福ちゃん — ギュンギュン美少女レボリューション：Visual-Kei Alternate MV

各クリップ逐語プロンプト（17クリップ）

### 03_SCRIPTS/82_fukuchan_gyungyun_visual_kei_mv_alt/ch1_prompt.txt
Required attached input files: <Picture 1> = clip1_start.png — start keyframe; the video's FIRST frame; <Picture 2> = clip1_end.png — end keyframe; the video's LAST frame; <Picture 3> = Fukuchan_sheet.png — Fukuchan's canonical character model sheet, identity/design reference only, NOT a composition reference (PRESERVE his face, hairstyle, outfit and all NG-change elements; do NOT carry over its poses, camera angles, panel layout, text labels, typography or sheet background); <Picture 4> = performance_ref_front.png — supplied front microphone-performance photograph of Fukuchan, identity and microphone-relationship reference only, NOT a composition reference; <Picture 5> = performance_ref_side.png — supplied side performance photograph of Fukuchan, profile identity reference only, NOT a composition reference; <Audio 1> = ch1_song.wav — the supplied song master segment for this chapter (12.958s, song_master.mp3 from 0.000s to 12.958s). These attachments are REQUIRED inputs and must remain attached for this generation. The video starts EXACTLY on <Picture 1> and ends EXACTLY on <Picture 2>.
Photorealistic cinematic live-action-style late-1990s Japanese visual-kei rock music video, shot as a real full-frame film photograph with natural skin pores and fabric texture, dramatic crimson and indigo stage light, soft theatrical haze, wet reflective floor, fine 35mm film grain and restrained VHS softness; preserve Fukuchan as photorealistic live action with no anime, no flat illustration, no CGI, no plastic or waxy skin and no chibi proportions.
In the same industrial music-video stage at NIGHT, with clearly exposed crimson and indigo concert lighting, wet reflective floor, controlled theatrical haze and visible 35mm/VHS grain, exactly ONE person is on screen: exactly ONE Fukuchan (<Picture 3>, Fukuchan — the slim, stylish 170cm 48-year-old black-haired man in a loose black long coat over a white graphic T-shirt, with a lanyard name tag, always smiling warmly). Fukuchan appears EXACTLY ONCE; there are no band members, no dancers, no audience, no crew and no duplicate human. No new person or character enters the frame at any time, and no 2D, anime, cartoon, chibi or illustrated character ever appears in any frame; the black SPONSOR lanyard, the white 福ちゃん badge and the black line-art print on the white T-shirt stay visible and unchanged in EVERY frame and never vanish, migrate or duplicate mid-chapter.
PRESERVE: a photorealistic 48-year-old Japanese man, 170cm, slim adult male proportions (never chibi, never shortened); medium-length black mushroom/layered hair with bangs reaching the eyebrows; a soft warm smile; an oversized black tailored long coat; a white graphic T-shirt with a black line-art print; black wide-leg trousers; white sneakers; a black lanyard reading SPONSOR and a horizontal white name badge reading 福ちゃん, both hanging from his neck; when he performs the GYUNGYUN pose, both hands touch both cheeks. Do NOT carry over the character sheet's poses, crop, panel layout, typography, color swatches or background.
Exactly ONE vintage chrome microphone is on screen, mounted on exactly ONE black stand with exactly ONE cable descending out of frame; the microphone and stand are never duplicated, removed or moved to a different side. No other prop is held or added.
Performance beat for Clip 1: Start state: Fukuchan stands alone at the vintage chrome microphone, both hands relaxed at his sides, then begins the song with a direct warm smile. End state: Fukuchan has leaned slightly toward the microphone and extends one open hand toward the lens on the musical entrance; the smile stays genuine. Use <Audio 1> AS-IS as this chapter's audio: it is the supplied song master segment for this chapter, and Fukuchan's mouth shapes, breath and facial timing follow the vocal in <Audio 1> frame by frame as genuine singing, with no spoken words. Fukuchan (<Picture 3>, the slim stylish black-haired man in the black long coat) (S1) is the only performer and the only voice heard in <Audio 1>; do NOT generate a replacement song, any additional singing or speaking voice, or a second music track.
Camera: slow push in, small amplitude, slow speed. The camera movement must begin and end on the exact framing described by the two attached keyframes and must remain small enough for stable interpolation.
Both of Fukuchan's hands stay away from his cheeks except in Clip 17's final frame; he does NOT perform the GYUNGYUN pose before that final frame. The black lanyard and white name badge remain on Fukuchan alone and do not migrate, disappear or duplicate.
The reference sheets' text labels must NOT appear in the video. do NOT render any on-screen text — no subtitles, no captions, no lettering, no Japanese characters, no band logo and no lyrics; the video must contain no text at all.
Soundscape: <Audio 1> is the complete soundtrack for this chapter — add no extra room tone, no effects, no applause and no other voices.
Music: <Audio 1> is the supplied song master segment and the only music; do NOT generate, replace or layer any other music.

### 03_SCRIPTS/82_fukuchan_gyungyun_visual_kei_mv_alt/ch2_prompt.txt
Required attached input files: <Picture 1> = clip2_start.png — start keyframe; the video's FIRST frame; <Picture 2> = clip2_end.png — end keyframe; the video's LAST frame; <Picture 3> = Fukuchan_sheet.png — Fukuchan's canonical character model sheet, identity/design reference only, NOT a composition reference (PRESERVE his face, hairstyle, outfit and all NG-change elements; do NOT carry over its poses, camera angles, panel layout, text labels, typography or sheet background); <Picture 4> = performance_ref_front.png — supplied front microphone-performance photograph of Fukuchan, identity and microphone-relationship reference only, NOT a composition reference; <Picture 5> = performance_ref_side.png — supplied side performance photograph of Fukuchan, profile identity reference only, NOT a composition reference; <Audio 1> = ch2_song.wav — the supplied song master segment for this chapter (13.667s, song_master.mp3 from 12.958s to 26.625s). These attachments are REQUIRED inputs and must remain attached for this generation. The video starts EXACTLY on <Picture 1> and ends EXACTLY on <Picture 2>.
Photorealistic cinematic live-action-style late-1990s Japanese visual-kei rock music video, shot as a real full-frame film photograph with natural skin pores and fabric texture, dramatic crimson and indigo stage light, soft theatrical haze, wet reflective floor, fine 35mm film grain and restrained VHS softness; preserve Fukuchan as photorealistic live action with no anime, no flat illustration, no CGI, no plastic or waxy skin and no chibi proportions.
In the same industrial music-video stage at NIGHT, with clearly exposed crimson and indigo concert lighting, wet reflective floor, controlled theatrical haze and visible 35mm/VHS grain, exactly ONE person is on screen: exactly ONE Fukuchan (<Picture 3>, Fukuchan — the slim, stylish 170cm 48-year-old black-haired man in a loose black long coat over a white graphic T-shirt, with a lanyard name tag, always smiling warmly). Fukuchan appears EXACTLY ONCE; there are no band members, no dancers, no audience, no crew and no duplicate human. No new person or character enters the frame at any time, and no 2D, anime, cartoon, chibi or illustrated character ever appears in any frame; the black SPONSOR lanyard, the white 福ちゃん badge and the black line-art print on the white T-shirt stay visible and unchanged in EVERY frame and never vanish, migrate or duplicate mid-chapter.
PRESERVE: a photorealistic 48-year-old Japanese man, 170cm, slim adult male proportions (never chibi, never shortened); medium-length black mushroom/layered hair with bangs reaching the eyebrows; a soft warm smile; an oversized black tailored long coat; a white graphic T-shirt with a black line-art print; black wide-leg trousers; white sneakers; a black lanyard reading SPONSOR and a horizontal white name badge reading 福ちゃん, both hanging from his neck; when he performs the GYUNGYUN pose, both hands touch both cheeks. Do NOT carry over the character sheet's poses, crop, panel layout, typography, color swatches or background.
Exactly ONE vintage chrome microphone is on screen, mounted on exactly ONE black stand with exactly ONE cable descending out of frame; the microphone and stand are never duplicated, removed or moved to a different side. No other prop is held or added.
Performance beat for Clip 2: Start state: Fukuchan sings the opening verse with one hand lightly holding the microphone stand and his other hand near his chest. End state: He finishes the phrase with his chin lifted and his free hand open beside his chest; red petals cross the background. Use <Audio 1> AS-IS as this chapter's audio: it is the supplied song master segment for this chapter, and Fukuchan's mouth shapes, breath and facial timing follow the vocal in <Audio 1> frame by frame as genuine singing, with no spoken words. Fukuchan (<Picture 3>, the slim stylish black-haired man in the black long coat) (S1) is the only performer and the only voice heard in <Audio 1>; do NOT generate a replacement song, any additional singing or speaking voice, or a second music track.
Camera: locked-off static camera. The camera movement must begin and end on the exact framing described by the two attached keyframes and must remain small enough for stable interpolation.
Both of Fukuchan's hands stay away from his cheeks except in Clip 17's final frame; he does NOT perform the GYUNGYUN pose before that final frame. The black lanyard and white name badge remain on Fukuchan alone and do not migrate, disappear or duplicate.
The reference sheets' text labels must NOT appear in the video. do NOT render any on-screen text — no subtitles, no captions, no lettering, no Japanese characters, no band logo and no lyrics; the video must contain no text at all.
Soundscape: <Audio 1> is the complete soundtrack for this chapter — add no extra room tone, no effects, no applause and no other voices.
Music: <Audio 1> is the supplied song master segment and the only music; do NOT generate, replace or layer any other music.

