size and exactly there. Do NOT add a second knocker, do NOT enlarge it into a feature, do NOT move it onto the left leaf, the door frame, the marble pilasters or the wall, and do NOT place any other face, mask or ornament resembling it anywhere in the frame. EXACTLY ONE knocker exists in this shot — ONE brass backplate, ONE face, ONE hanging ring, ONE diamond boss below it. Fukuchan moves as ONE continuous person, never duplicated, with adult human proportions in every frame — NOT chibi — his long coat open, the black SPONSOR lanyard and the ONE blank white name card on his chest. The doors keep their hinges on the OUTER edges and their TWO vertical brass handles at the centre seam throughout. The doors stay FULLY CLOSED for the entire chapter: they do not unlatch, do not creak open, do not part at the centre seam and do not open even a crack, and no darkness is visible behind them. The knocker never loses its backplate, ring or strike boss and never drifts to another part of the door. Do NOT render any on-screen text — no subtitles, no captions, no lettering, no Japanese characters; the video must contain no text at all. Soundscape: a dry creak of old brass, a faint room tone, nothing else — NO latch, NO door movement, NO knocking. Music: no background music.

## Chapter 5

Required attached input files: <Picture 1> = Fukuchan_sheet.png — Fukuchan's model sheet, identity reference only, NOT a composition reference (PRESERVE: a slim 48-year-old Japanese man with adult human proportions, medium black layered hair with a brow-length fringe, a warm smile, an open oversized black long coat over a white black-line-art T-shirt, black wide-leg trousers, white sneakers, ONE black SPONSOR lanyard and ONE blank wide white name card on his chest; do NOT carry over: pose, camera angle, sheet background, panel layout, text labels); <Picture 2> = Mob_grand_door_sheet.png — set reference for the great doors, design reference only, NOT a composition reference (PRESERVE: dark red-brown oak double doors, THREE gilded-brass-trimmed panels per leaf, an arched stone header with a gilded brass fan, the left leaf hinged FAR LEFT and the right leaf hinged FAR RIGHT, TWO vertical brass pull handles at the centre seam, ONE round brass knocker on the RIGHT leaf's middle panel at shoulder height, cream marble pilasters, TWO lit brass wall lanterns, checkerboard marble floor, red and gold carpet runner; do NOT carry over: the photo's framing, edges or text). These attachments are REQUIRED inputs. None of the attached pictures is a frame of this video: the video does NOT start on, end on or reproduce any sheet — no panels, no white sheet background, no labels or text. Photorealistic live-action cinematography with natural live-action proportions in the warm amber lantern light of a windowless interior corridor; Fukuchan is a real photographed person and the doors, marble and carpet are real photographed materials. NOT flat 2D anime, NOT cartoon lineart. The shot opens on a locked-off WIDE shot at eye level. Fukuchan stands at the LEFT of the frame in the gyun-gyun pose, both fists against both cheeks. The great double doors fill the CENTRE of the frame, ajar by a few centimetres with a narrow black slot along the centre seam, exactly as the previous shot left them. Exactly one person appears in this chapter — Fukuchan — and he appears EXACTLY ONCE; nobody else enters the frame at any time and nothing is visible inside the dark corridor. Beat 1 (0.0–1.3s): both leaves swing INWARD, away from camera, until they stand fully open, revealing a long dead straight corridor behind them that is completely black and runs away to a vanishing point. Beat 2 (1.3–2.6s): Fukuchan lowers his hands, leans forward to peer into the blackness and takes one step toward it. Beat 3 (2.6–3.9s): the hem of his long coat and his hair begin to stream forward into the dark corridor, and his heels lift off the marble floor. Beat 4 (3.9–5.2s): his whole body floats up about fifty centimetres above the floor, his toes pointing down, his eyes going round while he keeps smiling. The camera is a locked-off static camera for the whole chapter, holding the open doorway in the centre of frame — no push, no pan, no handheld sway. The shot ends in this state: fukuchan hangs in mid-air in front of the doorway, the doors fully open behind him and the corridor beyond them pure black. There is no speech, no dialogue and no narration in this chapter; Fukuchan's lips stay closed and no voice is generated. Fukuchan moves as ONE continuous person, never duplicated, with adult human proportions in every frame — NOT chibi — his long coat open, the black SPONSOR lanyard and the ONE blank white name card on his chest. The doors keep their hinges on the OUTER edges and their TWO vertical brass handles at the centre seam throughout. Do NOT render any on-screen text — no subtitles, no captions, no lettering, no Japanese characters; the video must contain no text at all. Soundscape: two heavy wooden leaves swinging on old hinges, a deep swelling rush of air pulling into the corridor, a low sub-bass hum. Music: no background music.

