EPISODES
MS-Z257HCA8 PICK UP
窓際酒場 建築タイムラプス
Prime高速版・30秒・480P・seed 300049
汚れたベランダ席で働くそば屋が、怪力でオフィス用品を破壊・廃棄し、清掃と床張りを経て窓際酒場を完成させ、福ちゃんととーくんと乾杯する30秒の実写建築タイムラプス。Wan 3.0通常版とPrime版を比較。
2026/08/262 VIDEOS3 CASTv2 · wan3.0-video-prime
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PROMPT & INPUTS
GENERATION v2
Prime高速版・seed 300049
wan3.0-video-primePrime高速版・30秒・480P・seed 300049
PROMPTrevision 2
Wan 3.0 30秒建築タイムラプス（同一プロンプト）
Create exactly one 30.0-second, 16:9, photorealistic live-action construction time-lapse video with synchronized sound. The entire video is one continuous locked-off wide master shot with no cuts, no reframing, and no camera movement. References: - Image 1: the sole identity reference for Sobaya. Preserve his exact white mask with black circular eye holes, four vertical red markings, black forehead dot, short spiky black hair, neutral-gray exposed skin, massive muscular build, and distinctive face-and-body silhouette throughout. He wears a plain fitted white short-sleeve T-shirt, black work pants, and black work shoes. His mask never comes off. - Image 2: the sole face and identity reference for Fukuchan. Preserve the exact face, black center-parted hair, slim body, and recognizable real Japanese male identity. He wears the stylish black jacket and white graphic shirt seen in Image 2. - Image 3: the sole face and identity reference for Tokun. Preserve the exact face and recognizable real Japanese male identity. He wears a straw hat, dark sunglasses, bright aqua Hawaiian shirt, pink lei, dark trousers, and shoes. Exactly one ukulele is stored at the finished bar; he does not play it during the toast. - Image 4: opening environment, dirty-floor state, fixed 24 mm camera geography, balcony dimensions, skyline, desk, computer equipment, and initial placement reference. Use the person visible in Image 4 only for composition; Sobaya's identity must come from Image 1. - Image 5: finished standing-bar environment, warm wooden deck, timber counter, shelves, red lanterns, plain navy noren curtains, string lights, plants, food, beer, and final toast composition reference. Use the people visible in Image 5 only for composition; all three identities must come from Images 1, 2, and 3. Do not copy any accidental or unreadable bottle-label text. - Audio 1: Fukuchan's voice-timbre reference only. Use its recognizable voice quality for Fukuchan's final one-word line. Do not copy any words from Audio 1. Overall continuity: the location is the same broad rectangular high-rise office balcony in Tokyo for the full 30 seconds, about eight meters wide and three and a half meters deep, outside the same glass office facade with the same safe metal railing and the same city skyline. The fixed camera is inside the open balcony entrance at eye level, roughly 24 mm, showing the entire floor, glass wall, railing, and skyline. Keep all architectural edges, perspective, balcony dimensions, railing, doors, and camera position identical from beginning to end. Photorealistic live-action documentary-cinematic realism, physically credible human motion, real concrete, wood grain, fabric, glass, metal, dust, grime, reflections, condensation, gravity, tool use, and construction assembly. The compressed day progresses from cold overcast winter morning to warm golden hour, while the balcony geometry never changes. Shot 1 [0.0-30.0 s] — One continuous locked-off wide master shot. No cuts, pans, tilts, zooms, drones, handheld movement, dissolves, or angle changes. Time compression is achieved only through accelerated action, passing clouds, moving shadows, and the evolving construction state inside this one stable frame. Within Shot 1 [0.0-3.0 s] — Normal speed opening state. Match Image 4. Exactly one character is present: Sobaya sits at the old metal office desk on the left third of frame and seriously works on an open laptop. A separate monitor, office chair, wastebasket, cardboard boxes, loose papers, coffee cup, and tangled power cables surround him. The broad center and right side remain open and visibly dirty. The concrete floor has dust, leaves, dark grime, scuff marks, and old coffee stains. Sobaya types for two seconds, pauses, looks across the filthy balcony, and decisively closes the laptop. No bar equipment, wood floor, lantern, noren, alcohol, food, customer, Fukuchan, or Tokun yet. Within Shot 1 [3.0-8.0 s] — The construction time-lapse accelerates sharply while the camera remains perfectly locked. Sobaya decides that every office item is garbage and uses his extraordinary physical strength to destroy all of it rapidly with his bare hands. He closes the laptop and snaps it cleanly into several pieces over the desk. He crushes the separate monitor inward