名探偵ヨータン 残されたちくわの謎

プロンプト

採用4クリップの実入力プロンプト · revision 1

採用クリップの実入力プロンプト（逐語）。完成編集 v23 は各クリップの採用部分を組み合わせ、Irodori音声修正・現場記録テロップ・追従モザイクを追加。

=== prompt_wan3_v2.txt ===
Create one edited 30-second 16:9 Japanese live-action crime-drama comedy with synchronized Japanese dialogue. Nighttime apartment crime scene. Serious television detective-drama cinematography, controlled cool shadows, warm dining-table practical light, authentic restrained acting. The absurd dialogue and final collapse are the comedy. Nobody performs as a comedian, laughs, or winks at the audience.

References:
Image 1: Sobaya, called Sobasoba in this story, exact canonical white mask with red marks and black eye openings, short dark hair, heavily muscular body and neutral gray exposed skin. Preserve the entire mask, body silhouette, fitted white short-sleeve T-shirt, black trousers, white sneakers and large glass beer mug. One character only.
Image 2: Yotan, the private detective. Preserve the face in the right-hand portraits, blond hair, glasses and slim body. Use his usual black leather jacket and black clothes from Image 2. No overcoat. Empty hands. No guitar, guitar case, guitar strap or police badge anywhere on Yotan.
Image 3: Fukugyun (internal asset ID Fukuchan), the police detective. Preserve the face in the right-hand portraits, dark hair and slim body. Use his usual black casual blazer, graphic white T-shirt, black trousers, SPONSOR lanyard and name tag from Image 3. No dress shirt, no necktie, no police uniform. He alone carries a folding police credential wallet.
Image 4: floor lettering and opening-composition reference. Preserve the exact readable three hiragana, wood floor and lighting. This is a person-free practical set reference, not a character reference.
Image 5: oden and dining-table prop reference. Preserve the cream-and-brown ceramic pot, dark wood table, single visibly toxic purple chikuwa with magenta and yellow-green mottling, daikon, egg and triangular konjac. The chikuwa stays visible and accessible for Sobaya to pick up. Match the night lighting across Images 4 and 5.
Use reference sheets only for individual identity. Never copy panels, labels, blank studio backgrounds, headless clothing displays or multiple copies of a character.
Audio 1: Sobaya voice-timbre reference only.
Audio 2: Yotan voice-timbre reference only.
Audio 3: Fukugyun voice-timbre reference only.
Do not copy reference-audio words, timing or emotional delivery. Generate the new dialogue below, with distinct canonical voices and the acting specified here.

Fukuchan's skin quality and apparent age must match the close-up portraits in Image 3. Keep his well-cared-for, clean, even complexion and natural fine skin texture. Preserve the sheet's subtle forehead lines, eye-area wrinkles, smile lines and nasolabial folds, including their natural changes with expression. Do not add or exaggerate dark spots, freckles, blemishes, rough pores or mottled skin beyond the sheet. Do not erase all wrinkles, de-age him, reshape his face, or give him plastic, waxy or porcelain skin. Preserve the scene's lighting and natural facial shading without turning shadows into blemishes.
Sobaya's mask remains correctly worn throughout every appearance, including eating, drinking, speaking and falling. Never remove, lift, shift, make transparent or deform it, and never reveal a human face. Food and drink meet the existing mouth opening; keep this brief and physically coherent. Express smug confidence through a raised chin and composed head angle, not a changing mask. Preserve rounded pectoral volume and natural broad fabric folds but no nipple bumps, outlines, paired dot shadows or highlights through his shirt. All exposed skin including hands, ears and neck remains neutral gray.

Continuity: one apartment dining room connected to the entrance, one anonymous adult victim lying motionless beside the table, one pot of oden with ordinary-colored daikon, egg and konjac and one clearly visible toxic-looking purple chikuwa. The dying message on the floor reads exactly 「ちくわ」 in three readable blood-red finger-written hiragana, oriented toward the camera, next to the victim's fingertips. No graphic wound emphasis. Chikuwa matches Image 5: saturated purple flesh, near-black violet toasted ridges, irregular magenta and small yellow-green mottled patches. Preserve its recognizable hollow fish-cake shape and wet texture. Its toxic appearance is obvious from its first appearance and stays consistent when picked up and bitten. No glowing aura, colored fumes, poison labels or symbols. Yotan and Fukugyun never comment on its color. Sobaya picks it up eagerly as a normal beer snack, without hesitation or prior alarm. No visible uniformed officers, guards, technicians or other living extras. The recipient of the credential is offscreen. Exactly one Yotan, one Fukugyun and one Sobaya. No extra living people. Sobaya arrives later carrying exactly one large glass beer mug in his right hand, takes chikuwa with his left hand, bites it, drinks, lowers the mug and delivers his only line. His mouth is empty before speaking. He keeps holding the mug as he drops below the final frame; no distracting glass-shattering gag.