### 03_SCRIPTS/82_fukuchan_gyungyun_visual_kei_mv_alt/ch3_prompt.txt
Required attached input files: <Picture 1> = clip3_start.png — start keyframe; the video's FIRST frame; <Picture 2> = clip3_end.png — end keyframe; the video's LAST frame; <Picture 3> = Fukuchan_sheet.png — Fukuchan's canonical character model sheet, identity/design reference only, NOT a composition reference (PRESERVE his face, hairstyle, outfit and all NG-change elements; do NOT carry over its poses, camera angles, panel layout, text labels, typography or sheet background); <Picture 4> = performance_ref_front.png — supplied front microphone-performance photograph of Fukuchan, identity and microphone-relationship reference only, NOT a composition reference; <Picture 5> = performance_ref_side.png — supplied side performance photograph of Fukuchan, profile identity reference only, NOT a composition reference; <Audio 1> = ch3_song.wav — the supplied song master segment for this chapter (14.375s, song_master.mp3 from 26.625s to 41.000s). These attachments are REQUIRED inputs and must remain attached for this generation. The video starts EXACTLY on <Picture 1> and ends EXACTLY on <Picture 2>.
Photorealistic cinematic live-action-style late-1990s Japanese visual-kei rock music video, shot as a real full-frame film photograph with natural skin pores and fabric texture, dramatic crimson and indigo stage light, soft theatrical haze, wet reflective floor, fine 35mm film grain and restrained VHS softness; preserve Fukuchan as photorealistic live action with no anime, no flat illustration, no CGI, no plastic or waxy skin and no chibi proportions.
In the same industrial music-video stage at NIGHT, with clearly exposed crimson and indigo concert lighting, wet reflective floor, controlled theatrical haze and visible 35mm/VHS grain, exactly ONE person is on screen: exactly ONE Fukuchan (<Picture 3>, Fukuchan — the slim, stylish 170cm 48-year-old black-haired man in a loose black long coat over a white graphic T-shirt, with a lanyard name tag, always smiling warmly). Fukuchan appears EXACTLY ONCE; there are no band members, no dancers, no audience, no crew and no duplicate human. No new person or character enters the frame at any time, and no 2D, anime, cartoon, chibi or illustrated character ever appears in any frame; the black SPONSOR lanyard, the white 福ちゃん badge and the black line-art print on the white T-shirt stay visible and unchanged in EVERY frame and never vanish, migrate or duplicate mid-chapter.
PRESERVE: a photorealistic 48-year-old Japanese man, 170cm, slim adult male proportions (never chibi, never shortened); medium-length black mushroom/layered hair with bangs reaching the eyebrows; a soft warm smile; an oversized black tailored long coat; a white graphic T-shirt with a black line-art print; black wide-leg trousers; white sneakers; a black lanyard reading SPONSOR and a horizontal white name badge reading 福ちゃん, both hanging from his neck; when he performs the GYUNGYUN pose, both hands touch both cheeks. Do NOT carry over the character sheet's poses, crop, panel layout, typography, color swatches or background.
Exactly ONE vintage chrome microphone is on screen, mounted on exactly ONE black stand with exactly ONE cable descending out of frame; the microphone and stand are never duplicated, removed or moved to a different side. No other prop is held or added.
Performance beat for Clip 3: Start state: The camera finds Fukuchan's face and the microphone grille as he sings with bright eyes and a soft smile. End state: The frame is slightly tighter; he closes his eyes for one beat on the held note, then reopens them toward the lens. Use <Audio 1> AS-IS as this chapter's audio: it is the supplied song master segment for this chapter, and Fukuchan's mouth shapes, breath and facial timing follow the vocal in <Audio 1> frame by frame as genuine singing, with no spoken words. Fukuchan (<Picture 3>, the slim stylish black-haired man in the black long coat) (S1) is the only performer and the only voice heard in <Audio 1>; do NOT generate a replacement song, any additional singing or speaking voice, or a second music track.
Camera: slow push in, small amplitude, slow speed. The camera movement must begin and end on the exact framing described by the two attached keyframes and must remain small enough for stable interpolation.
Both of Fukuchan's hands stay away from his cheeks except in Clip 17's final frame; he does NOT perform the GYUNGYUN pose before that final frame. The black lanyard and white name badge remain on Fukuchan alone and do not migrate, disappear or duplicate.
The reference sheets' text labels must NOT appear in the video. do NOT render any on-screen text — no subtitles, no captions, no lettering, no Japanese characters, no band logo and no lyrics; the video must contain no text at all.
Soundscape: <Audio 1> is the complete soundtrack for this chapter — add no extra room tone, no effects, no applause and no other voices.
Music: <Audio 1> is the supplied song master segment and the only music; do NOT generate, replace or layer any other music.

### 03_SCRIPTS/82_fukuchan_gyungyun_visual_kei_mv_alt/ch4_prompt.txt
Required attached input files: <Picture 1> = clip4_start.png — start keyframe; the video's FIRST frame; <Picture 2> = clip4_end.png — end keyframe; the video's LAST frame; <Picture 3> = Fukuchan_sheet.png — Fukuchan's canonical character model sheet, identity/design reference only, NOT a composition reference (PRESERVE his face, hairstyle, outfit and all NG-change elements; do NOT carry over its poses, camera angles, panel layout, text labels, typography or sheet background); <Picture 4> = performance_ref_front.png — supplied front microphone-performance photograph of Fukuchan, identity and microphone-relationship reference only, NOT a composition reference; <Picture 5> = performance_ref_side.png — supplied side performance photograph of Fukuchan, profile identity reference only, NOT a composition reference; <Audio 1> = ch4_song.wav — the supplied song master segment for this chapter (13.667s, song_master.mp3 from 41.000s to 54.667s). These attachments are REQUIRED inputs and must remain attached for this generation. The video starts EXACTLY on <Picture 1> and ends EXACTLY on <Picture 2>.
Photorealistic cinematic live-action-style late-1990s Japanese visual-kei rock music video, shot as a real full-frame film photograph with natural skin pores and fabric texture, dramatic crimson and indigo stage light, soft theatrical haze, wet reflective floor, fine 35mm film grain and restrained VHS softness; preserve Fukuchan as photorealistic live action with no anime, no flat illustration, no CGI, no plastic or waxy skin and no chibi proportions.
In the same industrial music-video stage at NIGHT, with clearly exposed crimson and indigo concert lighting, wet reflective floor, controlled theatrical haze and visible 35mm/VHS grain, exactly ONE person is on screen: exactly ONE Fukuchan (<Picture 3>, Fukuchan — the slim, stylish 170cm 48-year-old black-haired man in a loose black long coat over a white graphic T-shirt, with a lanyard name tag, always smiling warmly). Fukuchan appears EXACTLY ONCE; there are no band members, no dancers, no audience, no crew and no duplicate human. No new person or character enters the frame at any time, and no 2D, anime, cartoon, chibi or illustrated character ever appears in any frame; the black SPONSOR lanyard, the white 福ちゃん badge and the black line-art print on the white T-shirt stay visible and unchanged in EVERY frame and never vanish, migrate or duplicate mid-chapter.
PRESERVE: a photorealistic 48-year-old Japanese man, 170cm, slim adult male proportions (never chibi, never shortened); medium-length black mushroom/layered hair with bangs reaching the eyebrows; a soft warm smile; an oversized black tailored long coat; a white graphic T-shirt with a black line-art print; black wide-leg trousers; white sneakers; a black lanyard reading SPONSOR and a horizontal white name badge reading 福ちゃん, both hanging from his neck; when he performs the GYUNGYUN pose, both hands touch both cheeks. Do NOT carry over the character sheet's poses, crop, panel layout, typography, color swatches or background.
Exactly ONE vintage chrome microphone is on screen, mounted on exactly ONE black stand with exactly ONE cable descending out of frame; the microphone and stand are never duplicated, removed or moved to a different side. No other prop is held or added.
Performance beat for Clip 4: Start state: Fukuchan sings in a clean side profile toward the microphone, his layered black hair rim-lit by crimson light. End state: His profile settles into a confident jawline and a small shoulder accent on the beat; the microphone remains fixed. Use <Audio 1> AS-IS as this chapter's audio: it is the supplied song master segment for this chapter, and Fukuchan's mouth shapes, breath and facial timing follow the vocal in <Audio 1> frame by frame as genuine singing, with no spoken words. Fukuchan (<Picture 3>, the slim stylish black-haired man in the black long coat) (S1) is the only performer and the only voice heard in <Audio 1>; do NOT generate a replacement song, any additional singing or speaking voice, or a second music track.
Camera: locked-off static camera. The camera movement must begin and end on the exact framing described by the two attached keyframes and must remain small enough for stable interpolation.
Both of Fukuchan's hands stay away from his cheeks except in Clip 17's final frame; he does NOT perform the GYUNGYUN pose before that final frame. The black lanyard and white name badge remain on Fukuchan alone and do not migrate, disappear or duplicate.
The reference sheets' text labels must NOT appear in the video. do NOT render any on-screen text — no subtitles, no captions, no lettering, no Japanese characters, no band logo and no lyrics; the video must contain no text at all.
Soundscape: <Audio 1> is the complete soundtrack for this chapter — add no extra room tone, no effects, no applause and no other voices.
Music: <Audio 1> is the supplied song master segment and the only music; do NOT generate, replace or layer any other music.