between both gray hands, folds its casing, and drops every electronic fragment into a heavy opaque black industrial garbage bag. He pulls out the cables, tears them into short bundles, and bags them. He grips the old metal desk, bends its top and legs inward like thin sheet metal, folds the entire desk into compact scrap, and forces all pieces into oversized black construction sacks. He lifts the office chair, snaps its back and legs apart one by one, crushes the seat, and bags every piece. He tears the cardboard boxes flat, sweeps papers and the coffee cup into the waste, ties every sack closed, and carries all sealed garbage bags through the glass office door behind him. Make the superhuman destruction physical, powerful, fast, visually clear, and comically matter-of-fact, with real metal deformation, plastic cracking, wood breaking, and weight. No hand tools are used for demolition. All debris stays inside the balcony floor until bagged. Nothing and no fragment is thrown over the railing, dropped toward the street, teleported, dissolved, repaired, reused, or transformed into another object. At 8.0 seconds the destroyed desk, laptop, monitor, chair, boxes, papers, cables, cup, fragments, and garbage bags are completely absent, leaving only the dirty bare concrete floor. Within Shot 1 [8.0-12.0 s] — Continuous high-speed cleaning time-lapse. Sobaya sweeps the entire floor from the glass wall toward a dustpan, vacuums corners, collects all debris into one black bag, scrubs the stains with a deck brush, and mops the concrete. No water or debris goes over the railing. Grime visibly disappears in coherent patches following his tool path rather than vanishing all at once. Passing clouds and fast-moving shadows communicate several hours. By 11.2 seconds the concrete is uniformly clean; by 12.0 seconds it is completely dry and free of tools, bags, dust, stains, and loose debris. Within Shot 1 [12.0-18.0 s] — Continuous high-speed flooring time-lapse. Sobaya repeatedly enters from the glass office door carrying stacks of warm brown interlocking outdoor wood-deck tiles. He kneels and installs them by hand in straight aligned rows from the far railing toward the camera, measuring edges, snapping tiles together, tapping them level with a rubber mallet, and cutting only edge pieces. The clean bare concrete remains visible ahead of the advancing installation line and the completed wooden deck remains behind it. Do not grow wood from the floor or cover the floor with one magical wipe. By 18.0 seconds the entire usable floor is a clean, level, safely fitted warm wood deck; no loose tiles or tools remain. Within Shot 1 [18.0-25.0 s] — Continuous high-speed standing-bar construction time-lapse. Sobaya carries all materials through the glass office door in visible loads and assembles them in a legible physical order. First he anchors sturdy timber posts and a broad waist-high natural-wood standing counter across the center-right area without blocking the exit or railing. Next he adds stable rear shelves, under-counter storage, and a compact beer tap. Then he installs exactly two warm red paper lanterns, plain navy noren curtains with no writing, a short string of warm bulbs, a few potted green plants, and exactly one ukulele resting safely on the right side. Last he stocks a modest number of bottles with unreadable generic labels, clean glassware, one bowl of edamame, and one plate of grilled skewers. Objects arrive through the door and are assembled; they never appear from thin air, self-build, melt, morph, duplicate, or pass through Sobaya. The bar remains safely anchored inside the railing and visually matches the finished environment of Image 5. Exactly one Sobaya is present; no helpers or customers appear yet. Within Shot 1 [25.0-27.0 s] — The time-lapse gradually slows toward normal speed as warm golden-hour light reaches the finished bar and the two lanterns illuminate. Sobaya wipes the counter once, turns on the string lights, and uses the beer tap to fill exactly three large clear mugs with amber beer and white foam. He places the three filled mugs in a straight row on the counter. No other mugs contain beer. He keeps one mug nearest himself and waits, facing the office door with quiet satisfaction. Within Shot 1 [27.0-30.0 s] — Normal speed finale in the same locked wide frame. For the first time, Fukuchan from Image 2 and Tokun from Image 3 enter together through the glass office door. They do not materialize and did not appear earlier. Fukuchan takes the middle mug, Tokun takes the right mug, and Sobaya takes the left mug. Exactly three people each hold exactly one mug. At 28.4 seconds Fukuchan alone smiles brightly and says exactly once in natural Japanese using the voice timbre of Audio 1: 「乾杯！」 