## Chapter 6

Required attached input files: <Picture 1> = Fukuchan_sheet.png — Fukuchan's model sheet, identity reference only, NOT a composition reference (PRESERVE: a slim 48-year-old Japanese man with adult human proportions, medium black layered hair with a brow-length fringe, a warm smile, an open oversized black long coat over a white black-line-art T-shirt, black wide-leg trousers, white sneakers, ONE black SPONSOR lanyard and ONE blank wide white name card on his chest; do NOT carry over: pose, camera angle, sheet background, panel layout, text labels). These attachments are REQUIRED inputs. None of the attached pictures is a frame of this video: the video does NOT start on, end on or reproduce any sheet — no panels, no white sheet background, no labels or text. Photorealistic live-action cinematography with natural live-action proportions, in near-total darkness lit only by faint dim emergency strip lights streaking past; Fukuchan is a real photographed person. NOT flat 2D anime, NOT cartoon lineart. The shot opens on a MEDIUM shot of Fukuchan from the front, inside the long straight corridor, with the camera travelling backwards ahead of him at exactly his speed. He is floating, horizontal to the floor, arms trailing behind him, facing the camera. Everything around him is black except faint dim emergency strip lights set at regular intervals along the corridor walls, streaking past on both sides. Exactly one person appears in this chapter — Fukuchan — and he appears EXACTLY ONCE; nobody else enters the frame at any time, and EXACTLY FIVE pairs of doors are passed, no more and no fewer. Beat 1 (0.0–1.6s): he accelerates hard; his hair and the hem of his long coat whip backwards while his face stays wide-eyed and startled, mouth open, eyebrows up. Beat 2 (1.6–3.2s): the FIRST pair of corridor doors appears behind the camera's travel and bangs open to the sides just before he reaches it; he shoots through. Beat 3 (3.2–4.8s): the SECOND and then the THIRD pair of doors bang open the same way and he passes through both. Beat 4 (4.8–6.4s): the FOURTH and then the FIFTH pair of doors bang open and he passes through both; his arms flail and he stays wide-eyed and startled, not enjoying this at all. Beat 5 (6.4–8.0s): a red glow appears far ahead in the blackness and he visibly begins to slow. The camera tracks backwards fast, matching the subject's speed and keeping him centred, with a slight vertical float — no pan, no roll, no cuts. The shot ends in this state: fukuchan is still floating but slowing, a red light washing over his face from ahead. There is no speech, no dialogue and no narration in this chapter; Fukuchan's lips stay closed and no voice is generated. Fukuchan moves as ONE continuous person, never duplicated, with adult human proportions in every frame — NOT chibi — his long coat open, the black SPONSOR lanyard and the ONE blank white name card on his chest. Fukuchan's expression stays STARTLED for the whole chapter — eyes wide, mouth open in surprise, eyebrows raised; he never grins, never smiles and never looks like he is enjoying the ride. Do NOT render any on-screen text — no subtitles, no captions, no lettering, no Japanese characters; the video must contain no text at all. Soundscape: a roaring rush of wind, five sharp bangs of doors flung open, a long low sub-bass tone. Music: no background music.

## Chapter 7

Required attached input files: <Picture 1> = Fukuchan_sheet.png — Fukuchan's model sheet, identity reference only, NOT a composition reference (PRESERVE: a slim 48-year-old Japanese man with adult human proportions, medium black layered hair with a brow-length fringe, a warm smile, an open oversized black long coat over a white black-line-art T-shirt, black wide-leg trousers, white sneakers, ONE black SPONSOR lanyard and ONE blank wide white name card on his chest; do NOT carry over: pose, camera angle, sheet background, panel layout, text labels); <Picture 2> = Okayaman_sheet.png — Okayaman's model sheet, identity reference only, NOT a composition reference (PRESERVE: black medium-length mop hair with a brow-length fringe, ONE mustache joined to a chin beard, a calm gentle smile, a black hooded jacket with a grey fleece hood lining; he exists ONLY as a picture inside a large black-bezel display on a stand, never as a body in the room; do NOT carry over: pose, camera angle, sheet background, inset panels, text labels); <Audio 1> = ch7_line1_okayaman.wav — Okayaman's spoken line, use AS-IS. These attachments are REQUIRED inputs. None of the attached pictures is a frame of this video: the video does NOT start on, end on or reproduce any sheet — no panels, no white sheet background, no labels or text. Photorealistic live-action cinematography with natural live-action proportions in a dim bare concrete room lit by ONE slowly rotating red lamp and the glow of a large display; Fukuchan is a real photographed person and Okayaman is a real photographed person seen as a live picture inside that display. NOT flat 2D anime, NOT cartoon lineart. The shot opens on a locked-off WIDE shot at eye level of the window-side meeting room: bare grey concrete walls, ONE slowly rotating red ceiling lamp, a hi-tech table with a glowing world map in the middle, a large black-bezel display on a stand against the far wall, and a grey office laser printer below and right of it. The display is DARK. The red lamp sweeps slowly across the concrete. Nobody is visible yet. Exactly two people appear in this chapter — Fukuchan standing in the room and Okayaman as a picture inside the display — and each appears EXACTLY ONCE; nobody else enters the frame at any time. Beat 1 (0.0–0.8s): Fukuchan flies in from the far RIGHT of the frame, still floating, and drops onto the floor in front of the table, staggering one step to catch his balance. Beat 2 (0.8–1.6s): the large display snaps on and Okayaman's head and shoulders appear inside it, smiling calmly. Beat 3 (1.6–3.6s): Okayaman speaks from inside the display while Fukuchan looks up at the screen with his mouth shut. Beat 4 (3.6–4.5s): Okayaman closes his mouth and tilts his head slightly, still smiling. Dialogue: Okayaman (S1) says <d>[Japanese] おかやまん。なんだい？人間かい？</d>, lip-syncing to <Audio 1>; his mouth moves ONLY while <Audio 1> is playing and stays CLOSED before and after it. Fukuchan does NOT speak at any point in this chapter — his lips remain completely closed. Use <Audio 1> AS-IS as the dialogue audio and do NOT generate any voice. The camera is a locked-off static camera for the whole chapter — no push, no pan, no handheld sway. The shot ends in this state: fukuchan stands in front of the table looking up at the display, where Okayaman is smiling calmly. Fukuchan moves as ONE continuous person, never duplicated, with adult human proportions in every frame — NOT chibi — his long coat open, the black SPONSOR lanyard and the ONE blank white name card on his chest. Okayaman stays INSIDE the display all chapter — a picture on a black-bezel screen, never a body in the room — mustache, chin beard and black hooded jacket unchanged, expression a calm gentle smile throughout, never duplicated. Do NOT render any on-screen text — no subtitles, no captions, no lettering, no Japanese characters; the video must contain no text at all. Soundscape: a thump of shoes landing on concrete, the electrical snap and hum of a large display waking, the soft motor whirr of the rotating red lamp. Music: no background music.