### 03_SCRIPTS/82_fukuchan_gyungyun_visual_kei_mv_alt/ch5_prompt.txt
Required attached input files: <Picture 1> = clip5_start.png — start keyframe; the video's FIRST frame; <Picture 2> = clip5_end.png — end keyframe; the video's LAST frame; <Picture 3> = Fukuchan_sheet.png — Fukuchan's canonical character model sheet, identity/design reference only, NOT a composition reference (PRESERVE his face, hairstyle, outfit and all NG-change elements; do NOT carry over its poses, camera angles, panel layout, text labels, typography or sheet background); <Picture 4> = performance_ref_front.png — supplied front microphone-performance photograph of Fukuchan, identity and microphone-relationship reference only, NOT a composition reference; <Picture 5> = performance_ref_side.png — supplied side performance photograph of Fukuchan, profile identity reference only, NOT a composition reference; <Audio 1> = ch5_song.wav — the supplied song master segment for this chapter (14.375s, song_master.mp3 from 54.667s to 69.042s). These attachments are REQUIRED inputs and must remain attached for this generation. The video starts EXACTLY on <Picture 1> and ends EXACTLY on <Picture 2>.
Photorealistic cinematic live-action-style late-1990s Japanese visual-kei rock music video, shot as a real full-frame film photograph with natural skin pores and fabric texture, dramatic crimson and indigo stage light, soft theatrical haze, wet reflective floor, fine 35mm film grain and restrained VHS softness; preserve Fukuchan as photorealistic live action with no anime, no flat illustration, no CGI, no plastic or waxy skin and no chibi proportions.
In the same industrial music-video stage at NIGHT, with clearly exposed crimson and indigo concert lighting, wet reflective floor, controlled theatrical haze and visible 35mm/VHS grain, exactly ONE person is on screen: exactly ONE Fukuchan (<Picture 3>, Fukuchan — the slim, stylish 170cm 48-year-old black-haired man in a loose black long coat over a white graphic T-shirt, with a lanyard name tag, always smiling warmly). Fukuchan appears EXACTLY ONCE; there are no band members, no dancers, no audience, no crew and no duplicate human. No new person or character enters the frame at any time, and no 2D, anime, cartoon, chibi or illustrated character ever appears in any frame; the black SPONSOR lanyard, the white 福ちゃん badge and the black line-art print on the white T-shirt stay visible and unchanged in EVERY frame and never vanish, migrate or duplicate mid-chapter.
PRESERVE: a photorealistic 48-year-old Japanese man, 170cm, slim adult male proportions (never chibi, never shortened); medium-length black mushroom/layered hair with bangs reaching the eyebrows; a soft warm smile; an oversized black tailored long coat; a white graphic T-shirt with a black line-art print; black wide-leg trousers; white sneakers; a black lanyard reading SPONSOR and a horizontal white name badge reading 福ちゃん, both hanging from his neck; when he performs the GYUNGYUN pose, both hands touch both cheeks. Do NOT carry over the character sheet's poses, crop, panel layout, typography, color swatches or background.
Exactly ONE vintage chrome microphone is on screen, mounted on exactly ONE black stand with exactly ONE cable descending out of frame; the microphone and stand are never duplicated, removed or moved to a different side. No other prop is held or added.
Performance beat for Clip 5: Start state: From below, Fukuchan sings with the long black coat falling around his slim adult frame and one hand open at waist height. End state: The camera reaches the higher end angle as he lifts his open hand to chest height and smiles with theatrical confidence. Use <Audio 1> AS-IS as this chapter's audio: it is the supplied song master segment for this chapter, and Fukuchan's mouth shapes, breath and facial timing follow the vocal in <Audio 1> frame by frame as genuine singing, with no spoken words. Fukuchan (<Picture 3>, the slim stylish black-haired man in the black long coat) (S1) is the only performer and the only voice heard in <Audio 1>; do NOT generate a replacement song, any additional singing or speaking voice, or a second music track.
Camera: slow tilt up, small amplitude, slow speed. The camera movement must begin and end on the exact framing described by the two attached keyframes and must remain small enough for stable interpolation.
Both of Fukuchan's hands stay away from his cheeks except in Clip 17's final frame; he does NOT perform the GYUNGYUN pose before that final frame. The black lanyard and white name badge remain on Fukuchan alone and do not migrate, disappear or duplicate.
The reference sheets' text labels must NOT appear in the video. do NOT render any on-screen text — no subtitles, no captions, no lettering, no Japanese characters, no band logo and no lyrics; the video must contain no text at all.
Soundscape: <Audio 1> is the complete soundtrack for this chapter — add no extra room tone, no effects, no applause and no other voices.
Music: <Audio 1> is the supplied song master segment and the only music; do NOT generate, replace or layer any other music.

### 03_SCRIPTS/82_fukuchan_gyungyun_visual_kei_mv_alt/ch6_prompt.txt
Required attached input files: <Picture 1> = clip6_start.png — start keyframe; the video's FIRST frame; <Picture 2> = clip6_end.png — end keyframe; the video's LAST frame; <Picture 3> = Fukuchan_sheet.png — Fukuchan's canonical character model sheet, identity/design reference only, NOT a composition reference (PRESERVE his face, hairstyle, outfit and all NG-change elements; do NOT carry over its poses, camera angles, panel layout, text labels, typography or sheet background); <Picture 4> = performance_ref_front.png — supplied front microphone-performance photograph of Fukuchan, identity and microphone-relationship reference only, NOT a composition reference; <Picture 5> = performance_ref_side.png — supplied side performance photograph of Fukuchan, profile identity reference only, NOT a composition reference; <Audio 1> = ch6_song.wav — the supplied song master segment for this chapter (13.667s, song_master.mp3 from 69.042s to 82.708s). These attachments are REQUIRED inputs and must remain attached for this generation. The video starts EXACTLY on <Picture 1> and ends EXACTLY on <Picture 2>.
Photorealistic cinematic live-action-style late-1990s Japanese visual-kei rock music video, shot as a real full-frame film photograph with natural skin pores and fabric texture, dramatic crimson and indigo stage light, soft theatrical haze, wet reflective floor, fine 35mm film grain and restrained VHS softness; preserve Fukuchan as photorealistic live action with no anime, no flat illustration, no CGI, no plastic or waxy skin and no chibi proportions.
In the same industrial music-video stage at NIGHT, with clearly exposed crimson and indigo concert lighting, wet reflective floor, controlled theatrical haze and visible 35mm/VHS grain, exactly ONE person is on screen: exactly ONE Fukuchan (<Picture 3>, Fukuchan — the slim, stylish 170cm 48-year-old black-haired man in a loose black long coat over a white graphic T-shirt, with a lanyard name tag, always smiling warmly). Fukuchan appears EXACTLY ONCE; there are no band members, no dancers, no audience, no crew and no duplicate human. No new person or character enters the frame at any time, and no 2D, anime, cartoon, chibi or illustrated character ever appears in any frame; the black SPONSOR lanyard, the white 福ちゃん badge and the black line-art print on the white T-shirt stay visible and unchanged in EVERY frame and never vanish, migrate or duplicate mid-chapter.
PRESERVE: a photorealistic 48-year-old Japanese man, 170cm, slim adult male proportions (never chibi, never shortened); medium-length black mushroom/layered hair with bangs reaching the eyebrows; a soft warm smile; an oversized black tailored long coat; a white graphic T-shirt with a black line-art print; black wide-leg trousers; white sneakers; a black lanyard reading SPONSOR and a horizontal white name badge reading 福ちゃん, both hanging from his neck; when he performs the GYUNGYUN pose, both hands touch both cheeks. Do NOT carry over the character sheet's poses, crop, panel layout, typography, color swatches or background.
Exactly ONE vintage chrome microphone is on screen, mounted on exactly ONE black stand with exactly ONE cable descending out of frame; the microphone and stand are never duplicated, removed or moved to a different side. No other prop is held or added.
Performance beat for Clip 6: Start state: Fukuchan sings beside the single microphone with his feet planted wide enough to show the black wide-leg trousers and white sneakers. End state: The pull-back reveals the wet reflective stage floor and a pool of indigo light; he opens both arms away from his face. Use <Audio 1> AS-IS as this chapter's audio: it is the supplied song master segment for this chapter, and Fukuchan's mouth shapes, breath and facial timing follow the vocal in <Audio 1> frame by frame as genuine singing, with no spoken words. Fukuchan (<Picture 3>, the slim stylish black-haired man in the black long coat) (S1) is the only performer and the only voice heard in <Audio 1>; do NOT generate a replacement song, any additional singing or speaking voice, or a second music track.
Camera: slow pull back, small amplitude, slow speed. The camera movement must begin and end on the exact framing described by the two attached keyframes and must remain small enough for stable interpolation.
Both of Fukuchan's hands stay away from his cheeks except in Clip 17's final frame; he does NOT perform the GYUNGYUN pose before that final frame. The black lanyard and white name badge remain on Fukuchan alone and do not migrate, disappear or duplicate.
The reference sheets' text labels must NOT appear in the video. do NOT render any on-screen text — no subtitles, no captions, no lettering, no Japanese characters, no band logo and no lyrics; the video must contain no text at all.
Soundscape: <Audio 1> is the complete soundtrack for this chapter — add no extra room tone, no effects, no applause and no other voices.
Music: <Audio 1> is the supplied song master segment and the only music; do NOT generate, replace or layer any other music.