Sobaya and Tokun remain silent with closed mouths, smile, and raise their mugs. At 28.8 seconds the three mugs meet once at the center with one clear glass clink. They hold the joyful completed-bar tableau through 30.0 seconds without drinking. Audio: synchronized live-action sound throughout. Opening has winter wind, distant Tokyo traffic, quiet keyboard typing, and a laptop-close click. During the demolition time-lapse, use powerful but comedic metal bending, laptop casing snaps, monitor plastic cracking, chair legs breaking, cardboard tearing, debris drops, and heavy garbage-bag rustling. Continue with compressed but recognizable sweeping, vacuuming, scrubbing, mopping, wood tiles clicking, rubber-mallet taps, sawing, timber assembly, bottle placement, lantern paper rustle, and beer pouring. Add a light upbeat handcrafted instrumental montage bed using muted ukulele, brushed percussion, and wooden taps, with no vocals; keep it below the physical sounds and lower it before the final line. Fukuchan says exactly once: 「乾杯！」 at 28.4 seconds. Pronunciation: 「乾杯」=「かんぱい」. No other dialogue, narration, laughter, singing, whispers, or vocalizations. One glass clink at 28.8 seconds. Keep the final word and clink clear. Hard constraints: exact 30.0-second duration; exactly one continuous locked-off shot; exactly one Sobaya from 0.0 through 27.0 seconds; Fukuchan and Tokun appear only after 27.0 seconds; exactly three people at the end; exact identity from Images 1-3; Sobaya's mask remains on; every starting office item is treated as trash and physically destroyed by Sobaya before disposal; no intact office item is reused in the bar; destruction and bagging precede cleaning, cleaning precedes drying, drying precedes flooring, flooring precedes bar construction, and bar completion precedes beer and guests; all fragments are bagged, all waste exits through the glass door, and nothing crosses the railing; no spontaneous object appearance, magical morphing, reverse construction, repaired office furniture, demolition after completion, duplicated people, background workers, extra customers, extra beer mugs, fused hands, extra limbs, injury, blood, unreadable foreground signage, readable bottle labels, subtitles, captions, credits, on-screen UI, logos, watermarks, camera movement, camera cuts, changing balcony geometry, unsafe railing, construction beyond the balcony, rain, snow, night, or vocals in the music.
INPUTS0
この生成にはインプット素材が登録されていません。
GENERATION v1
通常版・seed 300048
wan3.0-video通常版・30秒・480P・seed 300048
PROMPTrevision 1
Wan 3.0 30秒建築タイムラプス
Create exactly one 30.0-second, 16:9, photorealistic live-action construction time-lapse video with synchronized sound. The entire video is one continuous locked-off wide master shot with no cuts, no reframing, and no camera movement. References: - Image 1: the sole identity reference for Sobaya. Preserve his exact white mask with black circular eye holes, four vertical red markings, black forehead dot, short spiky black hair, neutral-gray exposed skin, massive muscular build, and distinctive face-and-body silhouette throughout. He wears a plain fitted white short-sleeve T-shirt, black work pants, and black work shoes. His mask never comes off. - Image 2: the sole face and identity reference for Fukuchan. Preserve the exact face, black center-parted hair, slim body, and recognizable real Japanese male identity. He wears the stylish black jacket and white graphic shirt seen in Image 2. - Image 3: the sole face and identity reference for Tokun. Preserve the exact face and recognizable real Japanese male identity. He wears a straw hat, dark sunglasses, bright aqua Hawaiian shirt, pink lei, dark trousers, and shoes. Exactly one ukulele is stored at the finished bar; he does not play it during the toast. - Image 4: opening environment, dirty-floor state, fixed 24 mm camera geography, balcony dimensions, skyline, desk, computer equipment, and initial placement reference. Use the person visible in Image 4 only for composition; Sobaya's identity must come from Image 1. - Image 5: finished standing-bar environment, warm wooden deck, timber counter, shelves, red lanterns, plain navy noren curtains, string lights, plants, food, beer, and final toast composition reference. Use the people visible in Image 5 only for composition; all three identities must come from Images 1, 2, and 3. Do not copy any accidental or unreadable bottle-label text. - Audio 1: Fukuchan's voice-timbre reference only. Use its recognizable voice quality for Fukuchan's final one-word line. Do not copy any words from Audio 1. Overall continuity: the location is the same broad rectangular high-rise office