Natural speech takes priority over approximate shot timestamps. Shot time ranges are editorial guides, not speech-duration targets or mandatory utterance start/end times. Deliver every line at a natural conversational pace appropriate to its emotion. Do not stretch syllables, vowels, final words or pauses to fill a time window, and do not rush speech to hit a timestamp. Let each utterance finish naturally, then close the mouth. Use remaining time for silent reactions, glances, small gestures, ambience or the final action. Speak only the dialogue written in this prompt; do not invent additional lines during generation. Adjust internal cut boundaries to complete natural utterances while preserving scene order and the total duration of 30 seconds.

Spatial and editing plan: use explicit hard cuts between independent setups, not a continuous take. Entrance is a separate setup. In the investigation two-shot Yotan is ALWAYS screen-left and Fukugyun ALWAYS screen-right. Preserve this axis for singles; neither man walks or crosses sides. Sobaya is completely absent, including reflections and blurred background, until AFTER Yotan finishes his question. Then cut to a separate, clearly established view of the dining table. Never morph camera setups or glide through people. The same face from Image 3 must appear in the credential shot and every subsequent Fukugyun shot. Both investigators maintain serious neutral expressions, never smiling, grinning or playing the joke.

Shot 1 [0-3.5 s]: Locked close-up of the readable floor message 「ちくわ」 matching Image 4, victim fingertips at edge. Fukugyun offscreen says gravely: 「被害者が最期に残した、『ちくわ』……」. No fade-in or title.
Shot 2 [3.5-5.5 s]: HARD CUT to a medium close-up of FUKUGYUN HIMSELF, exact face from Image 3, wearing his usual casual black blazer and graphic white T-shirt with lanyard. His face and the open police credential held beside his chest are both clearly visible in the same frame. He shows it toward an OFFSCREEN person, then closes it. No other person visible, no exchange, no handoff, no uniformed replacement. Silent. Do not show walking through the entrance or lifting tape.
Shot 3 [5.5-10.5 s]: HARD CUT to the interior investigation setup. Yotan already stands at screen-left, Fukugyun at screen-right beside the floor message; both are stationary. Show their stable positions briefly, then Yotan chest-up. He says gravely: 「被害者は、大のちくわ好きだった可能性が高い」. No Sobaya anywhere. Hold until he finishes.
Shot 4 [10.5-15 s]: HARD CUT to Fukugyun chest-up on the same side of the axis, looking screen-left toward Yotan. Completely serious, no smile: 「大のちくわ好き……略すと、だいちくわですね」. Background empty of Sobaya. Hold through the end of the line.
Shot 5 [15-17.5 s]: HARD CUT to Yotan on his original side, looking screen-right, quietly baffled: 「え、何で略した？」. Music stops. Fukugyun gives no answer. Both remain in their original positions. Sobaya is still absent. Finish the question and allow a brief awkward beat.
Shot 6 [17.5-23.5 s]: HARD CUT to a separate medium shot of the dining table and Image 5 oden pot. Only now does Sobaya FIRST ENTER this shot from its right edge with the beer mug. He immediately picks up the obvious purple chikuwa, takes a bite without hesitation, swallows and takes one quick sip of beer, keeping the mask unchanged. Fukugyun, OFFSCREEN at his established investigation position, warns clearly: 「おい！　それは証拠品だ！」. Pronounce しょうこひん, all four mora groups clearly; never しょうひん. No cut to relocated detectives, no detective walking or teleportation. Lower the mug before the next shot.
Shot 7 [23.5-27.5 s]: HARD CUT to Sobaya chest-up at the same table, chin lifted with smug confidence, mask rigid and unchanged. Sobaya says exactly: 「これ、毒ちくわです」 (これ、どくちくわです). Hold steady until the sentence ends, then one short beat. No other speech, music or loud sound here; dry voice and quiet room ambience only.
Shot 8 [27.5-30 s]: HARD CUT to a locked wider shot of the SAME table from the same axis. Sobaya's knees buckle and he drops out of the lower frame, still holding his mug. Keep both investigators OFFSCREEN so no new position is invented. One dull body thud, no scream, no added line. Brief final black frame.