### 03_SCRIPTS/82_fukuchan_gyungyun_visual_kei_mv_alt/ch7_prompt.txt
Required attached input files: <Picture 1> = clip7_start.png — start keyframe; the video's FIRST frame; <Picture 2> = clip7_end.png — end keyframe; the video's LAST frame; <Picture 3> = Fukuchan_sheet.png — Fukuchan's canonical character model sheet, identity/design reference only, NOT a composition reference (PRESERVE his face, hairstyle, outfit and all NG-change elements; do NOT carry over its poses, camera angles, panel layout, text labels, typography or sheet background); <Picture 4> = performance_ref_front.png — supplied front microphone-performance photograph of Fukuchan, identity and microphone-relationship reference only, NOT a composition reference; <Picture 5> = performance_ref_side.png — supplied side performance photograph of Fukuchan, profile identity reference only, NOT a composition reference; <Audio 1> = ch7_song.wav — the supplied song master segment for this chapter (14.375s, song_master.mp3 from 82.708s to 97.083s). These attachments are REQUIRED inputs and must remain attached for this generation. The video starts EXACTLY on <Picture 1> and ends EXACTLY on <Picture 2>.
Photorealistic cinematic live-action-style late-1990s Japanese visual-kei rock music video, shot as a real full-frame film photograph with natural skin pores and fabric texture, dramatic crimson and indigo stage light, soft theatrical haze, wet reflective floor, fine 35mm film grain and restrained VHS softness; preserve Fukuchan as photorealistic live action with no anime, no flat illustration, no CGI, no plastic or waxy skin and no chibi proportions.
In the same industrial music-video stage at NIGHT, with clearly exposed crimson and indigo concert lighting, wet reflective floor, controlled theatrical haze and visible 35mm/VHS grain, exactly ONE person is on screen: exactly ONE Fukuchan (<Picture 3>, Fukuchan — the slim, stylish 170cm 48-year-old black-haired man in a loose black long coat over a white graphic T-shirt, with a lanyard name tag, always smiling warmly). Fukuchan appears EXACTLY ONCE; there are no band members, no dancers, no audience, no crew and no duplicate human. No new person or character enters the frame at any time, and no 2D, anime, cartoon, chibi or illustrated character ever appears in any frame; the black SPONSOR lanyard, the white 福ちゃん badge and the black line-art print on the white T-shirt stay visible and unchanged in EVERY frame and never vanish, migrate or duplicate mid-chapter.
PRESERVE: a photorealistic 48-year-old Japanese man, 170cm, slim adult male proportions (never chibi, never shortened); medium-length black mushroom/layered hair with bangs reaching the eyebrows; a soft warm smile; an oversized black tailored long coat; a white graphic T-shirt with a black line-art print; black wide-leg trousers; white sneakers; a black lanyard reading SPONSOR and a horizontal white name badge reading 福ちゃん, both hanging from his neck; when he performs the GYUNGYUN pose, both hands touch both cheeks. Do NOT carry over the character sheet's poses, crop, panel layout, typography, color swatches or background.
Exactly ONE vintage chrome microphone is on screen, mounted on exactly ONE black stand with exactly ONE cable descending out of frame; the microphone and stand are never duplicated, removed or moved to a different side. No other prop is held or added.
Performance beat for Clip 7: Start state: A close three-quarter portrait catches Fukuchan singing past the microphone, warm skin against a crimson rim light. End state: He lands the phrase with a playful sideways glance and a small smile, while both hands stay below the frame. Use <Audio 1> AS-IS as this chapter's audio: it is the supplied song master segment for this chapter, and Fukuchan's mouth shapes, breath and facial timing follow the vocal in <Audio 1> frame by frame as genuine singing, with no spoken words. Fukuchan (<Picture 3>, the slim stylish black-haired man in the black long coat) (S1) is the only performer and the only voice heard in <Audio 1>; do NOT generate a replacement song, any additional singing or speaking voice, or a second music track.
Camera: locked-off static camera. The camera movement must begin and end on the exact framing described by the two attached keyframes and must remain small enough for stable interpolation.
Both of Fukuchan's hands stay away from his cheeks except in Clip 17's final frame; he does NOT perform the GYUNGYUN pose before that final frame. The black lanyard and white name badge remain on Fukuchan alone and do not migrate, disappear or duplicate.
The reference sheets' text labels must NOT appear in the video. do NOT render any on-screen text — no subtitles, no captions, no lettering, no Japanese characters, no band logo and no lyrics; the video must contain no text at all.
Soundscape: <Audio 1> is the complete soundtrack for this chapter — add no extra room tone, no effects, no applause and no other voices.
Music: <Audio 1> is the supplied song master segment and the only music; do NOT generate, replace or layer any other music.

### 03_SCRIPTS/82_fukuchan_gyungyun_visual_kei_mv_alt/ch8_prompt.txt
Required attached input files: <Picture 1> = clip8_start.png — start keyframe; the video's FIRST frame; <Picture 2> = clip8_end.png — end keyframe; the video's LAST frame; <Picture 3> = Fukuchan_sheet.png — Fukuchan's canonical character model sheet, identity/design reference only, NOT a composition reference (PRESERVE his face, hairstyle, outfit and all NG-change elements; do NOT carry over its poses, camera angles, panel layout, text labels, typography or sheet background); <Picture 4> = performance_ref_front.png — supplied front microphone-performance photograph of Fukuchan, identity and microphone-relationship reference only, NOT a composition reference; <Picture 5> = performance_ref_side.png — supplied side performance photograph of Fukuchan, profile identity reference only, NOT a composition reference; <Audio 1> = ch8_song.wav — the supplied song master segment for this chapter (13.667s, song_master.mp3 from 97.083s to 110.750s). These attachments are REQUIRED inputs and must remain attached for this generation. The video starts EXACTLY on <Picture 1> and ends EXACTLY on <Picture 2>.
Photorealistic cinematic live-action-style late-1990s Japanese visual-kei rock music video, shot as a real full-frame film photograph with natural skin pores and fabric texture, dramatic crimson and indigo stage light, soft theatrical haze, wet reflective floor, fine 35mm film grain and restrained VHS softness; preserve Fukuchan as photorealistic live action with no anime, no flat illustration, no CGI, no plastic or waxy skin and no chibi proportions.
In the same industrial music-video stage at NIGHT, with clearly exposed crimson and indigo concert lighting, wet reflective floor, controlled theatrical haze and visible 35mm/VHS grain, exactly ONE person is on screen: exactly ONE Fukuchan (<Picture 3>, Fukuchan — the slim, stylish 170cm 48-year-old black-haired man in a loose black long coat over a white graphic T-shirt, with a lanyard name tag, always smiling warmly). Fukuchan appears EXACTLY ONCE; there are no band members, no dancers, no audience, no crew and no duplicate human. No new person or character enters the frame at any time, and no 2D, anime, cartoon, chibi or illustrated character ever appears in any frame; the black SPONSOR lanyard, the white 福ちゃん badge and the black line-art print on the white T-shirt stay visible and unchanged in EVERY frame and never vanish, migrate or duplicate mid-chapter.
PRESERVE: a photorealistic 48-year-old Japanese man, 170cm, slim adult male proportions (never chibi, never shortened); medium-length black mushroom/layered hair with bangs reaching the eyebrows; a soft warm smile; an oversized black tailored long coat; a white graphic T-shirt with a black line-art print; black wide-leg trousers; white sneakers; a black lanyard reading SPONSOR and a horizontal white name badge reading 福ちゃん, both hanging from his neck; when he performs the GYUNGYUN pose, both hands touch both cheeks. Do NOT carry over the character sheet's poses, crop, panel layout, typography, color swatches or background.
Exactly ONE vintage chrome microphone is on screen, mounted on exactly ONE black stand with exactly ONE cable descending out of frame; the microphone and stand are never duplicated, removed or moved to a different side. No other prop is held or added.
Performance beat for Clip 8: Start state: Fukuchan sings in right-facing profile while the camera tracks gently, keeping the microphone grille and his black coat readable. End state: The track ends with his eyes turning slightly toward camera without breaking the profile body orientation. Use <Audio 1> AS-IS as this chapter's audio: it is the supplied song master segment for this chapter, and Fukuchan's mouth shapes, breath and facial timing follow the vocal in <Audio 1> frame by frame as genuine singing, with no spoken words. Fukuchan (<Picture 3>, the slim stylish black-haired man in the black long coat) (S1) is the only performer and the only voice heard in <Audio 1>; do NOT generate a replacement song, any additional singing or speaking voice, or a second music track.
Camera: slow lateral tracking left, small amplitude, medium speed. The camera movement must begin and end on the exact framing described by the two attached keyframes and must remain small enough for stable interpolation.
Both of Fukuchan's hands stay away from his cheeks except in Clip 17's final frame; he does NOT perform the GYUNGYUN pose before that final frame. The black lanyard and white name badge remain on Fukuchan alone and do not migrate, disappear or duplicate.
The reference sheets' text labels must NOT appear in the video. do NOT render any on-screen text — no subtitles, no captions, no lettering, no Japanese characters, no band logo and no lyrics; the video must contain no text at all.
Soundscape: <Audio 1> is the complete soundtrack for this chapter — add no extra room tone, no effects, no applause and no other voices.
Music: <Audio 1> is the supplied song master segment and the only music; do NOT generate, replace or layer any other music.

### 03_SCRIPTS/82_fukuchan_gyungyun_visual_kei_mv_alt/ch9_prompt.txt
Required attached input files: <Picture 1> = clip9_start.png — start keyframe; the video's FIRST frame; <Picture 2> = clip9_end.png — end keyframe; the video's LAST frame; <Picture 3> = Fukuchan_sheet.png — Fukuchan's canonical character model sheet, identity/design reference only, NOT a composition reference (PRESERVE his face, hairstyle, outfit and all NG-change elements; do NOT carry over its poses, camera angles, panel layout, text labels, typography or sheet background); <Picture 4> = performance_ref_front.png — supplied front microphone-performance photograph of Fukuchan, identity and microphone-relationship reference only, NOT a composition reference; <Picture 5> = performance_ref_side.png — supplied side performance photograph of Fukuchan, profile identity reference only, NOT a composition reference; <Audio 1> = ch9_song.wav — the supplied song master segment for this chapter (14.375s, song_master.mp3 from 110.750s to 125.125s). These attachments are REQUIRED inputs and must remain attached for this generation. The video starts EXACTLY on <Picture 1> and ends EXACTLY on <Picture 2>.
Photorealistic cinematic live-action-style late-1990s Japanese visual-kei rock music video, shot as a real full-frame film photograph with natural skin pores and fabric texture, dramatic crimson and indigo stage light, soft theatrical haze, wet reflective floor, fine 35mm film grain and restrained VHS softness; preserve Fukuchan as photorealistic live action with no anime, no flat illustration, no CGI, no plastic or waxy skin and no chibi proportions.
In the same industrial music-video stage at NIGHT, with clearly exposed crimson and indigo concert lighting, wet reflective floor, controlled theatrical haze and visible 35mm/VHS grain, exactly ONE person is on screen: exactly ONE Fukuchan (<Picture 3>, Fukuchan — the slim, stylish 170cm 48-year-old black-haired man in a loose black long coat over a white graphic T-shirt, with a lanyard name tag, always smiling warmly). Fukuchan appears EXACTLY ONCE; there are no band members, no dancers, no audience, no crew and no duplicate human. No new person or character enters the frame at any time, and no 2D, anime, cartoon, chibi or illustrated character ever appears in any frame; the black SPONSOR lanyard, the white 福ちゃん badge and the black line-art print on the white T-shirt stay visible and unchanged in EVERY frame and never vanish, migrate or duplicate mid-chapter.
PRESERVE: a photorealistic 48-year-old Japanese man, 170cm, slim adult male proportions (never chibi, never shortened); medium-length black mushroom/layered hair with bangs reaching the eyebrows; a soft warm smile; an oversized black tailored long coat; a white graphic T-shirt with a black line-art print; black wide-leg trousers; white sneakers; a black lanyard reading SPONSOR and a horizontal white name badge reading 福ちゃん, both hanging from his neck; when he performs the GYUNGYUN pose, both hands touch both cheeks. Do NOT carry over the character sheet's poses, crop, panel layout, typography, color swatches or background.
Exactly ONE vintage chrome microphone is on screen, mounted on exactly ONE black stand with exactly ONE cable descending out of frame; the microphone and stand are never duplicated, removed or moved to a different side. No other prop is held or added.
Performance beat for Clip 9: Start state: Fukuchan faces forward and sings the chorus with one hand wrapped around the microphone stand and the other hand open near his heart. End state: The subtle sway resolves as he raises the free hand in a small rock-show salute, still far from his cheeks. Use <Audio 1> AS-IS as this chapter's audio: it is the supplied song master segment for this chapter, and Fukuchan's mouth shapes, breath and facial timing follow the vocal in <Audio 1> frame by frame as genuine singing, with no spoken words. Fukuchan (<Picture 3>, the slim stylish black-haired man in the black long coat) (S1) is the only performer and the only voice heard in <Audio 1>; do NOT generate a replacement song, any additional singing or speaking voice, or a second music track.
Camera: subtle handheld sway, small amplitude, slow speed. The camera movement must begin and end on the exact framing described by the two attached keyframes and must remain small enough for stable interpolation.
Both of Fukuchan's hands stay away from his cheeks except in Clip 17's final frame; he does NOT perform the GYUNGYUN pose before that final frame. The black lanyard and white name badge remain on Fukuchan alone and do not migrate, disappear or duplicate.
The reference sheets' text labels must NOT appear in the video. do NOT render any on-screen text — no subtitles, no captions, no lettering, no Japanese characters, no band logo and no lyrics; the video must contain no text at all.
Soundscape: <Audio 1> is the complete soundtrack for this chapter — add no extra room tone, no effects, no applause and no other voices.
Music: <Audio 1> is the supplied song master segment and the only music; do NOT generate, replace or layer any other music.