balcony in Tokyo for the full 30 seconds, about eight meters wide and three and a half meters deep, outside the same glass office facade with the same safe metal railing and the same city skyline. The fixed camera is inside the open balcony entrance at eye level, roughly 24 mm, showing the entire floor, glass wall, railing, and skyline. Keep all architectural edges, perspective, balcony dimensions, railing, doors, and camera position identical from beginning to end. Photorealistic live-action documentary-cinematic realism, physically credible human motion, real concrete, wood grain, fabric, glass, metal, dust, grime, reflections, condensation, gravity, tool use, and construction assembly. The compressed day progresses from cold overcast winter morning to warm golden hour, while the balcony geometry never changes. Shot 1 [0.0-30.0 s] — One continuous locked-off wide master shot. No cuts, pans, tilts, zooms, drones, handheld movement, dissolves, or angle changes. Time compression is achieved only through accelerated action, passing clouds, moving shadows, and the evolving construction state inside this one stable frame. Within Shot 1 [0.0-3.0 s] — Normal speed opening state. Match Image 4. Exactly one character is present: Sobaya sits at the old metal office desk on the left third of frame and seriously works on an open laptop. A separate monitor, office chair, wastebasket, cardboard boxes, loose papers, coffee cup, and tangled power cables surround him. The broad center and right side remain open and visibly dirty. The concrete floor has dust, leaves, dark grime, scuff marks, and old coffee stains. Sobaya types for two seconds, pauses, looks across the filthy balcony, and decisively closes the laptop. No bar equipment, wood floor, lantern, noren, alcohol, food, customer, Fukuchan, or Tokun yet. Within Shot 1 [3.0-8.0 s] — The construction time-lapse accelerates sharply while the camera remains perfectly locked. Sobaya decides that every office item is garbage and uses his extraordinary physical strength to destroy all of it rapidly with his bare hands. He closes the laptop and snaps it cleanly into several pieces over the desk. He crushes the separate monitor inward between both gray hands, folds its casing, and drops every electronic fragment into a heavy opaque black industrial garbage bag. He pulls out the cables, tears them into short bundles, and bags them. He grips the old metal desk, bends its top and legs inward like thin sheet metal, folds the entire desk into compact scrap, and forces all pieces into oversized black construction sacks. He lifts the office chair, snaps its back and legs apart one by one, crushes the seat, and bags every piece. He tears the cardboard boxes flat, sweeps papers and the coffee cup into the waste, ties every sack closed, and carries all sealed garbage bags through the glass office door behind him. Make the superhuman destruction physical, powerful, fast, visually clear, and comically matter-of-fact, with real metal deformation, plastic cracking, wood breaking, and weight. No hand tools are used for demolition. All debris stays inside the balcony floor until bagged. Nothing and no fragment is thrown over the railing, dropped toward the street, teleported, dissolved, repaired, reused, or transformed into another object. At 8.0 seconds the destroyed desk, laptop, monitor, chair, boxes, papers, cables, cup, fragments, and garbage bags are completely absent, leaving only the dirty bare concrete floor. Within Shot 1 [8.0-12.0 s] — Continuous high-speed cleaning time-lapse. Sobaya sweeps the entire floor from the glass wall toward a dustpan, vacuums corners, collects all debris into one black bag, scrubs the stains with a deck brush, and mops the concrete. No water or debris goes over the railing. Grime visibly disappears in coherent patches following his tool path rather than vanishing all at once. Passing clouds and fast-moving shadows communicate several hours. By 11.2 seconds the concrete is uniformly clean; by 12.0 seconds it is completely dry and free of tools, bags, dust, stains, and loose debris. Within Shot 1 [12.0-18.0 s] — Continuous high-speed flooring time-lapse. Sobaya repeatedly enters from the glass office door carrying stacks of warm brown interlocking outdoor wood-deck tiles. He kneels and installs them by hand in straight aligned rows from the far railing toward the camera, measuring edges, snapping tiles together, tapping them level with a rubber mallet, and cutting only edge pieces. The clean bare concrete remains visible ahead of the advancing installation line and the completed wooden deck remains behind it. Do not grow wood from the floor or cover the floor with one magical wipe. By 18.0 