## Chapter 8

Required attached input files: <Picture 1> = Fukuchan_sheet.png — Fukuchan's model sheet, identity reference only, NOT a composition reference (PRESERVE: a slim 48-year-old Japanese man with adult human proportions, medium black layered hair with a brow-length fringe, a warm smile, an open oversized black long coat over a white black-line-art T-shirt, black wide-leg trousers, white sneakers, ONE black SPONSOR lanyard and ONE blank wide white name card on his chest; do NOT carry over: pose, camera angle, sheet background, panel layout, text labels); <Audio 1> = ch8_line1_fukuchan.wav — Fukuchan's spoken line, use AS-IS. These attachments are REQUIRED inputs. None of the attached pictures is a frame of this video: the video does NOT start on, end on or reproduce any sheet — no panels, no white sheet background, no labels or text. Photorealistic live-action cinematography with natural live-action proportions, in the dim light of a bare concrete room lit by ONE slowly rotating red lamp; Fukuchan is a real photographed person. NOT flat 2D anime, NOT cartoon lineart. The shot opens on a locked-off MEDIUM shot of Fukuchan from the front at a slightly low angle, bare grey concrete and the sweeping red lamp behind him. His arms hang at his sides and his face is lifted. Exactly one person appears in this chapter — Fukuchan — and he appears EXACTLY ONCE; nobody else enters the frame at any time. Beat 1 (0.0–0.7s): he draws a breath and squares his shoulders. Beat 2 (0.7–3.8s): he speaks, and as he speaks he bows sharply from the waist. Beat 3 (3.8–4.5s): he straightens back up slowly and looks ahead with a warm smile. Dialogue: Fukuchan (S1) says <d>[Japanese] ここで働かせてください！</d>, lip-syncing to <Audio 1>; his mouth moves ONLY while <Audio 1> is playing and stays CLOSED before and after it. Use <Audio 1> AS-IS as the dialogue audio and do NOT generate any voice. The camera is a locked-off static camera for the whole chapter — no push, no pan, no handheld sway. The shot ends in this state: fukuchan stands upright, smiling, looking straight ahead. Fukuchan moves as ONE continuous person, never duplicated, with adult human proportions in every frame — NOT chibi — his long coat open, the black SPONSOR lanyard and the ONE blank white name card on his chest. Do NOT render any on-screen text — no subtitles, no captions, no lettering, no Japanese characters; the video must contain no text at all. Soundscape: the soft motor whirr of the rotating red lamp, a dry concrete room tone, the rustle of a coat as he bows. Music: no background music.

## Chapter 9

Required attached input files: <Picture 1> = Okayaman_sheet.png — Okayaman's model sheet, identity reference only, NOT a composition reference (PRESERVE: black medium-length mop hair with a brow-length fringe, ONE mustache joined to a chin beard, a calm gentle smile, a black hooded jacket with a grey fleece hood lining; he exists ONLY as a picture inside a large black-bezel display on a stand, never as a body in the room; do NOT carry over: pose, camera angle, sheet background, inset panels, text labels); <Audio 1> = ch9_line1_okayaman.wav — Okayaman's spoken line, use AS-IS. These attachments are REQUIRED inputs. None of the attached pictures is a frame of this video: the video does NOT start on, end on or reproduce any sheet — no panels, no white sheet background, no labels or text. Photorealistic live-action cinematography with natural live-action proportions, in the dim light of a bare concrete room lit by ONE slowly rotating red lamp; Okayaman is a real photographed person seen as a live picture inside a large display with a black bezel. NOT flat 2D anime, NOT cartoon lineart. The shot opens on a MEDIUM CLOSE-UP, square on, of the large flat display standing against the bare concrete wall, its black bezel visible on all four sides of the picture. Okayaman's head and shoulders fill the screen, smiling calmly. The red lamp sweeps across the concrete beside the display. Exactly one person appears in this chapter — Okayaman, as a picture inside the display — and he appears EXACTLY ONCE; nobody else enters the frame at any time and no body stands in the room. Beat 1 (0.0–0.9s): Okayaman leans very slightly forward inside the screen. Beat 2 (0.9–2.9s): he speaks, shaking his head once in a small sideways movement while he does. Beat 3 (2.9–3.8s): he closes his mouth and gives a small shrug, still smiling. Dialogue: Okayaman (S1) says <d>[Japanese] 窓際に仕事なんてないんだよ</d>, lip-syncing to <Audio 1>; his mouth moves ONLY while <Audio 1> is playing and stays CLOSED before and after it. Use <Audio 1> AS-IS as the dialogue audio and do NOT generate any voice. The camera performs ONE very slow small push-in on the display across the chapter — no pan, no tilt, no handheld sway. The shot ends in this state: okayaman holds still inside the display with the same calm smile. Okayaman stays INSIDE the display all chapter — a picture on a black-bezel screen, never a body in the room — mustache, chin beard and black hooded jacket unchanged, expression a calm gentle smile throughout, never duplicated. Do NOT render any on-screen text — no subtitles, no captions, no lettering, no Japanese characters; the video must contain no text at all. Soundscape: the faint electrical hum of a large display, the soft motor whirr of the rotating red lamp, a dry concrete room tone. Music: no background music.

## Chapter 10

Required attached input files: <Picture 1> = Fukuchan_sheet.png — Fukuchan's model sheet, identity reference only, NOT a composition reference (PRESERVE: a slim 48-year-old Japanese man with adult human proportions, medium black layered hair with a brow-length fringe, a warm smile, an open oversized black long coat over a white black-line-art T-shirt, black wide-leg trousers, white sneakers, ONE black SPONSOR lanyard and ONE blank wide white name card on his chest; do NOT carry over: pose, camera angle, sheet background, panel layout, text labels); <Audio 1> = ch10_line1_fukuchan.wav — Fukuchan's spoken line, use AS-IS. These attachments are REQUIRED inputs. None of the attached pictures is a frame of this video: the video does NOT start on, end on or reproduce any sheet — no panels, no white sheet background, no labels or text. Photorealistic live-action cinematography with natural live-action proportions, in the dim light of a bare concrete room lit by ONE slowly rotating red lamp; Fukuchan is a real photographed person. NOT flat 2D anime, NOT cartoon lineart. The shot opens on a locked-off MEDIUM shot of Fukuchan from the front at a slightly low angle, bare grey concrete and the sweeping red lamp behind him, framed exactly as before. He stands upright, smiling, looking straight ahead. Exactly one person appears in this chapter — Fukuchan — and he appears EXACTLY ONCE; nobody else enters the frame at any time. Beat 1 (0.0–0.8s): he takes one step forward. Beat 2 (0.8–3.7s): he speaks, and as he speaks he bows again — deeper and slower than the first time. Beat 3 (3.7–4.5s): he holds the deep bow without moving. Dialogue: Fukuchan (S1) says <d>[Japanese] ここで働かせてください</d>, lip-syncing to <Audio 1>; his mouth moves ONLY while <Audio 1> is playing and stays CLOSED before and after it. Use <Audio 1> AS-IS as the dialogue audio and do NOT generate any voice. The camera is a locked-off static camera for the whole chapter — no push, no pan, no handheld sway. The shot ends in this state: fukuchan is held in a deep bow, bent from the waist, perfectly still. Fukuchan moves as ONE continuous person, never duplicated, with adult human proportions in every frame — NOT chibi — his long coat open, the black SPONSOR lanyard and the ONE blank white name card on his chest. Do NOT render any on-screen text — no subtitles, no captions, no lettering, no Japanese characters; the video must contain no text at all. Soundscape: one footstep on concrete, the soft motor whirr of the rotating red lamp, a dry concrete room tone. Music: no background music.