### 03_SCRIPTS/82_fukuchan_gyungyun_visual_kei_mv_alt/ch10_prompt.txt
Required attached input files: <Picture 1> = clip10_start.png — start keyframe; the video's FIRST frame; <Picture 2> = clip10_end.png — end keyframe; the video's LAST frame; <Picture 3> = Fukuchan_sheet.png — Fukuchan's canonical character model sheet, identity/design reference only, NOT a composition reference (PRESERVE his face, hairstyle, outfit and all NG-change elements; do NOT carry over its poses, camera angles, panel layout, text labels, typography or sheet background); <Picture 4> = performance_ref_front.png — supplied front microphone-performance photograph of Fukuchan, identity and microphone-relationship reference only, NOT a composition reference; <Picture 5> = performance_ref_side.png — supplied side performance photograph of Fukuchan, profile identity reference only, NOT a composition reference; <Audio 1> = ch10_song.wav — the supplied song master segment for this chapter (13.667s, song_master.mp3 from 125.125s to 138.792s). These attachments are REQUIRED inputs and must remain attached for this generation. The video starts EXACTLY on <Picture 1> and ends EXACTLY on <Picture 2>.
Photorealistic cinematic live-action-style late-1990s Japanese visual-kei rock music video, shot as a real full-frame film photograph with natural skin pores and fabric texture, dramatic crimson and indigo stage light, soft theatrical haze, wet reflective floor, fine 35mm film grain and restrained VHS softness; preserve Fukuchan as photorealistic live action with no anime, no flat illustration, no CGI, no plastic or waxy skin and no chibi proportions.
In the same industrial music-video stage at NIGHT, with clearly exposed crimson and indigo concert lighting, wet reflective floor, controlled theatrical haze and visible 35mm/VHS grain, exactly ONE person is on screen: exactly ONE Fukuchan (<Picture 3>, Fukuchan — the slim, stylish 170cm 48-year-old black-haired man in a loose black long coat over a white graphic T-shirt, with a lanyard name tag, always smiling warmly). Fukuchan appears EXACTLY ONCE; there are no band members, no dancers, no audience, no crew and no duplicate human. No new person or character enters the frame at any time, and no 2D, anime, cartoon, chibi or illustrated character ever appears in any frame; the black SPONSOR lanyard, the white 福ちゃん badge and the black line-art print on the white T-shirt stay visible and unchanged in EVERY frame and never vanish, migrate or duplicate mid-chapter.
PRESERVE: a photorealistic 48-year-old Japanese man, 170cm, slim adult male proportions (never chibi, never shortened); medium-length black mushroom/layered hair with bangs reaching the eyebrows; a soft warm smile; an oversized black tailored long coat; a white graphic T-shirt with a black line-art print; black wide-leg trousers; white sneakers; a black lanyard reading SPONSOR and a horizontal white name badge reading 福ちゃん, both hanging from his neck; when he performs the GYUNGYUN pose, both hands touch both cheeks. Do NOT carry over the character sheet's poses, crop, panel layout, typography, color swatches or background.
Exactly ONE vintage chrome microphone is on screen, mounted on exactly ONE black stand with exactly ONE cable descending out of frame; the microphone and stand are never duplicated, removed or moved to a different side. No other prop is held or added.
Performance beat for Clip 10: Start state: The song's rap accents are shown through Fukuchan's eyes, mouth and the edge of the vintage microphone, with no other person visible. End state: He finishes the rap accent with a quick eyebrow lift and a closed-mouth smile between sung phrases; no face-touching. Use <Audio 1> AS-IS as this chapter's audio: it is the supplied song master segment for this chapter, and Fukuchan's mouth shapes, breath and facial timing follow the vocal in <Audio 1> frame by frame as genuine singing, with no spoken words. Fukuchan (<Picture 3>, the slim stylish black-haired man in the black long coat) (S1) is the only performer and the only voice heard in <Audio 1>; do NOT generate a replacement song, any additional singing or speaking voice, or a second music track.
Camera: locked-off static camera. The camera movement must begin and end on the exact framing described by the two attached keyframes and must remain small enough for stable interpolation.
Both of Fukuchan's hands stay away from his cheeks except in Clip 17's final frame; he does NOT perform the GYUNGYUN pose before that final frame. The black lanyard and white name badge remain on Fukuchan alone and do not migrate, disappear or duplicate.
The reference sheets' text labels must NOT appear in the video. do NOT render any on-screen text — no subtitles, no captions, no lettering, no Japanese characters, no band logo and no lyrics; the video must contain no text at all.
Soundscape: <Audio 1> is the complete soundtrack for this chapter — add no extra room tone, no effects, no applause and no other voices.
Music: <Audio 1> is the supplied song master segment and the only music; do NOT generate, replace or layer any other music.

### 03_SCRIPTS/82_fukuchan_gyungyun_visual_kei_mv_alt/ch11_prompt.txt
Required attached input files: <Picture 1> = clip11_start.png — start keyframe; the video's FIRST frame; <Picture 2> = clip11_end.png — end keyframe; the video's LAST frame; <Picture 3> = Fukuchan_sheet.png — Fukuchan's canonical character model sheet, identity/design reference only, NOT a composition reference (PRESERVE his face, hairstyle, outfit and all NG-change elements; do NOT carry over its poses, camera angles, panel layout, text labels, typography or sheet background); <Picture 4> = performance_ref_front.png — supplied front microphone-performance photograph of Fukuchan, identity and microphone-relationship reference only, NOT a composition reference; <Picture 5> = performance_ref_side.png — supplied side performance photograph of Fukuchan, profile identity reference only, NOT a composition reference; <Audio 1> = ch11_song.wav — the supplied song master segment for this chapter (14.375s, song_master.mp3 from 138.792s to 153.167s). These attachments are REQUIRED inputs and must remain attached for this generation. The video starts EXACTLY on <Picture 1> and ends EXACTLY on <Picture 2>.
Photorealistic cinematic live-action-style late-1990s Japanese visual-kei rock music video, shot as a real full-frame film photograph with natural skin pores and fabric texture, dramatic crimson and indigo stage light, soft theatrical haze, wet reflective floor, fine 35mm film grain and restrained VHS softness; preserve Fukuchan as photorealistic live action with no anime, no flat illustration, no CGI, no plastic or waxy skin and no chibi proportions.
In the same industrial music-video stage at NIGHT, with clearly exposed crimson and indigo concert lighting, wet reflective floor, controlled theatrical haze and visible 35mm/VHS grain, exactly ONE person is on screen: exactly ONE Fukuchan (<Picture 3>, Fukuchan — the slim, stylish 170cm 48-year-old black-haired man in a loose black long coat over a white graphic T-shirt, with a lanyard name tag, always smiling warmly). Fukuchan appears EXACTLY ONCE; there are no band members, no dancers, no audience, no crew and no duplicate human. No new person or character enters the frame at any time, and no 2D, anime, cartoon, chibi or illustrated character ever appears in any frame; the black SPONSOR lanyard, the white 福ちゃん badge and the black line-art print on the white T-shirt stay visible and unchanged in EVERY frame and never vanish, migrate or duplicate mid-chapter.
PRESERVE: a photorealistic 48-year-old Japanese man, 170cm, slim adult male proportions (never chibi, never shortened); medium-length black mushroom/layered hair with bangs reaching the eyebrows; a soft warm smile; an oversized black tailored long coat; a white graphic T-shirt with a black line-art print; black wide-leg trousers; white sneakers; a black lanyard reading SPONSOR and a horizontal white name badge reading 福ちゃん, both hanging from his neck; when he performs the GYUNGYUN pose, both hands touch both cheeks. Do NOT carry over the character sheet's poses, crop, panel layout, typography, color swatches or background.
Exactly ONE vintage chrome microphone is on screen, mounted on exactly ONE black stand with exactly ONE cable descending out of frame; the microphone and stand are never duplicated, removed or moved to a different side. No other prop is held or added.
Performance beat for Clip 11: Start state: Fukuchan fills the vertical frame from mid-thigh up and sings with both arms opening slowly beside the microphone. End state: The push-in reaches a more heroic crop as one hand points upward for a single beat and the coat hem catches the stage wind. Use <Audio 1> AS-IS as this chapter's audio: it is the supplied song master segment for this chapter, and Fukuchan's mouth shapes, breath and facial timing follow the vocal in <Audio 1> frame by frame as genuine singing, with no spoken words. Fukuchan (<Picture 3>, the slim stylish black-haired man in the black long coat) (S1) is the only performer and the only voice heard in <Audio 1>; do NOT generate a replacement song, any additional singing or speaking voice, or a second music track.
Camera: slow push in, small amplitude, slow speed. The camera movement must begin and end on the exact framing described by the two attached keyframes and must remain small enough for stable interpolation.
Both of Fukuchan's hands stay away from his cheeks except in Clip 17's final frame; he does NOT perform the GYUNGYUN pose before that final frame. The black lanyard and white name badge remain on Fukuchan alone and do not migrate, disappear or duplicate.
The reference sheets' text labels must NOT appear in the video. do NOT render any on-screen text — no subtitles, no captions, no lettering, no Japanese characters, no band logo and no lyrics; the video must contain no text at all.
Soundscape: <Audio 1> is the complete soundtrack for this chapter — add no extra room tone, no effects, no applause and no other voices.
Music: <Audio 1> is the supplied song master segment and the only music; do NOT generate, replace or layer any other music.