Audio: low restrained suspense score until Yotan's question, then dry room tone. Quiet footsteps, brief unintelligible radio static and restrained eating/drinking sounds below dialogue. No laugh track, comic stingers, narrator or intelligible background voices. Only six quoted utterances, in the stated order. 「大の」 is 「だいの」; 「だいちくわ」 is one deliberately absurd abbreviation. 「何で」 is 「なんで」. The final line is 「これ、毒ちくわです」, never merely 「これ、毒です」.
Lip sync: generate speech and facial motion together for unmasked Yotan and Fukugyun. Animate lips, jaw and cheeks to the generated Japanese phonemes, maintain closed mouths during silence, and hold the speaking face until the final phoneme ends. Sobaya's rigid canonical mask takes priority: synchronize only subtle natural motion visible through its existing mouth opening; never animate the mask itself into flesh or enlarge its opening.
Hard constraints: no guitars or guitar straps; no cans; no poison bottle; no costume or identity swapping; no headless people; no sheet labels; no subtitles, captions, opening title, watermark or extra text overlays. The only story-critical readable scene text is the floor message 「ちくわ」; Fukugyun may retain his canonical lanyard/name tag. No extra lines. No falling before the final line is complete. Preserve Sobaya's mask in every frame and the exact late entrance, eating, drinking, diagnosis, collapse order. No Sobaya before Shot 6. No investigator position changes. No smiling Fukugyun. No invented uniformed man holding credentials.


=== prompt_wan3_entrance_v4.txt ===
Create one 12-second 16:9 live-action Japanese police-drama insert reel with TWO distinct shots of the SAME apartment entrance. These two shots will be separated by existing footage in a longer 45-second edited film. Nighttime apartment corridor, open dark wooden front door with warm interior light and cool corridor shadows, one yellow police cordon tape across doorway at waist height. Camera fixed at oblique side angle showing corridor, guard and door, not from inside the apartment. No dialogue, no music. Natural footsteps, fabric, quiet ambience only.
Image 1: Sobaya canonical white mask, gray skin, muscular body, white T-shirt, black pants, white sneakers, large glass beer mug.
Image 2: Yotan exact face, blond hair and glasses; usual black leather jacket and black clothing. Remove guitar and guitar strap entirely.
Image 3: Fukugyun exact face, usual black blazer, graphic white T-shirt, SPONSOR lanyard, black trousers. NOT a uniform, NOT a white dress shirt, NOT a necktie.
Character sheets define faces and bodies, not panel layouts, captions or duplicated people. Everyone remains recognizable as the referenced individual. A single anonymous uniformed male police guard is a separate person with short cropped hair, a police cap and navy uniform, distinctly unlike Fukugyun or Yotan.
Fukuchan's skin quality and apparent age must match the close-up portraits in Image 3. Keep his well-cared-for, clean, even complexion and natural fine skin texture. Preserve the sheet's subtle forehead lines, eye-area wrinkles, smile lines and nasolabial folds, including their natural changes with expression. Do not add or exaggerate dark spots, freckles, blemishes, rough pores or mottled skin beyond the sheet. Do not erase all wrinkles, de-age him, reshape his face, or give him plastic, waxy or porcelain skin. Preserve the scene's lighting and natural facial shading without turning shadows into blemishes.
Sobaya's mask remains correctly worn throughout every appearance, including eating, drinking, speaking and falling. Never remove, lift, shift, make transparent or deform it, and never reveal a human face. Food and drink meet the existing mouth opening; keep this brief and physically coherent. Express smug confidence through a raised chin and composed head angle, not a changing mask. Preserve rounded pectoral volume and natural broad fabric folds but no nipple bumps, outlines, paired dot shadows or highlights through his shirt. All exposed skin including hands, ears and neck remains neutral gray.