## Chapter 11

Required attached input files: <Picture 1> = Okayaman_sheet.png — Okayaman's model sheet, identity reference only, NOT a composition reference (PRESERVE: black medium-length mop hair with a brow-length fringe, ONE mustache joined to a chin beard, a calm gentle smile, a black hooded jacket with a grey fleece hood lining; he exists ONLY as a picture inside a large black-bezel display on a stand, never as a body in the room; do NOT carry over: pose, camera angle, sheet background, inset panels, text labels); <Audio 1> = ch11_line1_okayaman.wav — Okayaman's spoken line, use AS-IS. These attachments are REQUIRED inputs. None of the attached pictures is a frame of this video: the video does NOT start on, end on or reproduce any sheet — no panels, no white sheet background, no labels or text. Photorealistic live-action cinematography with natural live-action proportions, in the dim light of a bare concrete room lit by ONE slowly rotating red lamp; Okayaman is a real photographed person seen as a live picture inside a large display with a black bezel. NOT flat 2D anime, NOT cartoon lineart. The shot opens on a locked-off CLOSE-UP, square on, of the large flat display, Okayaman's face filling the screen with a calm gentle smile, the black bezel just visible at the edges of frame. Exactly one person appears in this chapter — Okayaman, as a picture inside the display — and he appears EXACTLY ONCE; nobody else enters the frame at any time and no body stands in the room. Beat 1 (0.0–0.7s): the whole screen flashes red once and the rotating red lamp in the room flares brighter. Beat 2 (0.7–3.7s): he speaks — loudly, but his face does NOT change: the calm gentle smile stays exactly as it is for every frame of the line — and he raises ONE index finger inside the screen while he says it. Beat 3 (3.7–4.5s): he closes his mouth, lowers the finger, and goes on smiling as if nothing had happened. Dialogue: Okayaman (S1) says <d>[Japanese] 黙れ小僧！お前に窓の何が分かる！</d>, lip-syncing to <Audio 1>; his mouth moves ONLY while <Audio 1> is playing and stays CLOSED before and after it. Use <Audio 1> AS-IS as the dialogue audio and do NOT generate any voice. The camera is a locked-off static camera for the whole chapter, with only the red lamp changing the light — no push, no pan, no handheld sway. The shot ends in this state: okayaman holds still inside the display with the same calm smile; the red flash is gone. His voice is loud and commanding but his face is NEVER angry: no frown, no bared teeth, no glare at any point — the calm gentle smile is unbroken, and that contrast with the loud voice is the point of the shot. Okayaman stays INSIDE the display all chapter — a picture on a black-bezel screen, never a body in the room — mustache, chin beard and black hooded jacket unchanged, expression a calm gentle smile throughout, never duplicated. Do NOT render any on-screen text — no subtitles, no captions, no lettering, no Japanese characters; the video must contain no text at all. Soundscape: a sharp electrical surge in the display, the soft motor whirr of the rotating red lamp, a dry concrete room tone. Music: no background music.

## Chapter 12

Required attached input files: <Picture 1> = Fukuchan_sheet.png — Fukuchan's model sheet, identity reference only, NOT a composition reference (PRESERVE: a slim 48-year-old Japanese man with adult human proportions, medium black layered hair with a brow-length fringe, a warm smile, an open oversized black long coat over a white black-line-art T-shirt, black wide-leg trousers, white sneakers, ONE black SPONSOR lanyard and ONE blank wide white name card on his chest; do NOT carry over: pose, camera angle, sheet background, panel layout, text labels); <Audio 1> = ch12_line1_fukuchan.wav — Fukuchan's spoken line, use AS-IS. These attachments are REQUIRED inputs. None of the attached pictures is a frame of this video: the video does NOT start on, end on or reproduce any sheet — no panels, no white sheet background, no labels or text. Photorealistic live-action cinematography with natural live-action proportions, in the dim light of a bare concrete room lit by ONE slowly rotating red lamp; Fukuchan is a real photographed person. NOT flat 2D anime, NOT cartoon lineart. The shot opens on a locked-off MEDIUM shot of Fukuchan from the front at a slightly low angle, framed exactly as before, bare grey concrete and the sweeping red lamp behind him. He begins held in a deep bow, bent from the waist. Exactly one person appears in this chapter — Fukuchan — and he appears EXACTLY ONCE; nobody else enters the frame at any time. Beat 1 (0.0–0.8s): he snaps his head up into a huge open smile, completely undaunted. Beat 2 (0.8–3.7s): he speaks, and as he speaks he closes both hands into fists and brings them up in front of his chest. Beat 3 (3.7–4.5s): he presses both fists against both cheeks and settles into the gyun-gyun pose. Dialogue: Fukuchan (S1) says <d>[Japanese] ここで働かせてください</d>, lip-syncing to <Audio 1>; his mouth moves ONLY while <Audio 1> is playing and stays CLOSED before and after it. Use <Audio 1> AS-IS as the dialogue audio and do NOT generate any voice. The camera is a locked-off static camera for the whole chapter — no push, no pan, no handheld sway. The shot ends in this state: fukuchan holds the gyun-gyun pose, both fists pressed to both cheeks, beaming. Fukuchan moves as ONE continuous person, never duplicated, with adult human proportions in every frame — NOT chibi — his long coat open, the black SPONSOR lanyard and the ONE blank white name card on his chest. Do NOT render any on-screen text — no subtitles, no captions, no lettering, no Japanese characters; the video must contain no text at all. Soundscape: the rustle of a coat straightening up, the soft motor whirr of the rotating red lamp, a dry concrete room tone. Music: no background music.