### 03_SCRIPTS/82_fukuchan_gyungyun_visual_kei_mv_alt/ch12_prompt.txt
Required attached input files: <Picture 1> = clip12_start.png — start keyframe; the video's FIRST frame; <Picture 2> = clip12_end.png — end keyframe; the video's LAST frame; <Picture 3> = Fukuchan_sheet.png — Fukuchan's canonical character model sheet, identity/design reference only, NOT a composition reference (PRESERVE his face, hairstyle, outfit and all NG-change elements; do NOT carry over its poses, camera angles, panel layout, text labels, typography or sheet background); <Picture 4> = performance_ref_front.png — supplied front microphone-performance photograph of Fukuchan, identity and microphone-relationship reference only, NOT a composition reference; <Picture 5> = performance_ref_side.png — supplied side performance photograph of Fukuchan, profile identity reference only, NOT a composition reference; <Audio 1> = ch12_song.wav — the supplied song master segment for this chapter (13.667s, song_master.mp3 from 153.167s to 166.833s). These attachments are REQUIRED inputs and must remain attached for this generation. The video starts EXACTLY on <Picture 1> and ends EXACTLY on <Picture 2>.
Photorealistic cinematic live-action-style late-1990s Japanese visual-kei rock music video, shot as a real full-frame film photograph with natural skin pores and fabric texture, dramatic crimson and indigo stage light, soft theatrical haze, wet reflective floor, fine 35mm film grain and restrained VHS softness; preserve Fukuchan as photorealistic live action with no anime, no flat illustration, no CGI, no plastic or waxy skin and no chibi proportions.
In the same industrial music-video stage at NIGHT, with clearly exposed crimson and indigo concert lighting, wet reflective floor, controlled theatrical haze and visible 35mm/VHS grain, exactly ONE person is on screen: exactly ONE Fukuchan (<Picture 3>, Fukuchan — the slim, stylish 170cm 48-year-old black-haired man in a loose black long coat over a white graphic T-shirt, with a lanyard name tag, always smiling warmly). Fukuchan appears EXACTLY ONCE; there are no band members, no dancers, no audience, no crew and no duplicate human. No new person or character enters the frame at any time, and no 2D, anime, cartoon, chibi or illustrated character ever appears in any frame; the black SPONSOR lanyard, the white 福ちゃん badge and the black line-art print on the white T-shirt stay visible and unchanged in EVERY frame and never vanish, migrate or duplicate mid-chapter.
PRESERVE: a photorealistic 48-year-old Japanese man, 170cm, slim adult male proportions (never chibi, never shortened); medium-length black mushroom/layered hair with bangs reaching the eyebrows; a soft warm smile; an oversized black tailored long coat; a white graphic T-shirt with a black line-art print; black wide-leg trousers; white sneakers; a black lanyard reading SPONSOR and a horizontal white name badge reading 福ちゃん, both hanging from his neck; when he performs the GYUNGYUN pose, both hands touch both cheeks. Do NOT carry over the character sheet's poses, crop, panel layout, typography, color swatches or background.
Exactly ONE vintage chrome microphone is on screen, mounted on exactly ONE black stand with exactly ONE cable descending out of frame; the microphone and stand are never duplicated, removed or moved to a different side. No other prop is held or added.
Performance beat for Clip 12: Start state: Fukuchan turns a quarter toward the microphone and sings the second verse with a calm, knowing smile. End state: He resolves the verse by resting one hand lightly over the lanyard and badge on his chest; the items remain attached and unchanged. Use <Audio 1> AS-IS as this chapter's audio: it is the supplied song master segment for this chapter, and Fukuchan's mouth shapes, breath and facial timing follow the vocal in <Audio 1> frame by frame as genuine singing, with no spoken words. Fukuchan (<Picture 3>, the slim stylish black-haired man in the black long coat) (S1) is the only performer and the only voice heard in <Audio 1>; do NOT generate a replacement song, any additional singing or speaking voice, or a second music track.
Camera: locked-off static camera. The camera movement must begin and end on the exact framing described by the two attached keyframes and must remain small enough for stable interpolation.
Both of Fukuchan's hands stay away from his cheeks except in Clip 17's final frame; he does NOT perform the GYUNGYUN pose before that final frame. The black lanyard and white name badge remain on Fukuchan alone and do not migrate, disappear or duplicate.
The reference sheets' text labels must NOT appear in the video. do NOT render any on-screen text — no subtitles, no captions, no lettering, no Japanese characters, no band logo and no lyrics; the video must contain no text at all.
Soundscape: <Audio 1> is the complete soundtrack for this chapter — add no extra room tone, no effects, no applause and no other voices.
Music: <Audio 1> is the supplied song master segment and the only music; do NOT generate, replace or layer any other music.

### 03_SCRIPTS/82_fukuchan_gyungyun_visual_kei_mv_alt/ch13_prompt.txt
Required attached input files: <Picture 1> = clip13_start.png — start keyframe; the video's FIRST frame; <Picture 2> = clip13_end.png — end keyframe; the video's LAST frame; <Picture 3> = Fukuchan_sheet.png — Fukuchan's canonical character model sheet, identity/design reference only, NOT a composition reference (PRESERVE his face, hairstyle, outfit and all NG-change elements; do NOT carry over its poses, camera angles, panel layout, text labels, typography or sheet background); <Picture 4> = performance_ref_front.png — supplied front microphone-performance photograph of Fukuchan, identity and microphone-relationship reference only, NOT a composition reference; <Picture 5> = performance_ref_side.png — supplied side performance photograph of Fukuchan, profile identity reference only, NOT a composition reference; <Audio 1> = ch13_song.wav — the supplied song master segment for this chapter (14.375s, song_master.mp3 from 166.833s to 181.208s). These attachments are REQUIRED inputs and must remain attached for this generation. The video starts EXACTLY on <Picture 1> and ends EXACTLY on <Picture 2>.
Photorealistic cinematic live-action-style late-1990s Japanese visual-kei rock music video, shot as a real full-frame film photograph with natural skin pores and fabric texture, dramatic crimson and indigo stage light, soft theatrical haze, wet reflective floor, fine 35mm film grain and restrained VHS softness; preserve Fukuchan as photorealistic live action with no anime, no flat illustration, no CGI, no plastic or waxy skin and no chibi proportions.
In the same industrial music-video stage at NIGHT, with clearly exposed crimson and indigo concert lighting, wet reflective floor, controlled theatrical haze and visible 35mm/VHS grain, exactly ONE person is on screen: exactly ONE Fukuchan (<Picture 3>, Fukuchan — the slim, stylish 170cm 48-year-old black-haired man in a loose black long coat over a white graphic T-shirt, with a lanyard name tag, always smiling warmly). Fukuchan appears EXACTLY ONCE; there are no band members, no dancers, no audience, no crew and no duplicate human. No new person or character enters the frame at any time, and no 2D, anime, cartoon, chibi or illustrated character ever appears in any frame; the black SPONSOR lanyard, the white 福ちゃん badge and the black line-art print on the white T-shirt stay visible and unchanged in EVERY frame and never vanish, migrate or duplicate mid-chapter.
PRESERVE: a photorealistic 48-year-old Japanese man, 170cm, slim adult male proportions (never chibi, never shortened); medium-length black mushroom/layered hair with bangs reaching the eyebrows; a soft warm smile; an oversized black tailored long coat; a white graphic T-shirt with a black line-art print; black wide-leg trousers; white sneakers; a black lanyard reading SPONSOR and a horizontal white name badge reading 福ちゃん, both hanging from his neck; when he performs the GYUNGYUN pose, both hands touch both cheeks. Do NOT carry over the character sheet's poses, crop, panel layout, typography, color swatches or background.
Exactly ONE vintage chrome microphone is on screen, mounted on exactly ONE black stand with exactly ONE cable descending out of frame; the microphone and stand are never duplicated, removed or moved to a different side. No other prop is held or added.
Performance beat for Clip 13: Start state: The second rap is intimate and graphic: Fukuchan's profile, microphone grille and black hair are separated by blue rim light. End state: The small pan reveals more of the crimson haze as he turns only his eyes toward the camera and keeps singing. Use <Audio 1> AS-IS as this chapter's audio: it is the supplied song master segment for this chapter, and Fukuchan's mouth shapes, breath and facial timing follow the vocal in <Audio 1> frame by frame as genuine singing, with no spoken words. Fukuchan (<Picture 3>, the slim stylish black-haired man in the black long coat) (S1) is the only performer and the only voice heard in <Audio 1>; do NOT generate a replacement song, any additional singing or speaking voice, or a second music track.
Camera: slow pan right, small amplitude, slow speed. The camera movement must begin and end on the exact framing described by the two attached keyframes and must remain small enough for stable interpolation.
Both of Fukuchan's hands stay away from his cheeks except in Clip 17's final frame; he does NOT perform the GYUNGYUN pose before that final frame. The black lanyard and white name badge remain on Fukuchan alone and do not migrate, disappear or duplicate.
The reference sheets' text labels must NOT appear in the video. do NOT render any on-screen text — no subtitles, no captions, no lettering, no Japanese characters, no band logo and no lyrics; the video must contain no text at all.
Soundscape: <Audio 1> is the complete soundtrack for this chapter — add no extra room tone, no effects, no applause and no other voices.
Music: <Audio 1> is the supplied song master segment and the only music; do NOT generate, replace or layer any other music.