seconds the entire usable floor is a clean, level, safely fitted warm wood deck; no loose tiles or tools remain. Within Shot 1 [18.0-25.0 s] — Continuous high-speed standing-bar construction time-lapse. Sobaya carries all materials through the glass office door in visible loads and assembles them in a legible physical order. First he anchors sturdy timber posts and a broad waist-high natural-wood standing counter across the center-right area without blocking the exit or railing. Next he adds stable rear shelves, under-counter storage, and a compact beer tap. Then he installs exactly two warm red paper lanterns, plain navy noren curtains with no writing, a short string of warm bulbs, a few potted green plants, and exactly one ukulele resting safely on the right side. Last he stocks a modest number of bottles with unreadable generic labels, clean glassware, one bowl of edamame, and one plate of grilled skewers. Objects arrive through the door and are assembled; they never appear from thin air, self-build, melt, morph, duplicate, or pass through Sobaya. The bar remains safely anchored inside the railing and visually matches the finished environment of Image 5. Exactly one Sobaya is present; no helpers or customers appear yet. Within Shot 1 [25.0-27.0 s] — The time-lapse gradually slows toward normal speed as warm golden-hour light reaches the finished bar and the two lanterns illuminate. Sobaya wipes the counter once, turns on the string lights, and uses the beer tap to fill exactly three large clear mugs with amber beer and white foam. He places the three filled mugs in a straight row on the counter. No other mugs contain beer. He keeps one mug nearest himself and waits, facing the office door with quiet satisfaction. Within Shot 1 [27.0-30.0 s] — Normal speed finale in the same locked wide frame. For the first time, Fukuchan from Image 2 and Tokun from Image 3 enter together through the glass office door. They do not materialize and did not appear earlier. Fukuchan takes the middle mug, Tokun takes the right mug, and Sobaya takes the left mug. Exactly three people each hold exactly one mug. At 28.4 seconds Fukuchan alone smiles brightly and says exactly once in natural Japanese using the voice timbre of Audio 1: 「乾杯！」 Sobaya and Tokun remain silent with closed mouths, smile, and raise their mugs. At 28.8 seconds the three mugs meet once at the center with one clear glass clink. They hold the joyful completed-bar tableau through 30.0 seconds without drinking. Audio: synchronized live-action sound throughout. Opening has winter wind, distant Tokyo traffic, quiet keyboard typing, and a laptop-close click. During the demolition time-lapse, use powerful but comedic metal bending, laptop casing snaps, monitor plastic cracking, chair legs breaking, cardboard tearing, debris drops, and heavy garbage-bag rustling. Continue with compressed but recognizable sweeping, vacuuming, scrubbing, mopping, wood tiles clicking, rubber-mallet taps, sawing, timber assembly, bottle placement, lantern paper rustle, and beer pouring. Add a light upbeat handcrafted instrumental montage bed using muted ukulele, brushed percussion, and wooden taps, with no vocals; keep it below the physical sounds and lower it before the final line. Fukuchan says exactly once: 「乾杯！」 at 28.4 seconds. Pronunciation: 「乾杯」=「かんぱい」. No other dialogue, narration, laughter, singing, whispers, or vocalizations. One glass clink at 28.8 seconds. Keep the final word and clink clear. Hard constraints: exact 30.0-second duration; exactly one continuous locked-off shot; exactly one Sobaya from 0.0 through 27.0 seconds; Fukuchan and Tokun appear only after 27.0 seconds; exactly three people at the end; exact identity from Images 1-3; Sobaya's mask remains on; every starting office item is treated as trash and physically destroyed by Sobaya before disposal; no intact office item is reused in the bar; destruction and bagging precede cleaning, cleaning precedes drying, drying precedes flooring, flooring precedes bar construction, and bar completion precedes beer and guests; all fragments are bagged, all waste exits through the glass door, and nothing crosses the railing; no spontaneous object appearance, magical morphing, reverse construction, repaired office furniture, demolition after completion, duplicated people, background workers, extra customers, extra beer mugs, fused hands, extra limbs, injury, blood, unreadable foreground signage, readable bottle labels, subtitles, captions, credits, on-screen UI, logos, watermarks, camera movement, camera cuts, changing balcony geometry, unsafe railing, construction beyond the balcony, rain, snow, night, or vocals in the music.
INPUTS0
この生成にはインプット素材が登録されていません。
CAST