## Chapter 13

Required attached input files: <Picture 1> = Fukuchan_sheet.png — Fukuchan's model sheet, identity reference only, NOT a composition reference (PRESERVE: a slim 48-year-old Japanese man with adult human proportions, medium black layered hair with a brow-length fringe, a warm smile, an open oversized black long coat over a white black-line-art T-shirt, black wide-leg trousers, white sneakers, ONE black SPONSOR lanyard and ONE blank wide white name card on his chest; do NOT carry over: pose, camera angle, sheet background, panel layout, text labels); <Picture 2> = Okayaman_sheet.png — Okayaman's model sheet, identity reference only, NOT a composition reference (PRESERVE: black medium-length mop hair with a brow-length fringe, ONE mustache joined to a chin beard, a calm gentle smile, a black hooded jacket with a grey fleece hood lining; he exists ONLY as a picture inside a large black-bezel display on a stand, never as a body in the room; do NOT carry over: pose, camera angle, sheet background, inset panels, text labels); <Audio 1> = ch13_line1_okayaman.wav — Okayaman's spoken line, use AS-IS; <Audio 2> = ch13_line2_okayaman.wav — Okayaman's spoken line, use AS-IS. These attachments are REQUIRED inputs. None of the attached pictures is a frame of this video: the video does NOT start on, end on or reproduce any sheet — no panels, no white sheet background, no labels or text. Photorealistic live-action cinematography with natural live-action proportions in a dim bare concrete room lit by ONE slowly rotating red lamp and the glow of a large display; Fukuchan is a real photographed person and Okayaman is a real photographed person seen as a live picture inside that display. NOT flat 2D anime, NOT cartoon lineart. The shot opens on a WIDE shot at eye level of the window-side meeting room: bare grey concrete walls, ONE slowly rotating red ceiling lamp, a hi-tech table with a glowing world map in the middle, a large black-bezel display on a stand against the far wall, and a grey office laser printer below and right of it. Fukuchan stands at the LEFT of the frame holding the gyun-gyun pose with both fists against both cheeks. The display at the RIGHT rear of the frame is lit and shows Okayaman smiling calmly. The printer below and right of the display sits idle with an EMPTY output tray. Exactly two people appear in this chapter — Fukuchan standing in the room and Okayaman as a picture inside the display — and each appears EXACTLY ONCE; nobody else enters the frame at any time, and EXACTLY ONE sheet of paper comes out of the printer. Beat 1 (0.0–2.0s): Okayaman speaks his first line, letting his shoulders drop as he says it, still smiling. Beat 2 (2.0–3.3s): Okayaman reaches out with his right hand inside the screen and mimes pressing a button. Beat 3 (3.3–4.7s): the printer whirrs and ONE sheet of white paper slides out into its tray; Fukuchan drops his hands and walks two steps to the printer. Beat 4 (4.7–6.0s): Fukuchan picks the sheet up with both hands and holds it at chest height, looking down at it. Beat 5 (6.0–8.0s): Okayaman speaks his second line while Fukuchan keeps looking at the paper with his mouth closed. Dialogue: Okayaman (S1) says <d>[Japanese] はぁ・・・仕方ないね</d>, lip-syncing to <Audio 1>; his mouth moves ONLY while <Audio 1> is playing and stays CLOSED before and after it; then Okayaman (S1) says <d>[Japanese] 名前を書きな雇用契約書だ</d>, lip-syncing to <Audio 2>; his mouth moves ONLY while <Audio 2> is playing and stays CLOSED before and after it. Fukuchan does NOT speak at any point in this chapter — his lips remain completely closed. Use <Audio 1> and <Audio 2> AS-IS as the dialogue audio and do NOT generate any voice. The camera performs ONE very slow small push-in across the chapter from the WIDE framing — no pan, no tilt, no handheld sway. The shot ends in this state: fukuchan holds the single white sheet in both hands at chest height; Okayaman is smiling inside the display; the printer tray is empty again. The sheet of paper is plain white with faint horizontal rules and ONE blank signature field, and it stays completely blank — no printed characters, no logo, no stamp. Fukuchan moves as ONE continuous person, never duplicated, with adult human proportions in every frame — NOT chibi — his long coat open, the black SPONSOR lanyard and the ONE blank white name card on his chest. Okayaman stays INSIDE the display all chapter — a picture on a black-bezel screen, never a body in the room — mustache, chin beard and black hooded jacket unchanged, expression a calm gentle smile throughout, never duplicated. Do NOT render any on-screen text — no subtitles, no captions, no lettering, no Japanese characters; the video must contain no text at all. Soundscape: a sigh, the mechanical whirr and roller-snap of an office laser printer, two footsteps on concrete, the soft motor whirr of the rotating red lamp. Music: no background music.