### 03_SCRIPTS/82_fukuchan_gyungyun_visual_kei_mv_alt/ch14_prompt.txt
Required attached input files: <Picture 1> = clip14_start.png — start keyframe; the video's FIRST frame; <Picture 2> = clip14_end.png — end keyframe; the video's LAST frame; <Picture 3> = Fukuchan_sheet.png — Fukuchan's canonical character model sheet, identity/design reference only, NOT a composition reference (PRESERVE his face, hairstyle, outfit and all NG-change elements; do NOT carry over its poses, camera angles, panel layout, text labels, typography or sheet background); <Picture 4> = performance_ref_front.png — supplied front microphone-performance photograph of Fukuchan, identity and microphone-relationship reference only, NOT a composition reference; <Picture 5> = performance_ref_side.png — supplied side performance photograph of Fukuchan, profile identity reference only, NOT a composition reference; <Audio 1> = ch14_song.wav — the supplied song master segment for this chapter (13.667s, song_master.mp3 from 181.208s to 194.875s). These attachments are REQUIRED inputs and must remain attached for this generation. The video starts EXACTLY on <Picture 1> and ends EXACTLY on <Picture 2>.
Photorealistic cinematic live-action-style late-1990s Japanese visual-kei rock music video, shot as a real full-frame film photograph with natural skin pores and fabric texture, dramatic crimson and indigo stage light, soft theatrical haze, wet reflective floor, fine 35mm film grain and restrained VHS softness; preserve Fukuchan as photorealistic live action with no anime, no flat illustration, no CGI, no plastic or waxy skin and no chibi proportions.
In the same industrial music-video stage at NIGHT, with clearly exposed crimson and indigo concert lighting, wet reflective floor, controlled theatrical haze and visible 35mm/VHS grain, exactly ONE person is on screen: exactly ONE Fukuchan (<Picture 3>, Fukuchan — the slim, stylish 170cm 48-year-old black-haired man in a loose black long coat over a white graphic T-shirt, with a lanyard name tag, always smiling warmly). Fukuchan appears EXACTLY ONCE; there are no band members, no dancers, no audience, no crew and no duplicate human. No new person or character enters the frame at any time, and no 2D, anime, cartoon, chibi or illustrated character ever appears in any frame; the black SPONSOR lanyard, the white 福ちゃん badge and the black line-art print on the white T-shirt stay visible and unchanged in EVERY frame and never vanish, migrate or duplicate mid-chapter.
PRESERVE: a photorealistic 48-year-old Japanese man, 170cm, slim adult male proportions (never chibi, never shortened); medium-length black mushroom/layered hair with bangs reaching the eyebrows; a soft warm smile; an oversized black tailored long coat; a white graphic T-shirt with a black line-art print; black wide-leg trousers; white sneakers; a black lanyard reading SPONSOR and a horizontal white name badge reading 福ちゃん, both hanging from his neck; when he performs the GYUNGYUN pose, both hands touch both cheeks. Do NOT carry over the character sheet's poses, crop, panel layout, typography, color swatches or background.
Exactly ONE vintage chrome microphone is on screen, mounted on exactly ONE black stand with exactly ONE cable descending out of frame; the microphone and stand are never duplicated, removed or moved to a different side. No other prop is held or added.
Performance beat for Clip 14: Start state: Fukuchan begins the final build with both hands relaxed at waist height and the microphone centered in front of him. End state: The pull-back reveals his full upper body as both fists rise slowly to chest height; he remains joyful, not aggressive. Use <Audio 1> AS-IS as this chapter's audio: it is the supplied song master segment for this chapter, and Fukuchan's mouth shapes, breath and facial timing follow the vocal in <Audio 1> frame by frame as genuine singing, with no spoken words. Fukuchan (<Picture 3>, the slim stylish black-haired man in the black long coat) (S1) is the only performer and the only voice heard in <Audio 1>; do NOT generate a replacement song, any additional singing or speaking voice, or a second music track.
Camera: slow pull back, small amplitude, slow speed. The camera movement must begin and end on the exact framing described by the two attached keyframes and must remain small enough for stable interpolation.
Both of Fukuchan's hands stay away from his cheeks except in Clip 17's final frame; he does NOT perform the GYUNGYUN pose before that final frame. The black lanyard and white name badge remain on Fukuchan alone and do not migrate, disappear or duplicate.
The reference sheets' text labels must NOT appear in the video. do NOT render any on-screen text — no subtitles, no captions, no lettering, no Japanese characters, no band logo and no lyrics; the video must contain no text at all.
Soundscape: <Audio 1> is the complete soundtrack for this chapter — add no extra room tone, no effects, no applause and no other voices.
Music: <Audio 1> is the supplied song master segment and the only music; do NOT generate, replace or layer any other music.

### 03_SCRIPTS/82_fukuchan_gyungyun_visual_kei_mv_alt/ch15_prompt.txt
Required attached input files: <Picture 1> = clip15_start.png — start keyframe; the video's FIRST frame; <Picture 2> = clip15_end.png — end keyframe; the video's LAST frame; <Picture 3> = Fukuchan_sheet.png — Fukuchan's canonical character model sheet, identity/design reference only, NOT a composition reference (PRESERVE his face, hairstyle, outfit and all NG-change elements; do NOT carry over its poses, camera angles, panel layout, text labels, typography or sheet background); <Picture 4> = performance_ref_front.png — supplied front microphone-performance photograph of Fukuchan, identity and microphone-relationship reference only, NOT a composition reference; <Picture 5> = performance_ref_side.png — supplied side performance photograph of Fukuchan, profile identity reference only, NOT a composition reference; <Audio 1> = ch15_song.wav — the supplied song master segment for this chapter (14.375s, song_master.mp3 from 194.875s to 209.250s). These attachments are REQUIRED inputs and must remain attached for this generation. The video starts EXACTLY on <Picture 1> and ends EXACTLY on <Picture 2>.
Photorealistic cinematic live-action-style late-1990s Japanese visual-kei rock music video, shot as a real full-frame film photograph with natural skin pores and fabric texture, dramatic crimson and indigo stage light, soft theatrical haze, wet reflective floor, fine 35mm film grain and restrained VHS softness; preserve Fukuchan as photorealistic live action with no anime, no flat illustration, no CGI, no plastic or waxy skin and no chibi proportions.
In the same industrial music-video stage at NIGHT, with clearly exposed crimson and indigo concert lighting, wet reflective floor, controlled theatrical haze and visible 35mm/VHS grain, exactly ONE person is on screen: exactly ONE Fukuchan (<Picture 3>, Fukuchan — the slim, stylish 170cm 48-year-old black-haired man in a loose black long coat over a white graphic T-shirt, with a lanyard name tag, always smiling warmly). Fukuchan appears EXACTLY ONCE; there are no band members, no dancers, no audience, no crew and no duplicate human. No new person or character enters the frame at any time, and no 2D, anime, cartoon, chibi or illustrated character ever appears in any frame; the black SPONSOR lanyard, the white 福ちゃん badge and the black line-art print on the white T-shirt stay visible and unchanged in EVERY frame and never vanish, migrate or duplicate mid-chapter.
PRESERVE: a photorealistic 48-year-old Japanese man, 170cm, slim adult male proportions (never chibi, never shortened); medium-length black mushroom/layered hair with bangs reaching the eyebrows; a soft warm smile; an oversized black tailored long coat; a white graphic T-shirt with a black line-art print; black wide-leg trousers; white sneakers; a black lanyard reading SPONSOR and a horizontal white name badge reading 福ちゃん, both hanging from his neck; when he performs the GYUNGYUN pose, both hands touch both cheeks. Do NOT carry over the character sheet's poses, crop, panel layout, typography, color swatches or background.
Exactly ONE vintage chrome microphone is on screen, mounted on exactly ONE black stand with exactly ONE cable descending out of frame; the microphone and stand are never duplicated, removed or moved to a different side. No other prop is held or added.
Performance beat for Clip 15: Start state: Fukuchan sings the final chorus alone, the black coat and white sneakers clearly visible against the reflective floor. End state: He holds the final chorus stance with both arms open and his feet steady, while red petals drift through the beams. Use <Audio 1> AS-IS as this chapter's audio: it is the supplied song master segment for this chapter, and Fukuchan's mouth shapes, breath and facial timing follow the vocal in <Audio 1> frame by frame as genuine singing, with no spoken words. Fukuchan (<Picture 3>, the slim stylish black-haired man in the black long coat) (S1) is the only performer and the only voice heard in <Audio 1>; do NOT generate a replacement song, any additional singing or speaking voice, or a second music track.
Camera: locked-off static camera. The camera movement must begin and end on the exact framing described by the two attached keyframes and must remain small enough for stable interpolation.
Both of Fukuchan's hands stay away from his cheeks except in Clip 17's final frame; he does NOT perform the GYUNGYUN pose before that final frame. The black lanyard and white name badge remain on Fukuchan alone and do not migrate, disappear or duplicate.
The reference sheets' text labels must NOT appear in the video. do NOT render any on-screen text — no subtitles, no captions, no lettering, no Japanese characters, no band logo and no lyrics; the video must contain no text at all.
Soundscape: <Audio 1> is the complete soundtrack for this chapter — add no extra room tone, no effects, no applause and no other voices.
Music: <Audio 1> is the supplied song master segment and the only music; do NOT generate, replace or layer any other music.