Shot 1 [0-7s]: Fixed medium-wide side view. At the RIGHT of frame, the uniformed guard stands beside the taped apartment entrance, facing LEFT down the corridor. Fukugyun and Yotan arrive together FROM THE LEFT, both outside the tape, facing RIGHT toward the guard. Fukugyun half a step ahead, Yotan alongside and just behind him. Fukugyun stops directly opposite the guard, raises his open police credential wallet in his right hand toward the GUARD. Keep Fukugyun's face, his hand holding the credential, and the uniformed guard's face ALL visible at the same time. The guard, not Yotan, looks down at the credential and nods. Yotan waits at Fukugyun's side, not opposite him. The guard lifts the tape and steps aside. Fukugyun closes his wallet and walks through the doorway, followed by Yotan. Camera stays fixed, both exit into apartment. Exactly these three men present. Sobaya must be COMPLETELY ABSENT from this first shot, including backgrounds and reflections. No handoff of the credential, no swapped faces or costumes, no teleporting.
Shot 2 [7-12s]: CLEAR HARD CUT back to the same fixed corridor view later, same door and same uniformed guard, same yellow tape now lowered. Fukugyun and Yotan are already INSIDE and do not appear. The guard turns to look into the apartment. From the LEFT of frame, a large glass beer mug FIRST pokes under the tape, held upright in Sobaya's right hand. Sobaya then ducks under the tape, keeping the beer upright, white mask correctly worn. He straightens, glances through the doorway toward the food inside, and walks into the apartment. Guard does not challenge him. End with Sobaya crossing the threshold. No other people.
Hard constraints: two shots with a hard cut at about 7 seconds, no morph or continuous impossible walk; preserve entry direction left-to-right; Fukugyun shows the badge to the UNIFORMED GUARD, never to Yotan; no guitar, no cans; Sobaya only in second shot; no face substitutions; exactly one beer mug; no mask removal; no dialogue, no text overlays or captions, no comedy music. Use natural movement, do not slow motion or pad with long hesitation.


=== prompt_wan3_investigation_v12.txt ===
Create cinematic live-action Japanese detective comedy in the same nighttime apartment. Serious, restrained acting; absurd words are the joke. Exactly one of each named character, no duplicates, no extras, no original victim body: only the white chalk outline on the floor.
Image 1: Yotan identity, blond hair, glasses, black leather jacket and black clothes; NO guitar, guitar strap or case. Image 2: Fukugyun identity (internal Fukuchan), dark hair, black blazer over white graphic tee and SPONSOR lanyard. Image 3: Sobaya identity, gray muscular body, rigid white mask with red marks and black eye holes, white T-shirt, black trousers, beer mug. Sheets are identity references only, never copy layouts/panels or duplicate bodies.
Image 4: PRIMARY shared room master BEFORE Sobaya arrives; preserve this exact table, room and investigator geography. Image 5: ORIGINAL meal scene camera/table geometry to preserve. Image 6: detailed yellow marker and oden appearance, not a second table. Use these roles, not literal contradictory camera angles.
Screen geography: Yotan LEFT, Fukugyun RIGHT, both on the far side of the dining table; Sobaya only in the later aftermath shot, on the NEAR side. Camera stays on near-side half of conversation axis. White chalk outline belongs to original victim and stays LEFT of table near window; Sobaya falls near-right of table and must not be placed inside that outline. One marker 1 behind-right of pot, one marker 2 beside floor blood writing. Marker positions are fixed in room space across camera changes. Never let a corpse, extra person, extra pot or prop duplicate appear.
Fukuchan's skin quality and apparent age must match close-up portraits in Image 2. Keep clean, well-cared-for even complexion and natural fine texture. Preserve subtle forehead lines, eye wrinkles, smile lines and nasolabial folds. Do not add spots, freckles, blemishes or rough pores; do not de-age, reshape face or erase wrinkles into waxy skin.
Sobaya's mask stays rigid, opaque and unchanged, never smiling/morphing into a human face. Gray hands/neck, white tee with natural pectoral volume and broad folds, no nipple bumps, outlines or paired dot shadows.
Audio 1 is Yotan voice timbre ONLY (the adopted video voice reference). Audio 2 is Fukugyun canonical voice timbre ONLY. Do NOT copy reference words, timing or emotion. Generate the exact Japanese dialogue below, with actual audible Japanese speech even when the speaker is filmed from behind. Dialogue is mandatory, never silent pantomime, random language or muted-mouth footage. Natural voice and conversation, no forced syllable clarity, no exaggerated announcer delivery.
Generate speech and facial motion TOGETHER. For visible speaking Yotan, show readable mouth/jaw/cheek motion synchronized to the generated Japanese, and hold until final phoneme and mouth closure. Non-speakers keep lips closed. Never show Fukugyun speaking during Yotan's line. Audio postproduction may retain this generated performance; do not assume voices will be discarded.
Natural speech takes priority over approximate shot timestamps. Ranges below are edit guides, not mandatory speech start/end targets. Do not stretch vowels or rush to fill them. Speak each line exactly once, then close mouth. No extra dialogue, narration, subtitles or music. Quiet room tone/cloth only below speech. Preserve clothing, table position and lighting. Real human movement, no freeze frames or Ken Burns still animation.