## Chapter 14

Required attached input files: <Picture 1> = Fukuchan_sheet.png — Fukuchan's model sheet, identity reference only, NOT a composition reference (PRESERVE: a slim 48-year-old Japanese man with adult human proportions, medium black layered hair with a brow-length fringe, a warm smile, an open oversized black long coat over a white black-line-art T-shirt, black wide-leg trousers, white sneakers, ONE black SPONSOR lanyard and ONE blank wide white name card on his chest; do NOT carry over: pose, camera angle, sheet background, panel layout, text labels). These attachments are REQUIRED inputs. None of the attached pictures is a frame of this video: the video does NOT start on, end on or reproduce any sheet — no panels, no white sheet background, no labels or text. Photorealistic live-action cinematography with natural live-action proportions, in the dim light of a bare concrete room lit by ONE slowly rotating red lamp; Fukuchan is a real photographed person. NOT flat 2D anime, NOT cartoon lineart. The shot opens on a locked-off WIDE shot from a slightly high angle looking down on the hi-tech table with the glowing world map, Fukuchan small in the frame, walking up to it with the white sheet in both hands. Exactly one person appears in this chapter — Fukuchan — and he appears EXACTLY ONCE; nobody else enters the frame at any time. Beat 1 (0.0–1.1s): he lays the sheet flat on the table and smooths it with his palm. Beat 2 (1.1–2.2s): he takes a pen out of the inside pocket of his long coat. Beat 3 (2.2–3.3s): he bends over the table and writes on the sheet; his back, shoulder and the back of his head completely hide his hand and the paper, so nothing written is ever visible. Beat 4 (3.3–4.5s): he finishes, straightens up and smiles to himself. The camera is a locked-off static camera at a slightly high angle for the whole chapter and never moves closer to his hands — no push, no pan, no handheld sway. The shot ends in this state: fukuchan stands upright beside the table with the sheet and the pen lying on it; the paper's face is never legible from this distance. There is no speech, no dialogue and no narration in this chapter; Fukuchan's lips stay closed and no voice is generated. What he writes must never be legible: the shot stays wide and his own body blocks the paper. Fukuchan moves as ONE continuous person, never duplicated, with adult human proportions in every frame — NOT chibi — his long coat open, the black SPONSOR lanyard and the ONE blank white name card on his chest. Do NOT render any on-screen text — no subtitles, no captions, no lettering, no Japanese characters; the video must contain no text at all. Soundscape: paper being smoothed on a hard surface, a pen nib moving quickly, the soft motor whirr of the rotating red lamp. Music: no background music.

## Chapter 15

Required attached input files: <Picture 1> = Fukuchan_sheet.png — Fukuchan's model sheet, identity reference only, NOT a composition reference (PRESERVE: a slim 48-year-old Japanese man with adult human proportions, medium black layered hair with a brow-length fringe, a warm smile, an open oversized black long coat over a white black-line-art T-shirt, black wide-leg trousers, white sneakers, ONE black SPONSOR lanyard and ONE blank wide white name card on his chest; do NOT carry over: pose, camera angle, sheet background, panel layout, text labels). These attachments are REQUIRED inputs. None of the attached pictures is a frame of this video: the video does NOT start on, end on or reproduce any sheet — no panels, no white sheet background, no labels or text. Photorealistic live-action cinematography with natural live-action proportions, in the dim light of a bare concrete room lit by ONE slowly rotating red lamp; Fukuchan is a real photographed person. NOT flat 2D anime, NOT cartoon lineart. The shot opens on a locked-off EXTREME CLOSE-UP, square on, of a single sheet of plain white paper held up at the left and right edges by Fukuchan's fingertips — only his fingertips are in frame, no other part of him. The paper carries faint horizontal rules and ONE blank signature field and is otherwise completely empty. Behind it, dark concrete and the red lamp are thrown far out of focus. Exactly one person appears in this chapter — Fukuchan, of whom only the fingertips holding the paper are in frame — and he appears EXACTLY ONCE; nobody else enters the frame at any time. Beat 1 (0.0–1.2s): the sheet rises slowly until it is square on to the camera and fills the frame. Beat 2 (1.2–2.5s): the sheet tips very slightly so the blank signature field sits in the centre of frame. Beat 3 (2.5–3.8s): the sheet comes to a complete stop and stays motionless. The camera is a locked-off static camera for the whole chapter and must not move at all, because this shot is composited onto later — no push, no pan, no handheld sway. The shot ends in this state: the sheet is square on to camera, motionless, the signature field centred and blank. There is no speech, no dialogue and no narration in this chapter; no voice is generated. The paper must stay BLANK: no handwriting, no printed characters, no stamp, no signature of any kind. Fukuchan moves as ONE continuous person, never duplicated, with adult human proportions in every frame — NOT chibi — his long coat open, the black SPONSOR lanyard and the ONE blank white name card on his chest. Do NOT render any on-screen text — no subtitles, no captions, no lettering, no Japanese characters; the video must contain no text at all. Soundscape: a single soft paper rustle, the soft motor whirr of the rotating red lamp, a dry concrete room tone. Music: no background music.