### 03_SCRIPTS/82_fukuchan_gyungyun_visual_kei_mv_alt/ch16_prompt.txt
Required attached input files: <Picture 1> = clip16_start.png — start keyframe; the video's FIRST frame; <Picture 2> = clip16_end.png — end keyframe; the video's LAST frame; <Picture 3> = Fukuchan_sheet.png — Fukuchan's canonical character model sheet, identity/design reference only, NOT a composition reference (PRESERVE his face, hairstyle, outfit and all NG-change elements; do NOT carry over its poses, camera angles, panel layout, text labels, typography or sheet background); <Picture 4> = performance_ref_front.png — supplied front microphone-performance photograph of Fukuchan, identity and microphone-relationship reference only, NOT a composition reference; <Picture 5> = performance_ref_side.png — supplied side performance photograph of Fukuchan, profile identity reference only, NOT a composition reference; <Audio 1> = ch16_song.wav — the supplied song master segment for this chapter (13.667s, song_master.mp3 from 209.250s to 222.917s). These attachments are REQUIRED inputs and must remain attached for this generation. The video starts EXACTLY on <Picture 1> and ends EXACTLY on <Picture 2>.
Photorealistic cinematic live-action-style late-1990s Japanese visual-kei rock music video, shot as a real full-frame film photograph with natural skin pores and fabric texture, dramatic crimson and indigo stage light, soft theatrical haze, wet reflective floor, fine 35mm film grain and restrained VHS softness; preserve Fukuchan as photorealistic live action with no anime, no flat illustration, no CGI, no plastic or waxy skin and no chibi proportions.
In the same industrial music-video stage at NIGHT, with clearly exposed crimson and indigo concert lighting, wet reflective floor, controlled theatrical haze and visible 35mm/VHS grain, exactly ONE person is on screen: exactly ONE Fukuchan (<Picture 3>, Fukuchan — the slim, stylish 170cm 48-year-old black-haired man in a loose black long coat over a white graphic T-shirt, with a lanyard name tag, always smiling warmly). Fukuchan appears EXACTLY ONCE; there are no band members, no dancers, no audience, no crew and no duplicate human. No new person or character enters the frame at any time, and no 2D, anime, cartoon, chibi or illustrated character ever appears in any frame; the black SPONSOR lanyard, the white 福ちゃん badge and the black line-art print on the white T-shirt stay visible and unchanged in EVERY frame and never vanish, migrate or duplicate mid-chapter.
PRESERVE: a photorealistic 48-year-old Japanese man, 170cm, slim adult male proportions (never chibi, never shortened); medium-length black mushroom/layered hair with bangs reaching the eyebrows; a soft warm smile; an oversized black tailored long coat; a white graphic T-shirt with a black line-art print; black wide-leg trousers; white sneakers; a black lanyard reading SPONSOR and a horizontal white name badge reading 福ちゃん, both hanging from his neck; when he performs the GYUNGYUN pose, both hands touch both cheeks. Do NOT carry over the character sheet's poses, crop, panel layout, typography, color swatches or background.
Exactly ONE vintage chrome microphone is on screen, mounted on exactly ONE black stand with exactly ONE cable descending out of frame; the microphone and stand are never duplicated, removed or moved to a different side. No other prop is held or added.
Performance beat for Clip 16: Start state: Fukuchan leans toward the microphone for the last rap-to-hook transition, smiling with theatrical but sincere energy. End state: The tilt reaches his face and shoulders as his palms begin to rise toward his cheeks but remain visibly separate from his face. Use <Audio 1> AS-IS as this chapter's audio: it is the supplied song master segment for this chapter, and Fukuchan's mouth shapes, breath and facial timing follow the vocal in <Audio 1> frame by frame as genuine singing, with no spoken words. Fukuchan (<Picture 3>, the slim stylish black-haired man in the black long coat) (S1) is the only performer and the only voice heard in <Audio 1>; do NOT generate a replacement song, any additional singing or speaking voice, or a second music track.
Camera: slow tilt up, small amplitude, slow speed. The camera movement must begin and end on the exact framing described by the two attached keyframes and must remain small enough for stable interpolation.
Both of Fukuchan's hands stay away from his cheeks except in Clip 17's final frame; he does NOT perform the GYUNGYUN pose before that final frame. The black lanyard and white name badge remain on Fukuchan alone and do not migrate, disappear or duplicate.
The reference sheets' text labels must NOT appear in the video. do NOT render any on-screen text — no subtitles, no captions, no lettering, no Japanese characters, no band logo and no lyrics; the video must contain no text at all.
Soundscape: <Audio 1> is the complete soundtrack for this chapter — add no extra room tone, no effects, no applause and no other voices.
Music: <Audio 1> is the supplied song master segment and the only music; do NOT generate, replace or layer any other music.

### 03_SCRIPTS/82_fukuchan_gyungyun_visual_kei_mv_alt/ch17_prompt.txt
Required attached input files: <Picture 1> = clip17_start.png — start keyframe; the video's FIRST frame; <Picture 2> = clip17_end.png — end keyframe; the video's LAST frame; <Picture 3> = Fukuchan_sheet.png — Fukuchan's canonical character model sheet, identity/design reference only, NOT a composition reference (PRESERVE his face, hairstyle, outfit and all NG-change elements; do NOT carry over its poses, camera angles, panel layout, text labels, typography or sheet background); <Picture 4> = performance_ref_front.png — supplied front microphone-performance photograph of Fukuchan, identity and microphone-relationship reference only, NOT a composition reference; <Picture 5> = performance_ref_side.png — supplied side performance photograph of Fukuchan, profile identity reference only, NOT a composition reference; <Audio 1> = ch17_song.wav — the supplied song master segment for this chapter (8.708s, song_master.mp3 from 222.917s to 231.158s). These attachments are REQUIRED inputs and must remain attached for this generation. The video starts EXACTLY on <Picture 1> and ends EXACTLY on <Picture 2>.
Photorealistic cinematic live-action-style late-1990s Japanese visual-kei rock music video, shot as a real full-frame film photograph with natural skin pores and fabric texture, dramatic crimson and indigo stage light, soft theatrical haze, wet reflective floor, fine 35mm film grain and restrained VHS softness; preserve Fukuchan as photorealistic live action with no anime, no flat illustration, no CGI, no plastic or waxy skin and no chibi proportions.
In the same industrial music-video stage at NIGHT, with clearly exposed crimson and indigo concert lighting, wet reflective floor, controlled theatrical haze and visible 35mm/VHS grain, exactly ONE person is on screen: exactly ONE Fukuchan (<Picture 3>, Fukuchan — the slim, stylish 170cm 48-year-old black-haired man in a loose black long coat over a white graphic T-shirt, with a lanyard name tag, always smiling warmly). Fukuchan appears EXACTLY ONCE; there are no band members, no dancers, no audience, no crew and no duplicate human. No new person or character enters the frame at any time, and no 2D, anime, cartoon, chibi or illustrated character ever appears in any frame; the black SPONSOR lanyard, the white 福ちゃん badge and the black line-art print on the white T-shirt stay visible and unchanged in EVERY frame and never vanish, migrate or duplicate mid-chapter.
PRESERVE: a photorealistic 48-year-old Japanese man, 170cm, slim adult male proportions (never chibi, never shortened); medium-length black mushroom/layered hair with bangs reaching the eyebrows; a soft warm smile; an oversized black tailored long coat; a white graphic T-shirt with a black line-art print; black wide-leg trousers; white sneakers; a black lanyard reading SPONSOR and a horizontal white name badge reading 福ちゃん, both hanging from his neck; when he performs the GYUNGYUN pose, both hands touch both cheeks. Do NOT carry over the character sheet's poses, crop, panel layout, typography, color swatches or background.
Exactly ONE vintage chrome microphone is on screen, mounted on exactly ONE black stand with exactly ONE cable descending out of frame; the microphone and stand are never duplicated, removed or moved to a different side. No other prop is held or added.
Performance beat for Clip 17: Start state: Fukuchan continues the last repeated hook beside the single vintage microphone, palms lifted near his jaw but not yet touching. End state: On the final beat he completes the canonical GYUNGYUN pose with BOTH hands touching BOTH cheeks, holds the warm smile, and stays still as the song ends. Use <Audio 1> AS-IS as this chapter's audio: it is the supplied song master segment for this chapter, and Fukuchan's mouth shapes, breath and facial timing follow the vocal in <Audio 1> frame by frame as genuine singing, with no spoken words. Fukuchan (<Picture 3>, the slim stylish black-haired man in the black long coat) (S1) is the only performer and the only voice heard in <Audio 1>; do NOT generate a replacement song, any additional singing or speaking voice, or a second music track. <Audio 1> carries the song's last audible phrase and then goes silent for the rest of the chapter: Fukuchan completes the GYUNGYUN pose as that last phrase ends, and through the silent tail he holds the finished pose completely still with his mouth closed and mimes no further singing.
Camera: locked-off static camera. The camera movement must begin and end on the exact framing described by the two attached keyframes and must remain small enough for stable interpolation.
Both of Fukuchan's hands stay away from his cheeks except in Clip 17's final frame; he does NOT perform the GYUNGYUN pose before that final frame. The black lanyard and white name badge remain on Fukuchan alone and do not migrate, disappear or duplicate.
The reference sheets' text labels must NOT appear in the video. do NOT render any on-screen text — no subtitles, no captions, no lettering, no Japanese characters, no band logo and no lyrics; the video must contain no text at all.
Soundscape: <Audio 1> is the complete soundtrack for this chapter — add no extra room tone, no effects, no applause and no other voices.
Music: <Audio 1> is the supplied song master segment and the only music; do NOT generate, replace or layer any other music.