Generate ONE 14-second sequence in three hard-cut shots. Sobaya is absent from this whole sequence.
Shot 1 [0–5 s]: medium close-up, Yotan chest-up from slight front angle, LEFT side of frame. Small part of Fukugyun's shoulder at right edge only, not his face. Yotan looks right toward Fukugyun and seriously states exactly: 「被害者は、大のちくわ好きだった可能性が高い。」 Hold on Yotan's face through the complete line. No camera drift across axis.
Shot 2 [5–11 s]: hard cut to a slightly wider rear over-the-shoulder view of Fukugyun. Back of head, shoulders, entire pot and yellow marker 1 all readable. Fukugyun bends naturally at waist toward pot, small shoulder and cloth movement and thoughtful head tilt. Keep face/mouth hidden, but he audibly says exactly: 「大のちくわ好き……略すと、だいちくわですね。」 Insert an intentional half-second thoughtful pause AFTER 「大のちくわ好き」 and BEFORE 「略すと」. Other speech at natural speed. Do not touch food/marker. Yotan stays offscreen in his established left position.
Shot 3 [11–14 s]: hard cut to Yotan face-to-chest, tighter than Shot 1, same screen side, looking RIGHT at Fukugyun. Fixed camera. Brief incredulous look then YOTAN audibly says exactly: 「え、何で略した？」 His own lips perform the line, not Fukugyun's. Finish naturally then small silent baffled reaction. Never substitute listener-only coverage for this shot. No Sobaya or entrance in this sequence.
Pot contains one purple chikuwa throughout this investigation, plus ordinary daikon/egg/konjac. No eating in this sequence. Floor outline and markers remain wherever visible. No actual victim.


=== prompt_wan3_aftermath_v15.txt ===
Create one uninterrupted 5-second live-action Japanese detective-drama shot matching Image 1 exactly. Locked wide camera. Preserve the positions, faces, clothes, room, table, chairs and lighting: blond man with glasses at rear LEFT, dark-haired man at rear RIGHT, gray muscular white-masked man on the floor in foreground with feet LEFT and head RIGHT. All three remain in the same frame throughout. No cuts, zoom, camera move, new people or new props.
The ONLY main action is the masked man losing his last strength while already FACE DOWN on his stomach. He starts in the exact prone pose in Image 1, weakly supported a few centimeters by his bent forearms. His elbows slowly give way once, his chest and masked face sink gently to the floor, then he lies fully prone and motionless, back upward. Do not roll onto his back or side, do not raise his head again, do not stand up, no repeated collapse. Keep his rigid opaque white/red mask attached, pointing down at the floor, never a human face. Keep the beer mug upright in its existing place. White T-shirt retains pectoral volume and natural broad folds without nipple bumps, outlines or dot shadows.
The blond man watches him with restrained bewilderment and is the sole speaker. He naturally speaks this exact Japanese line ONCE: 「誰この人。こわ…」. These are the ONLY spoken words. Do not say any character names before the line. Do not add words afterward. Generate his audible Japanese speech and his mouth/jaw motion together. Audio 1 provides this same speaker's voice timbre; use its voice quality, not an instruction to recite any reference labels. Natural conversational delivery, not announcer-like. He finishes, closes his mouth and silently looks down. The dark-haired man stays quiet with closed mouth and barely moves. Preserve subtle expression and posture; no comical exaggerated reaction. Quiet room tone only. Absolutely no captions, subtitles, titles, logos, narration or music. No language other than the exact Japanese dialogue above.
The pot contains only the same pale ordinary oden ingredients shown in Image 1. Preserve the contents exactly; do not introduce purple food. Preserve fixed evidence-marker positions and the chalk outline at left. No original victim body.
Fukuchan's skin quality and apparent age must match the close-up portraits in his canonical character sheet. Keep his well-cared-for, clean, even complexion and natural fine skin texture. Preserve the sheet's subtle forehead lines, eye-area wrinkles, smile lines and nasolabial folds, including their natural changes with expression. Do not add or exaggerate dark spots, freckles, blemishes, rough pores or mottled skin beyond the sheet. Do not erase all wrinkles, de-age him, reshape his face, or give him plastic, waxy or porcelain skin. Preserve the scene's lighting and natural facial shading without turning shadows into blemishes.