## Chapter 16

Required attached input files: <Picture 1> = Fukuchan_sheet.png — Fukuchan's model sheet, identity reference only, NOT a composition reference (PRESERVE: a slim 48-year-old Japanese man with adult human proportions, medium black layered hair with a brow-length fringe, a warm smile, an open oversized black long coat over a white black-line-art T-shirt, black wide-leg trousers, white sneakers, ONE black SPONSOR lanyard and ONE blank wide white name card on his chest; do NOT carry over: pose, camera angle, sheet background, panel layout, text labels); <Picture 2> = Okayaman_sheet.png — Okayaman's model sheet, identity reference only, NOT a composition reference (PRESERVE: black medium-length mop hair with a brow-length fringe, ONE mustache joined to a chin beard, a calm gentle smile, a black hooded jacket with a grey fleece hood lining; he exists ONLY as a picture inside a large black-bezel display on a stand, never as a body in the room; do NOT carry over: pose, camera angle, sheet background, inset panels, text labels); <Audio 1> = ch16_line1_okayaman.wav — Okayaman's spoken line, use AS-IS. These attachments are REQUIRED inputs. None of the attached pictures is a frame of this video: the video does NOT start on, end on or reproduce any sheet — no panels, no white sheet background, no labels or text. Photorealistic live-action cinematography with natural live-action proportions in a dim bare concrete room lit by ONE slowly rotating red lamp and the glow of a large display; Fukuchan is a real photographed person and Okayaman is a real photographed person seen as a live picture inside that display. NOT flat 2D anime, NOT cartoon lineart. The shot opens on a MEDIUM-WIDE shot of the window-side meeting room: bare grey concrete walls, ONE slowly rotating red ceiling lamp, a hi-tech table with a glowing world map in the middle, a large black-bezel display on a stand against the far wall, and a grey office laser printer below and right of it. Fukuchan stands at the LEFT foreground, turned three-quarters away from camera, holding the white sheet in both hands at chest height with its face angled away from the lens so that its surface cannot be read. The lit display at the RIGHT rear shows Okayaman smiling calmly. Exactly two people appear in this chapter — Fukuchan standing in the room and Okayaman as a picture inside the display — and each appears EXACTLY ONCE; nobody else enters the frame at any time. Beat 1 (0.0–1.2s): Fukuchan lifts the sheet up to head height and holds it out toward the display. Beat 2 (1.2–3.2s): Okayaman speaks, narrowing his eyes as he says it, still smiling. Beat 3 (3.2–4.5s): Okayaman closes his mouth; Fukuchan lowers the sheet back to chest height and tilts his head. Dialogue: Okayaman (S1) says <d>[Japanese] 福ちゃん？贅沢な名だね</d>, lip-syncing to <Audio 1>; his mouth moves ONLY while <Audio 1> is playing and stays CLOSED before and after it. Fukuchan does NOT speak at any point in this chapter — his lips remain completely closed. Use <Audio 1> AS-IS as the dialogue audio and do NOT generate any voice. The camera performs ONE slow small push-in across the chapter from the MEDIUM-WIDE framing — no pan, no tilt, no handheld sway. The shot ends in this state: fukuchan holds the sheet in both hands at chest height, face still angled away from the lens; Okayaman smiles inside the display. The sheet's face is ALWAYS angled away from the lens so its surface is never readable, and it stays blank — no handwriting, no printed characters. Fukuchan moves as ONE continuous person, never duplicated, with adult human proportions in every frame — NOT chibi — his long coat open, the black SPONSOR lanyard and the ONE blank white name card on his chest. Okayaman stays INSIDE the display all chapter — a picture on a black-bezel screen, never a body in the room — mustache, chin beard and black hooded jacket unchanged, expression a calm gentle smile throughout, never duplicated. Do NOT render any on-screen text — no subtitles, no captions, no lettering, no Japanese characters; the video must contain no text at all. Soundscape: a soft paper rustle, the faint electrical hum of the display, the soft motor whirr of the rotating red lamp. Music: no background music.

## Chapter 17

Required attached input files: <Picture 1> = Fukuchan_sheet.png — Fukuchan's model sheet, identity reference only, NOT a composition reference (PRESERVE: a slim 48-year-old Japanese man with adult human proportions, medium black layered hair with a brow-length fringe, a warm smile, an open oversized black long coat over a white black-line-art T-shirt, black wide-leg trousers, white sneakers, ONE black SPONSOR lanyard and ONE blank wide white name card on his chest; do NOT carry over: pose, camera angle, sheet background, panel layout, text labels). These attachments are REQUIRED inputs. None of the attached pictures is a frame of this video: the video does NOT start on, end on or reproduce any sheet — no panels, no white sheet background, no labels or text. Photorealistic live-action cinematography with natural live-action proportions, in the dim light of a bare concrete room lit by ONE slowly rotating red lamp; Fukuchan is a real photographed person. NOT flat 2D anime, NOT cartoon lineart. The shot opens on a locked-off EXTREME CLOSE-UP, square on, of the same sheet of plain white paper held at its left and right edges by Fukuchan's fingertips, framed exactly as the earlier close-up: faint horizontal rules, ONE blank signature field, nothing written on it, dark concrete and the red lamp thrown far out of focus behind. Exactly one person appears in this chapter — Fukuchan, of whom only the fingertips holding the paper are in frame — and he appears EXACTLY ONCE; nobody else enters the frame at any time. Beat 1 (0.0–1.3s): a thin thread of golden light peels up out of the blank signature field and floats free of the paper, as if a stitch were being unpicked. Beat 2 (1.3–2.6s): the thread hangs about ten centimetres above the sheet and turns slowly on itself, changing shape while loose golden sparks drift off it. Beat 3 (2.6–3.9s): the thread gathers itself back together and sinks down into the signature field, trailing a red afterglow. Beat 4 (3.9–5.2s): the signature field pulses gold once and the light goes out; the sheet has not moved. The camera is a locked-off static camera for the whole chapter and must not move by even one pixel, because this shot is composited onto later — no push, no pan, no handheld sway. The shot ends in this state: the sheet is square on to camera, motionless and blank, the golden glow just extinguished. There is no speech, no dialogue and no narration in this chapter; no voice is generated. The floating light must stay an abstract thread of light and sparks: it must NEVER form letters, characters or any readable shape, and the paper must stay BLANK throughout. Fukuchan moves as ONE continuous person, never duplicated, with adult human proportions in every frame — NOT chibi — his long coat open, the black SPONSOR lanyard and the ONE blank white name card on his chest. Do NOT render any on-screen text — no subtitles, no captions, no lettering, no Japanese characters; the video must contain no text at all. Soundscape: a soft glassy shimmer of drifting sparks, a low resonant hum rising and falling, a dry concrete room tone. Music: no background music.

## Chapter 18

Required attached input files: <Picture 1> = Fukuchan_sheet.png — Fukuchan's model sheet, identity reference only, NOT a composition reference (PRESERVE: a slim 48-year-old Japanese man with adult human proportions, medium black layered hair with a brow-length fringe, a warm smile, an open oversized black long coat over a white black-line-art T-shirt, black wide-leg trousers, white sneakers, ONE black SPONSOR lanyard and ONE blank wide white name card on his chest; do NOT carry over: pose, camera angle, sheet background, panel layout, text labels); <Picture 2> = Okayaman_sheet.png — Okayaman's model sheet, identity reference only, NOT a composition reference (PRESERVE: black medium-length mop hair with a brow-length fringe, ONE mustache joined to a chin beard, a calm gentle smile, a black hooded jacket with a grey fleece hood lining; he exists ONLY as a picture inside a large black-bezel display on a stand, never as a body in the room; do NOT carry over: pose, camera angle, sheet background, inset panels, text labels); <Audio 1> = ch18_line1_okayaman.wav — Okayaman's spoken line, use AS-IS. These attachments are REQUIRED inputs. None of the attached pictures is a frame of this video: the video does NOT start on, end on or reproduce any sheet — no panels, no white sheet background, no labels or text. Photorealistic live-action cinematography with natural live-action proportions in a dim bare concrete room lit by ONE slowly rotating red lamp and the glow of a large display; Fukuchan is a real photographed person and Okayaman is a real photographed person seen as a live picture inside that display. NOT flat 2D anime, NOT cartoon lineart. The shot opens on a MEDIUM-WIDE shot of the window-side meeting room: bare grey concrete walls, ONE slowly rotating red ceiling lamp, a hi-tech table with a glowing world map in the middle, a large black-bezel display on a stand against the far wall, and a grey office laser printer below and right of it, framed as before. Fukuchan stands at the LEFT foreground, turned three-quarters away from camera, holding the white sheet in both hands at chest height with its face angled away from the lens. The lit display at the RIGHT rear shows Okayaman smiling calmly. Exactly two people appear in this chapter — Fukuchan standing in the room and Okayaman as a picture inside the display — and each appears EXACTLY ONCE; nobody else enters the frame at any time. Beat 1 (0.0–0.9s): Okayaman straightens up inside the screen. Beat 2 (0.9–3.6s): he speaks, and as he speaks he thrusts ONE index finger out toward Fukuchan from inside the screen. Beat 3 (3.6–4.5s): the blank white name card on Fukuchan's chest glows gold once and fades, and Okayaman lowers the finger with a satisfied smile. Dialogue: Okayaman (S1) says <d>[Japanese] 今日からお前は福ギュンだ！いいね福ギュン！</d>, lip-syncing to <Audio 1>; his mouth moves ONLY while <Audio 1> is playing and stays CLOSED before and after it. Fukuchan does NOT speak at any point in this chapter — his lips remain completely closed. Use <Audio 1> AS-IS as the dialogue audio and do NOT generate any voice. The camera performs ONE slow small push-in across the chapter from the MEDIUM-WIDE framing — no pan, no tilt, no handheld sway. The shot ends in this state: fukuchan hugs the sheet to his chest; Okayaman has lowered his hand and smiles inside the display. The sheet's face is ALWAYS angled away from the lens so its surface is never readable, and the name card on his chest stays blank even while it glows — no characters appear on either. Fukuchan moves as ONE continuous person, never duplicated, with adult human proportions in every frame — NOT chibi — his long coat open, the black SPONSOR lanyard and the ONE blank white name card on his chest. Okayaman stays INSIDE the display all chapter — a picture on a black-bezel screen, never a body in the room — mustache, chin beard and black hooded jacket unchanged, expression a calm gentle smile throughout, never duplicated. Do NOT render any on-screen text — no subtitles, no captions, no lettering, no Japanese characters; the video must contain no text at all. Soundscape: a single warm chime as the card glows, the faint electrical hum of the display, the soft motor whirr of the rotating red lamp. Music: no background music.

## Chapter 19

Required attached input files: <Picture 1> = Fukuchan_sheet.png — Fukuchan's model sheet, identity reference only, NOT a composition reference (PRESERVE: a slim 48-year-old Japanese man with adult human proportions, medium black layered hair with a brow-length fringe, a warm smile, an open oversized black long coat over a white black-line-art T-shirt, black wide-leg trousers, white sneakers, ONE black SPONSOR lanyard and ONE blank wide white name card on his chest; do NOT carry over: pose, camera angle, sheet background, panel layout, text labels); <Audio 1> = ch19_line1_fukuchan.wav — Fukuchan's spoken line, use AS-IS. These attachments are REQUIRED inputs. None of the attached pictures is a frame of this video: the video does NOT start on, end on or reproduce any sheet — no panels, no white sheet background, no labels or text. Photorealistic live-action cinematography with natural live-action proportions, in the dim light of a bare concrete room lit by ONE slowly rotating red lamp; Fukuchan is a real photographed person. NOT flat 2D anime, NOT cartoon lineart. The shot opens on a locked-off MEDIUM CLOSE-UP of Fukuchan from the front at a slightly low angle, holding the white sheet against his chest, bare grey concrete and the sweeping red lamp behind him. Exactly one person appears in this chapter — Fukuchan — and he appears EXACTLY ONCE; nobody else enters the frame at any time. Beat 1 (0.0–1.0s): he shifts the sheet under one arm and squares his shoulders. Beat 2 (1.0–3.4s): he speaks, and as he speaks he closes both hands into fists and presses them against both cheeks in the gyun-gyun pose. Beat 3 (3.4–4.5s): he holds the pose, beaming, rocking very slightly from side to side. Dialogue: Fukuchan (S1) says <d>[Japanese] はい！わたしは今日から福ギュンです</d>, lip-syncing to <Audio 1>; his mouth moves ONLY while <Audio 1> is playing and stays CLOSED before and after it. Use <Audio 1> AS-IS as the dialogue audio and do NOT generate any voice. The camera is a locked-off static camera for the whole chapter — no push, no pan, no handheld sway. The shot ends in this state: fukuchan holds the gyun-gyun pose with both fists against both cheeks, beaming, the sheet tucked under one arm. The sheet under his arm stays blank and its face is never readable. Fukuchan moves as ONE continuous person, never duplicated, with adult human proportions in every frame — NOT chibi — his long coat open, the black SPONSOR lanyard and the ONE blank white name card on his chest. Do NOT render any on-screen text — no subtitles, no captions, no lettering, no Japanese characters; the video must contain no text at all. Soundscape: the rustle of paper under an arm, the soft motor whirr of the rotating red lamp, a dry concrete room tone. Music: no background music.